Recent from talks
To Beep or Not to Beep
Knowledge base stats:
Talk channels stats:
Members stats:
To Beep or Not to Beep
To Beep or Not to Beep is a Merrie Melodies animated short starring Wile E. Coyote and the Road Runner. Released on December 28, 1963, the cartoon was written by Chuck Jones, John Dunn, Michael Maltese (albeit uncredited), and directed by Jones, Maurice Noble and Tom Ray were the co-directors (albeit the latter is left uncredited). This is the penultimate Road Runner/Wile E. Coyote short that Chuck Jones directed at Warner Bros. during the original "classic" era. This is also the final Warner Bros. cartoon released in 1963.
The title is a play on the famous line in William Shakespeare's play Hamlet. This installment of the Coyote-Road Runner series marked the first time that no Latin-esque terms are used to indicate who each character is.
Almost all of the footage was originally made as part of a 1962 television pilot named Adventures of the Road Runner. The pilot was rejected by ABC, and several gags from the short were rearranged into this cartoon in a cost-cutting measure (a similar practice was used in the Three Stooges two-reelers of the mid-to-late 1950s). A whole new soundtrack was crafted by musician Bill Lava and editor Treg Brown.
The opening scene shows Wile E. Coyote reading a "Western Cookery" recipe book in total peace. Completely unaware that his prey has zoomed up behind him to sneak a peek at his book, he slurps at the prospect of a road-runner banquet featuring "Road Runner Surprise", and gets answered by another slurp. Turning to find himself nose-to-beak with the Road Runner, the Coyote gives himself a real headache responding to a startling "BEEP-BEEP!" from point-blank range.
1. The Coyote places a lasso in the road, and pulls back as soon as he hears his opponent, but he misses and, since there is no room on the cliff behind him to step back, he falls toward the ground. The end of the lasso latches onto a loose rock on another outcropping as he passes it. Thinking the rock will be heavy enough to support him and prevent the impact, Wile E. ties his end of the lasso around his waist, but doesn't realize that the rope is too long before hitting the ground at full force. Still dazed by his miscalculation and the resulting impact, the Coyote pulls on the lasso and dislodges the rock, which drops on himself, leaving his form coiled up as he walks away.
2. Later on, as the usual chase takes place, the Road Runner goes supersonic and rockets away, causing several cacti to uproot due to his speed. They continue to follow the Road Runner across the landscape, and Wile E. continues chasing until he sees that a bridge has retracted due to the bird's trajectory. Wile E. falls through the ravine, followed by one of the slower cacti that did not make it past the bridge, causing him to leap yelling in pain up to the top of the ravine like a rocket.
3. Not having learned from previous uses of this device, the Coyote attaches a spring to a loose rock and tries to shoot himself toward the Road Runner, but instead the rock is thrown backwards and it continues to pull the Coyote back like a Newton's cradle until the rock hurtles over the edge of a cliff. Wile E. manages to grab onto the brink and stay put, until the rock flies back the way it came, taking out the entire outcropping and throwing the Coyote across the desert. The two rocks finally detach themselves, but this leads to the broken outcropping forming a see-saw, with Wile E. lying on one end and the big rock landing on the other side. This catapults the Coyote even further, until he falls through a narrow canyon with the rock directly on top, leading to the spring retracting and Wile E. being trapped directly underneath. By loosening the harness, the Coyote escapes and sighs with relief, having escaped with only a fall to the ground.
4. Lying in wait for the Road Runner inside a crane, the Coyote pulls up a wrecking ball to drop on the Road Runner when he passes this segment. However, he pulls it up too far, and the wrecking ball rolls onto the top of the crane and smashes the cockpit.
Hub AI
To Beep or Not to Beep AI simulator
(@To Beep or Not to Beep_simulator)
To Beep or Not to Beep
To Beep or Not to Beep is a Merrie Melodies animated short starring Wile E. Coyote and the Road Runner. Released on December 28, 1963, the cartoon was written by Chuck Jones, John Dunn, Michael Maltese (albeit uncredited), and directed by Jones, Maurice Noble and Tom Ray were the co-directors (albeit the latter is left uncredited). This is the penultimate Road Runner/Wile E. Coyote short that Chuck Jones directed at Warner Bros. during the original "classic" era. This is also the final Warner Bros. cartoon released in 1963.
The title is a play on the famous line in William Shakespeare's play Hamlet. This installment of the Coyote-Road Runner series marked the first time that no Latin-esque terms are used to indicate who each character is.
Almost all of the footage was originally made as part of a 1962 television pilot named Adventures of the Road Runner. The pilot was rejected by ABC, and several gags from the short were rearranged into this cartoon in a cost-cutting measure (a similar practice was used in the Three Stooges two-reelers of the mid-to-late 1950s). A whole new soundtrack was crafted by musician Bill Lava and editor Treg Brown.
The opening scene shows Wile E. Coyote reading a "Western Cookery" recipe book in total peace. Completely unaware that his prey has zoomed up behind him to sneak a peek at his book, he slurps at the prospect of a road-runner banquet featuring "Road Runner Surprise", and gets answered by another slurp. Turning to find himself nose-to-beak with the Road Runner, the Coyote gives himself a real headache responding to a startling "BEEP-BEEP!" from point-blank range.
1. The Coyote places a lasso in the road, and pulls back as soon as he hears his opponent, but he misses and, since there is no room on the cliff behind him to step back, he falls toward the ground. The end of the lasso latches onto a loose rock on another outcropping as he passes it. Thinking the rock will be heavy enough to support him and prevent the impact, Wile E. ties his end of the lasso around his waist, but doesn't realize that the rope is too long before hitting the ground at full force. Still dazed by his miscalculation and the resulting impact, the Coyote pulls on the lasso and dislodges the rock, which drops on himself, leaving his form coiled up as he walks away.
2. Later on, as the usual chase takes place, the Road Runner goes supersonic and rockets away, causing several cacti to uproot due to his speed. They continue to follow the Road Runner across the landscape, and Wile E. continues chasing until he sees that a bridge has retracted due to the bird's trajectory. Wile E. falls through the ravine, followed by one of the slower cacti that did not make it past the bridge, causing him to leap yelling in pain up to the top of the ravine like a rocket.
3. Not having learned from previous uses of this device, the Coyote attaches a spring to a loose rock and tries to shoot himself toward the Road Runner, but instead the rock is thrown backwards and it continues to pull the Coyote back like a Newton's cradle until the rock hurtles over the edge of a cliff. Wile E. manages to grab onto the brink and stay put, until the rock flies back the way it came, taking out the entire outcropping and throwing the Coyote across the desert. The two rocks finally detach themselves, but this leads to the broken outcropping forming a see-saw, with Wile E. lying on one end and the big rock landing on the other side. This catapults the Coyote even further, until he falls through a narrow canyon with the rock directly on top, leading to the spring retracting and Wile E. being trapped directly underneath. By loosening the harness, the Coyote escapes and sighs with relief, having escaped with only a fall to the ground.
4. Lying in wait for the Road Runner inside a crane, the Coyote pulls up a wrecking ball to drop on the Road Runner when he passes this segment. However, he pulls it up too far, and the wrecking ball rolls onto the top of the crane and smashes the cockpit.