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Ugly Delicious
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| Ugly Delicious | |
|---|---|
![]() | |
| Genre |
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| Directed by |
|
| Presented by | David Chang |
| Starring |
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| Original language | English |
| No. of seasons | 2 |
| No. of episodes | 12 |
| Production | |
| Executive producers | Ben Cotner Adam Del Deo |
| Producers |
|
| Running time | 45-55 minutes |
| Production company | Tremolo Productions |
| Original release | |
| Network | Netflix |
| Release | February 23, 2018 – March 6, 2020 |
Ugly Delicious is a non-fiction original series on Netflix combining travel, cooking, and history. Each episode highlights one dish or concept, and explores how it is made in different regions and how it evolves.
The first season premiered on February 23, 2018, with host David Chang.[1] On November 22, 2018, it was renewed for a second season,[2] which premiered on March 6, 2020.[3] The second season contained only half as many episodes as the first, likely due to Chang's increasingly busy schedule and the birth of his first child.[4]
Plot
[edit]Each episode examines the cultural, sociological, and culinary history of a specific popular food. Chang challenges and explores the attitudes in each dish's lore. Mike Hale wrote in his review for The New York Times that Ugly Delicious is "an extended television essay, in the form of free-associative, globe-trotting conversations about food and culture."[5]
Episodes
[edit]Season 1 (2018)
[edit]| No. overall | No. in season | Title | Original release date | |
|---|---|---|---|---|
| 1 | 1 | "Pizza" | February 23, 2018 | |
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David Chang explores the concept of authentic pizza. Mark Iacono travels to New Haven, Connecticut and Naples, Italy. In Naples, they meet with an association that seeks to establish "rules" on how to authentically make Neapolitan pizza. David and Aziz Ansari travel to Japan to see how chefs there interpret the pizza. Back in Brooklyn, David orders pizza from Domino's, and critiques their pies with Peter and Mark. David then works a shift at Domino's helping to deliver pizzas. | ||||
| 2 | 2 | "Tacos" | February 23, 2018 | |
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After trying tacos in Los Angeles with Jonathan Gold and Gustavo Arellano; David and Peter travel to Mexico. Chang also travels to Copenhagen and Philadelphia to sample popular Mexican restaurants there. | ||||
| 3 | 3 | "Homecooking" | February 23, 2018 | |
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David and Peter prepare a Thanksgiving dinner for the Chang family while fellow chefs look back on their memories of food. | ||||
| 4 | 4 | "Shrimp and Crawfish" | February 23, 2018 | |
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With the success of Viet-Cajun cuisine in Houston, David attempts to bring this cuisine to New Orleans, which does not have this fusion, despite having many Vietnamese restaurants as well as being one of the centers of Cajun food. | ||||
| 5 | 5 | "BBQ" | February 23, 2018 | |
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David explores Korean barbecue with Steven Yeun and David Choe, and compares and contrasts it with the American barbecue found in places like Texas and North Carolina. | ||||
| 6 | 6 | "Fried Chicken" | February 23, 2018 | |
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David explores Nashville hot chicken with Sean Brock while also learning about the complicated history of fried chicken among African-Americans. | ||||
| 7 | 7 | "Fried Rice" | February 23, 2018 | |
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David examines one of the most pervasive foods on the planet: Chinese food. While doing so, he explores the misconceptions that Westerners have behind it, ranging from its usage of MSG, to the nature of "true Chinese food" and how it differs from Western takeout. He also discusses the origin of Chinese-American food in the United States, and how early Chinese immigrants from the 19th century were restricted where they were allowed to work, with often only laundry shops and restaurants being permissible. | ||||
| 8 | 8 | "Stuffed" | February 23, 2018 | |
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The episode includes a friendly debate about which is better: Asian dumplings or Italian stuffed pasta? David explores the different types of xiaolongbao and meets up with Ali Wong. | ||||
Season 2 (2020)
