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Tony Silver
Tony Silver
Tony Silver
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David Anthony "Tony" Silver (April 15, 1935 – February 1, 2008) was an American documentary filmmaker known for directing the film Style Wars.[1]

Key Information

Biography

[edit]

Silver born David Anthony Silver in Manhattan on April 15, 1935. He attended Columbia University as a Ford Foundation scholar.[2][3] He was a maker of trailers and other promotional materials for movies and television, including a trailer for Oliver Stone's Platoon, which won a Clio Award in 1986.[1] He directed the 1983 documentary Style Wars, one of the earliest accounts of hip-hop culture that documented the lives of subway graffiti artists in New York City during the early 1980s. The movie won the Grand Jury Prize at the United States Film and Video Festival, a precursor to the Sundance Film Festival.[1]

Silver also made the documentary Marshall Arisman: Facing the Audience, about the artist Marshall Arisman.[4]

Silver died at his home in Los Angeles on February 1, 2008. He married film producer and later acting chairman of the National Endowment for the Arts Joan Shigekawa.[1] Their daughter is Mariko Silver, former president of Bennington College and CEO of the Henry Luce Foundation.[5]

References

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Tony Silver

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Tony Silver was an American documentary filmmaker known for directing and co-producing Style Wars (1983), one of the earliest and most influential cinematic accounts of New York City's emerging hip-hop culture, graffiti art, breakdancing, and rap music in the early 1980s. Born David Anthony Silver on April 15, 1935, in Manhattan, he attended Columbia University and briefly pursued acting before establishing himself in the film industry. He died on February 1, 2008, at his home in Los Angeles from a brain tumor. Silver began his professional career as a successful creator of movie trailers and promotional materials on the East Coast, earning acclaim for work including the trailer for Oliver Stone's Platoon (1986), which received a Clio Award in 1987. He started making his own independent films in the 1970s, with early efforts such as The Miss Nude America Movie (1970) screening at the New York Film Festival. Other documentaries he directed or produced include Anita Ellis: For the Record, a public television film on jazz singer Anita Ellis, and Arisman: Facing the Audience (2002), which explored the life and work of artist Marshall Arisman. His landmark Style Wars, co-produced with photographer Henry Chalfant, aired on PBS and documented graffiti writers like Dondi, Seen, and Crash alongside early hip-hop figures such as Grandmaster Flash and the Furious Five, while addressing conflicts with city authorities including Mayor Edward I. Koch. The film won the Grand Jury Prize for documentaries at the United States Film and Video Festival in 1984 and gained a lasting cult following through bootleg copies and later restorations. In 2003, Silver and Chalfant released Style Wars: Revisited, catching up with the original subjects two decades later. Silver's work is widely recognized for preserving a pivotal moment in American cultural history.

Early life and education

Birth and early years

Tony Silver was born David Anthony "Tony" Silver on April 15, 1935, in Manhattan, New York, U.S. He spent his early years in New York City.

Education at Columbia University

Tony Silver attended Columbia University as a Ford Foundation scholar. He later transitioned to a career in film promotion and trailer production. Specific details about his field of study, duration of attendance, or degree completion are not documented in available biographical sources.

Professional career

Work in film promotion and trailers

Tony Silver began his professional career creating trailers and promotional materials for motion pictures and television programs, establishing himself in the field of film advertising. He gained particular recognition for producing the trailer for Oliver Stone's Vietnam War drama Platoon (1986), which earned a Clio Award in 1987 for its excellence in film promotion. The Clio Awards, given for creative achievement in advertising, underscored Silver's ability to craft compelling and impactful trailers that effectively captured audience interest. This work in film promotion and trailers formed the foundation of his early career before he shifted toward documentary filmmaking.

