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Ub Iwerks
Ubbe Ert "Ub" Iwerks (/ʌb ˈaɪwɜːrks/ ub EYE-wurks; March 24, 1901 – July 7, 1971), was an American animator, cartoonist, character designer, inventor, and special effects technician. He was known for his early work with Walt Disney, especially for having worked on the creation of Mickey Mouse and Oswald the Lucky Rabbit, among other characters.
Iwerks and Disney met in 1919 while working at an art studio in Kansas City. After briefly working as illustrators for a local newspaper company, they ventured into animation together. Iwerks joined Disney as chief animator on the Laugh-O-Gram shorts series beginning in 1922, but a studio bankruptcy would cause Disney to relocate to Los Angeles in 1923. In the new studio, Iwerks continued to work with Disney on the Alice Comedies as well as the creation of Oswald the Lucky Rabbit. Following the first Oswald short, both Universal Pictures and the Winkler Pictures production company insisted that the Oswald character be redesigned. At the insistence of Disney, Iwerks designed a number of new characters for the studio, including designs that would be used for Clarabelle Cow and Horace Horsecollar.
One of Iwerks's most long-lasting contributions to animation was a refined version of a sketch drawn by Disney that would later go on to become Mickey Mouse. Iwerks was responsible for much of the animation for the early Mickey Mouse and Silly Symphony cartoons, including Steamboat Willie, The Skeleton Dance and The Haunted House, before a falling out with Disney led to Iwerks's resignation from the studio in January 1930. Iwerks's final Mickey Mouse cartoon was 1930's The Cactus Kid. Following his separation with Disney, Iwerks, operating under Iwerks Studio, created the characters Flip the Frog and Willie Whopper along with the ComiColor Cartoons series as part of a contract with Metro-Goldwyn-Mayer, but the new studio failed to rival its competitors. Iwerks later directed two Looney Tunes cartoon shorts for Leon Schlesinger Productions and several Color Rhapsody cartoons for Screen Gems from his studio as contract work before joining Disney again in 1940, after which he worked with special visual effects on productions such as 1946's Song of the South.
Iwerks had two children, Donald Warren Iwerks and David Lee Iwerks, with his wife Mildred Sarah Henderson. Iwerks died of a heart attack in Burbank, California, in 1971 at age 70. Iwerks was posthumously named a Disney Legend in 1989. His likeness has been featured in his granddaughter Leslie Iwerks's 1999 documentary The Hand Behind the Mouse: The Ub Iwerks Story as well as the 2014 feature film Walt Before Mickey, in which he is portrayed by Armando Gutierrez. Iwerks received three nominations at the Academy Awards, for which he won two. He also posthumously received the Winsor McCay Award at the 1978 Annie Awards and the Hall of Fame award at the 2017 Visual Effects Society Awards. Iwerks is considered one of the greatest animators of all time.
Iwerks was born in Kansas City, Missouri. His father was born in the village of Uttum in East Frisia (northwest Germany, today part of the municipality of Krummhörn) and emigrated to the United States in 1869 around the age of 14. The elder Iwerks, who worked as a barber, had abandoned several previous wives and children. When Ub was a teenager, his father abandoned him as well, forcing the boy to drop out of school and work to support his mother. Iwerks despised his father and never spoke of or saw him again; upon learning that he had died, he reportedly said, "Throw him in a ditch." Years later, when Iwerks's son Don asked about his grandfather, Ub stopped Don, telling him "We don't talk about that." He attended Ashland Grammar School, graduating in 1914. Ub's full name, Ubbe Ert Iwerks, can be seen on early Alice Comedies that he signed. Several years later, he simplified his name to "Ub Iwerks", sometimes written as "U.B. Iwerks".