[edit]| No. overall | No. in season | Title | Original release date | |
|---|---|---|---|---|
| 9 | 1 | "Kids Menu" | March 6, 2020 | |
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David learns that he is about to become a father. He explores the differences in school food between Japan and the United States, where he attempts to create a meal that satisfies dietary and budgetary guidelines, while still being enjoyed by students. David discusses the challenges in maintaining a work-life balance as a parent and a chef with his colleagues, and he attempts to make homemade baby food. Grace gives birth at the end of the episode. | ||||
| 10 | 2 | "Don’t Call It Curry" | March 6, 2020 | |
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David attempts to understand the regional differences in Indian cuisine, the true definition of curry, and how it is typically served in America. He enjoys homemade meals with Indian-Americans Padma Lakshmi and Aziz Ansari. He travels to Mumbai and Kerala to see first hand the foods and dishes served there, as well as the raw spices that are harvested and collected there. | ||||
| 11 | 3 | "Steak" | March 6, 2020 | |
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An examination of the culture surrounding steak. David compares steakhouses in Japan, Australia, and the United States. He discusses the masculinity associated with eating beef with a professor of gender studies. David Choe visits a bath house in Detroit that serves steak to its patrons. Chefs discuss how customers are stereotyped based on the way they order their steak. The future of eating steak and the availability of steak is discussed. | ||||
| 12 | 4 | "As the Meat Turns" | March 6, 2020 | |
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A deep dive into the culture of meat cooked on a vertical spit and its various origins in the Levant, the Persian Gulf, and Iran, and across other parts of the Middle East. The show visits Beirut and Istanbul to understand how stereotypes of cuisine pose challenges to chefs' creativity and the effects of the Syrian civil war on Syrian food. Episode features Reem Assil, Anissa Helou, Diep Tran, and Nabih Bulos.[6] | ||||
Reception
[edit]Critical reviews have mostly been positive. Review aggregator Rotten Tomatoes reported an approval rating of 100% based on 21 reviews, with an average rating of 8.33/10 for the first season. The website's critical consensus states, "Ugly Delicious injects new life into the food documentary by dispensing with culinary pretensions and celebrating a vibrant spectrum of dishes that are sure to whet audience appetites."[7] Metacritic gave the series a weighted average score of 77 out of 100 based on 5 reviews, indicating "generally favorable reviews".[8]
Greg Morabito of Eater called the series' first season "maddeningly good" claiming that it, "raises the bar for food/travel shows."[9] Jen Chaney of Vulture praised the show's first season for raising important cultural issues and taking "a highly egalitarian approach to cuisine."[10]
For the second season, review aggregator Rotten Tomatoes reported an approval rating of 100% based on 5 reviews, with an average rating of 7/10.[11]
Accolades
[edit]| Year | Award | Category | Nominee(s) | Result | Ref. |
|---|---|---|---|---|---|
| 2020 | Primetime Emmy Awards | Outstanding Hosted Nonfiction Series or Special | Morgan Neville, Dara Horenblas, David Chang, Christopher Chen, Caryn Capotosto, Blake Davis and Chris Ying | Nominated | [12] |
See also
[edit]- Dark cuisine or hei an liao li
References
[edit]- ^ Patten, Dominic (January 18, 2018). "Netflix Cooks Up 'Ugly Delicious' Docuseries From Chef David Chang & Oscar Winner Morgan Neville". Deadline. Archived from the original on March 18, 2020. Retrieved February 27, 2018.
- ^ Porter, Rick (November 22, 2018). "'Ugly Delicious' Renewed for Season 2 on Netflix". The Hollywood Reporter. Archived from the original on October 21, 2020. Retrieved November 22, 2018.
- ^ Jensen, Erin (February 19, 2020). "Netflix: Everything coming (and disappearing) in March 2020 (including 'Ozark')". USA Today. Archived from the original on March 7, 2020. Retrieved February 21, 2020.
- ^ Whiting, Amanda (March 5, 2020). "Why It's Actually Good That There's Been No News About 'Ugly Delicious' Season 4". Bustle. Archived from the original on October 21, 2020. Retrieved August 24, 2020.
- ^ Hale, Mike (February 23, 2018). "Review: David Chang in the Comfort Food Zone on Netflix". The New York Times. ISSN 0362-4331. Archived from the original on October 6, 2020. Retrieved February 27, 2018.
