True Colours (Split Enz album)
True Colours (Split Enz album)
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True Colours (Split Enz album)

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True Colours (Split Enz album)

True Colours is the fifth studio album released by New Zealand band Split Enz, and was their first major commercial success. Released on 21 January 1980, the album featured more pronounced contributions from co-lead singer and songwriter Neil Finn than previous releases. The album's New Zealand and Australian number 1 single, "I Got You", which also broke them internationally, is credited to him. The US release of the album featured "Shark Attack" and "I Got You" in reversed positions due to the latter's success on the single charts.

Tim Finn said, "We had been playing so many shows, so the band were very tight. It was like everything was starting to line up to make a really powerful record." Noel Crombie added, "We'd had a rough time up to that in England, and I think we're really just raring to go. We came back to Melbourne and recorded the album and it just felt it was a new beginning."

Tim Finn later said of recording, "David Tickle was supremely confident, almost arrogant, but he gave us something to bounce off. Half the time we didn't even like him. He wasn't some svengali who sprinkled the fairy dust. He was mostly a good engineer."

Originally, the band thought "Missing Person" to be the album's standout track, not realizing "I Got You" would become the hit. "I Hope I Never" was mixed differently for the Australian single release, with strengthened percussion. "Nobody Takes Me Seriously", "What's the Matter with You" and "Poor Boy" were released as singles in the northern hemisphere.

A synthesizer melody played in "I Wouldn't Dream of It" was first introduced in an early Split Enz recording, aptly titled "The Instrumental".

The album cover was initially released in four colour combinations – yellow and blue, red and green, purple and yellow, and blue and orange – but would ultimately be given another four makeovers with releases in lime green and pink, hot purple and burnt orange, gold and platinum (to mark its sales milestones), and finally yellow, blue and red.

Crombie later said, "There was a lot of resistance initially. For some reason they thought people would get confused. It was just playing with it really. Why not? In the end there were 11 covers. The rarest one is the black and white one that got sent out to the press. There's about 100 of them, with Textas to colour your own. So, if you're really keen, you'll have 11."

When it was later released on the A&M label, imaginative shapes and patterns covered the vinyl using a technique known as "laser-etching". When light hit the record, these designs would protrude and spin about the room. The album was the first to ever use this technique, originally designed to discourage the creation of counterfeit copies.

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