Iwerks spent most of his career with Disney. The two met in 1919 while working for the Pesmen-Rubin Art Studio in Kansas City, and eventually started their own commercial art business together. Disney and Iwerks then found work as illustrators for the Kansas City Slide Newspaper Company (which was later named The Kansas City Film Ad Company). While working for the Kansas City Film Ad Company, Disney decided to take up work in animation, and Iwerks soon joined him. There he[who?] attached a motor drive to the camera with a switch that resembled a telegraph key, reducing the number of people needed to animate from two to just one.[how?]
Iwerks was responsible for the distinctive style of the earliest Disney animated cartoons, and was also responsible for designing Mickey Mouse. In 1922, when Disney began his Laugh-O-Gram cartoon series, Iwerks joined him as chief animator. The studio went bankrupt, however, and in 1923 Iwerks followed Disney's move to Los Angeles to work on a new series of cartoons known as "the Alice Comedies" which had live-action mixed with animation. After the end of this series, Disney asked Iwerks to design a character that became Oswald the Lucky Rabbit. The first cartoon Oswald starred in was animated entirely by Iwerks. Following the first cartoon, Oswald was redesigned on the insistence of Oswald's owner and the distributor of the cartoons, Universal Pictures. The production company at the time, Winkler Pictures, gave additional input on the character's design.
In spring 1928, Disney was removed from the Oswald series, and much of his staff was hired away to Winkler Pictures. He promised to never again work with a character he did not own. Disney asked Iwerks, who stayed on, to start drawing up new character ideas. Iwerks tried sketches of frogs, dogs, and cats, but none of these appealed to Disney. A female cow and male horse were created at this time by Iwerks, but were also rejected. They later turned up as Clarabelle Cow and Horace Horsecollar. Ub Iwerks eventually got inspiration from an old drawing. In 1925, Hugh Harman drew some sketches of mice around a photograph of Walt Disney. Then, on a train ride back from a failed business meeting, Walt Disney came up with the original sketch for the character that was eventually called Mickey Mouse. Afterward, Disney took the sketch to Iwerks. In turn, he drew a more clean-cut and refined version of Mickey, but one that still followed the original sketch.
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Ub Iwerks
Ubbe Ert "Ub" Iwerks (/ʌb ˈaɪwɜːrks/ ub EYE-wurks; March 24, 1901 – July 7, 1971), was an American animator, cartoonist, character designer, inventor, and special effects technician. He was known for his early work with Walt Disney, especially for having worked on the creation of Mickey Mouse and Oswald the Lucky Rabbit, among other characters.
Iwerks and Disney met in 1919 while working at an art studio in Kansas City. After briefly working as illustrators for a local newspaper company, they ventured into animation together. Iwerks joined Disney as chief animator on the Laugh-O-Gram shorts series beginning in 1922, but a studio bankruptcy would cause Disney to relocate to Los Angeles in 1923. In the new studio, Iwerks continued to work with Disney on the Alice Comedies as well as the creation of Oswald the Lucky Rabbit. Following the first Oswald short, both Universal Pictures and the Winkler Pictures production company insisted that the Oswald character be redesigned. At the insistence of Disney, Iwerks designed a number of new characters for the studio, including designs that would be used for Clarabelle Cow and Horace Horsecollar.
One of Iwerks's most long-lasting contributions to animation was a refined version of a sketch drawn by Disney that would later go on to become Mickey Mouse. Iwerks was responsible for much of the animation for the early Mickey Mouse and Silly Symphony cartoons, including Steamboat Willie, The Skeleton Dance and The Haunted House, before a falling out with Disney led to Iwerks's resignation from the studio in January 1930. Iwerks's final Mickey Mouse cartoon was 1930's The Cactus Kid. Following his separation with Disney, Iwerks, operating under Iwerks Studio, created the characters Flip the Frog and Willie Whopper along with the ComiColor Cartoons series as part of a contract with Metro-Goldwyn-Mayer, but the new studio failed to rival its competitors. Iwerks later directed two Looney Tunes cartoon shorts for Leon Schlesinger Productions and several Color Rhapsody cartoons for Screen Gems from his studio as contract work before joining Disney again in 1940, after which he worked with special visual effects on productions such as 1946's Song of the South.