Directing Style Wars

Tony Silver co-directed and co-produced the landmark 1983 documentary Style Wars with photographer Henry Chalfant. The film explored the world of New York City subway graffiti writers and the nascent hip-hop culture, capturing the creative energy of young artists tagging trains and battling for recognition in the streets and subways during the late 1970s and early 1980s. It presented an intimate, observational portrait of graffiti as an art form and its intersections with breakdancing and early rap music, offering one of the first in-depth cinematic records of what would become globally influential cultural movements. Style Wars originally premiered on PBS as part of the series Style Wars in 1983, with a theatrical release following in 1984. The original broadcast version runs 70 minutes, while a later director's cut extends to 111 minutes, incorporating additional footage. The documentary received immediate recognition when it won the Grand Jury Prize for Documentary at the United States Film and Video Festival in 1984, an event that served as the precursor to the Sundance Film Festival. This award highlighted its critical impact as a groundbreaking representation of urban youth culture at the time. The film is widely regarded as a landmark early account of hip-hop culture, documenting its grassroots origins before the genre achieved mainstream success.

Later documentaries and projects

Following Style Wars, Tony Silver directed a small number of additional documentaries that explored artistic and social subjects. These include Arisman: Facing the Audience (2002), a documentary profiling the life and work of New York illustrator, painter, and storyteller Marshall Arisman, which included footage of Arisman at an exhibition in China. The film received the prize for Creative and Artistic Achievement at the Santa Barbara International Film Festival. In 2003, he directed Style Wars: Revisited, a follow-up project that reconnected with the graffiti writers featured in the original film two decades later. In 2005, Silver directed (Out)Law and Order, a documentary chronicling a conflict-resolution program in Los Angeles middle schools that used drama, language arts, and social studies to address disputes. These later projects reflected Silver's ongoing interest in creative expression and community issues, though his documentary output remained limited in his final years.

Personal life

Marriage and family

Tony Silver was married three times. His second marriage was to Joan Shigekawa, a television producer and filmmaker who focused on art-related projects and later served as acting chairwoman of the National Endowment for the Arts. Their marriage ended in divorce. The couple had a daughter, Mariko Silver, who served as president of Bennington College, president and CEO of the Henry Luce Foundation, and is president and CEO of Lincoln Center for the Performing Arts. Silver had a daughter, Nini Silver, from his first marriage (to Helen Silver, which ended in divorce). He married Lisa Citron in 2000; she survived him.

Death

Passing and immediate aftermath

Tony Silver died on February 1, 2008, at the age of 72, at his home in Los Angeles, California. His passing was not widely reported initially. An obituary published in the Los Angeles Times noted that he was survived by his wife, Lisa Citron; daughters Nini and Mariko Silver; sister Jeanne Silver Frankl; and stepdaughter Meghan Tate.

Legacy

Cultural impact of Style Wars

Style Wars has been widely recognized as a landmark and defining documentary of early hip-hop culture, capturing the vibrant graffiti, breakdancing, and rap scenes in 1980s New York City with unprecedented authenticity. The film is regarded as the indispensable document of New York street culture during that era, serving as a filmic record of a golden age of youthful creativity. Its portrayal of young artists like graffiti writers and b-boys helped establish hip-hop's visual and cultural identity for audiences beyond the Bronx, contributing to the genre's broader recognition. Decades after its release, Style Wars continues to influence music, art, and street culture, with its legacy remaining undeniable over 40 years later. The documentary has been referenced in numerous discussions of hip-hop history and has inspired subsequent works examining urban youth creativity and street art. Elements from the film, including footage and interviews, have appeared in later media and been sampled in music productions, underscoring its enduring role in shaping perceptions of hip-hop's origins.

Archival preservation and recognition

The Tony Silver Collection at the Academy Film Archive preserves over 100 film and video items, primarily outtakes and other elements from Style Wars. Silver began depositing materials in 2004 and continued to do so until his death in 2008. This collection ensures the long-term preservation of key footage and related materials from his most notable work. A special edition DVD of Style Wars includes commentary and interviews by Tony Silver, along with over 23 minutes of original outtake footage and additional interviews related to the production. These features make Silver's own insights and unused material more accessible to audiences. Beyond this preservation and the DVD's supplementary content, Silver's contributions have received limited additional posthumous recognition. Style Wars maintains ongoing cultural relevance as a seminal record of early hip-hop and graffiti culture.
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