Transglobal Underground

Transglobal Underground (sometimes written as Trans-Global Underground) is an English folk rock music group, specializing in a fusion of western, Asian and African music styles (sometimes labelled world fusion and ethno techno). Their first four albums featured Natacha Atlas as lead singer, and their single "Temple Head" was used in a Coca-Cola advertising campaign for the 1996 Olympic Games. In 2008 they won the BBC Radio 3 Award for World Music after the release of their seventh official album, Moonshout. Their most recent release is 2020's Walls Have Ears, marking Atlas' return as a guest with the group. Their work has been described as "a collision of tradition and innovation."

Although Transglobal Underground has always had a fluid line-up, the two core members of the group are Tim Whelan (keyboards, guitar, flute, melodica, programming, vocals) and Hamilton Lee (percussion, drums, keyboards, programming). Throughout the group's history, Whelan and Lee have deliberately clouded their identities via multiple pseudonyms and obscure credits - Whelan generally operating under the alias of "Alex Kasiek" and Lee under the alias of "Hamid Mantu" (also "Hamid Man Tu"). Whelan has also used his "Alex Kasiek" pseudonym outside TGU work (sometimes combining it with his real name, as he did for his guest appearance on the 2002 Project Dark album Gramophone De Luxe) and has sometimes implied that Kasiek is a separate person.

Other musicians who have been long-time TGU members or associates include:

Artists who have made guest appearances on TGU albums include:

Transglobal Underground tracks have been remixed by Dreadzone, Lionrock and Youth and they in turn have remixed tracks for Warsaw Village Band, Banco de Gaia, Fun-Da-Mental, Grotus, Transjoik, Pop Will Eat Itself and Tragic Roundabout.

Musical collaborators since their schooldays, Tim Whelan and Hamilton Lee were previously both founding members of British pop band Furniture and had played with the experimental psychedelic art-punk group The Transmitters. While with Furniture, both musicians had already demonstrated an interest in world music by bringing in more culturally-diverse instrumentation to what was originally a fairly conventional rock band line up (Lee had played tongue drums and other percussion in addition to his standard drumkit, while Whelan had supplemented his guitar playing with extensive use of the Chinese yangqin zither). Following the break-up of Furniture, Whelan and Lee worked together as part of the Flavel Bambi Septet (an Ealing-based world music band with a shifting line-up including other Transmitters members and future TGU member Natacha Atlas).

Transglobal Underground was first formed when Whelan and Lee teamed up with a third musician, Nick Page. All three took on pseudonyms for the project, which they have determinedly maintained (albeit with variations) up until the present day. Whelan became "Alex Kasiek", Lee "Hamid Mantu" and Page "Count Dubulah". The first recording by the group was the single "Temple Head" which was shopped around various labels before eventually being released by Nation Records in 1991. Although not a major hit, it was named "Single of the Week" in Melody Maker a publication that frequently reviewed and promoted the group, and heavily featured at clubs such as Whirl-Y-Gig. The group was quickly signed to Deconstruction Records, for whom they recorded an album. The label, however, declined to release the album, which eventually saw the light of day on the Nation label in 1994 as Dream of 100 Nations. This album marked the group debut of Natacha Atlas, formerly best known for her work with Jah Wobble's Invaders of the Heart, with percussionist Neil Sparkes joining at around the same time.

TGU developed a reputation for flamboyant live performances featuring dramatic costumes, belly dancing, endless percussion and members of the group disguised as Nepalese Temple guardians. The group released their second album International Times, later in 1994. This was followed in 1995 by the remix album Interplanetary Meltdown (with contributions from Dreadzone, Lionrock and Youth amongst others) aimed squarely at commercial club play. After a number of tours around Europe and 1997 (and the Psychic Karaoke album), Dubulah and Sparkes left to form Temple Of Sound.