Iwerks had two children, Donald Warren Iwerks and David Lee Iwerks, with his wife Mildred Sarah Henderson. Iwerks died of a heart attack in Burbank, California, in 1971 at age 70. Iwerks was posthumously named a Disney Legend in 1989. His likeness has been featured in his granddaughter Leslie Iwerks's 1999 documentary The Hand Behind the Mouse: The Ub Iwerks Story as well as the 2014 feature film Walt Before Mickey, in which he is portrayed by Armando Gutierrez. Iwerks received three nominations at the Academy Awards, for which he won two. He also posthumously received the Winsor McCay Award at the 1978 Annie Awards and the Hall of Fame award at the 2017 Visual Effects Society Awards. Iwerks is considered one of the greatest animators of all time.
Iwerks was born in Kansas City, Missouri. His father was born in the village of Uttum in East Frisia (northwest Germany, today part of the municipality of Krummhörn) and emigrated to the United States in 1869 around the age of 14. The elder Iwerks, who worked as a barber, had abandoned several previous wives and children. When Ub was a teenager, his father abandoned him as well, forcing the boy to drop out of school and work to support his mother. Iwerks despised his father and never spoke of or saw him again; upon learning that he had died, he reportedly said, "Throw him in a ditch." Years later, when Iwerks's son Don asked about his grandfather, Ub stopped Don, telling him "We don't talk about that." He attended Ashland Grammar School, graduating in 1914. Ub's full name, Ubbe Ert Iwerks, can be seen on early Alice Comedies that he signed. Several years later, he simplified his name to "Ub Iwerks", sometimes written as "U.B. Iwerks".
Iwerks spent most of his career with Disney. The two met in 1919 while working for the Pesmen-Rubin Art Studio in Kansas City, and eventually started their own commercial art business together. Disney and Iwerks then found work as illustrators for the Kansas City Slide Newspaper Company (which was later named The Kansas City Film Ad Company). While working for the Kansas City Film Ad Company, Disney decided to take up work in animation, and Iwerks soon joined him. There he[who?] attached a motor drive to the camera with a switch that resembled a telegraph key, reducing the number of people needed to animate from two to just one.[how?]
Iwerks was responsible for the distinctive style of the earliest Disney animated cartoons, and was also responsible for designing Mickey Mouse. In 1922, when Disney began his Laugh-O-Gram cartoon series, Iwerks joined him as chief animator. The studio went bankrupt, however, and in 1923 Iwerks followed Disney's move to Los Angeles to work on a new series of cartoons known as "the Alice Comedies" which had live-action mixed with animation. After the end of this series, Disney asked Iwerks to design a character that became Oswald the Lucky Rabbit. The first cartoon Oswald starred in was animated entirely by Iwerks. Following the first cartoon, Oswald was redesigned on the insistence of Oswald's owner and the distributor of the cartoons, Universal Pictures. The production company at the time, Winkler Pictures, gave additional input on the character's design.
In spring 1928, Disney was removed from the Oswald series, and much of his staff was hired away to Winkler Pictures. He promised to never again work with a character he did not own. Disney asked Iwerks, who stayed on, to start drawing up new character ideas. Iwerks tried sketches of frogs, dogs, and cats, but none of these appealed to Disney. A female cow and male horse were created at this time by Iwerks, but were also rejected. They later turned up as Clarabelle Cow and Horace Horsecollar. Ub Iwerks eventually got inspiration from an old drawing. In 1925, Hugh Harman drew some sketches of mice around a photograph of Walt Disney. Then, on a train ride back from a failed business meeting, Walt Disney came up with the original sketch for the character that was eventually called Mickey Mouse. Afterward, Disney took the sketch to Iwerks. In turn, he drew a more clean-cut and refined version of Mickey, but one that still followed the original sketch.