- ^ Ho, Soleil (April 2, 2002). "Review: In 'Ugly Delicious,' celebrity cameos mar chef's universal message". Datebook | San Francisco Arts & Entertainment Guide. Archived from the original on October 3, 2022. Retrieved September 4, 2021.
- ^ "Ugly Delicious: Season 1 (2018)". Rotten Tomatoes. Retrieved August 7, 2020.
- ^ "Ugly Delicious: Season 1". Metacritic. Retrieved August 7, 2020.
- ^ "Sorry Haters, 'Ugly Delicious' Is Maddeningly Good". Eater. Archived from the original on February 27, 2018. Retrieved February 27, 2018.
- ^ Chaney, Jen. "Ugly Delicious Is Satisfying TV That Will Make You So Damn Hungry". Vulture. Archived from the original on February 26, 2018. Retrieved February 27, 2018.
- ^ "Ugly Delicious: Season 2 (2020)". Rotten Tomatoes. Retrieved August 7, 2020.
- ^ "Ugly Delicious". Emmys.com. Academy of Television Arts & Sciences. Archived from the original on August 4, 2020. Retrieved July 28, 2020.
External links
[edit]- Ugly Delicious official website on Netflix
- Ugly Delicious at IMDb
- Ugly Delicious: Season 1 at Rotten Tomatoes
Ugly Delicious
View on GrokipediaPremise and Format
Core Concept and Themes
is a Netflix docuseries hosted by chef David Chang that examines everyday comfort foods through their socio-cultural histories, prioritizing flavor and real-world evolution over aesthetic perfection or dogmatic notions of authenticity.[11] Chang's concept of "ugly" food refers to unpretentious dishes that deliver profound taste despite lacking visual appeal or adherence to purist ideals, often resulting from practical adaptations by migrants and workers rather than elite culinary traditions.[12] The series challenges viewers to confront the messy, hybrid origins of staples like pizza or fried chicken, which emerged from trade routes, conquests, and labor migrations—such as the 19th-century influx of Italian immigrants to the U.S. adapting flatbreads with local ingredients, or Scottish frying techniques merging with Southern American ingredients via enslaved African labor—rather than isolated national inventions.[13] Central themes include the dismissal of culinary gatekeeping, where self-appointed experts enforce artificial boundaries on "legitimate" versions of dishes, ignoring evidence of constant adaptation driven by economic necessity and human movement.[14] Chang advocates for an empirical approach, questioning claims of singular origins by highlighting verifiable cross-cultural exchanges, such as how tomatoes from the Americas transformed Italian cuisine post-Columbian exchange or how wheat cultivation spread from the Fertile Crescent via ancient migrations.[15] This rejects ideological narratives of cultural purity, instead emphasizing causal factors like resource availability and demographic shifts that shape foodways, fostering open-mindedness toward fusion without appropriation guilt.[6] The series promotes intellectual humility in food discourse, with Chang expressing comfort in admitting uncertainties about historical details while striving for better understanding through direct engagement with practitioners across class and ethnic lines.[5] By using food as a lens to dissect broader issues like identity and globalization, Ugly Delicious underscores how dishes transcend borders via pragmatic innovation, countering romanticized myths with grounded, evidence-based insights into their development.[16]Episode Structure and Style
Episodes of Ugly Delicious adhere to a consistent format centered on a single dish or culinary concept, progressing from on-location travel to trace historical and geographical origins, through expert interviews and community engagements, to practical cooking segments, and culminating in group discussions that interrogate established narratives around authenticity and adaptation.[17][3] This sequence integrates sensory elements of food preparation—captured in close-up, unvarnished shots—with analytical examinations of causal influences like migration patterns and economic factors shaping dishes' evolutions, rather than prioritizing aesthetic idealization.[12][14] The visual style favors raw, handheld cinematography and minimal editing during preparation and consumption scenes, emphasizing tactile realism and the imperfections of everyday cooking over stylized studio recreations.[6] Narrative delivery relies on unscripted, free-flowing debates in roundtables, where participants confront romanticized claims of "pure" origins—such as questioning whether a dish retains cultural legitimacy when adapted across borders—prioritizing evidence-based reasoning over consensus-driven storytelling.[3][18] Diverse contributors, spanning professional chefs, academic historians, and local practitioners, are featured to surface conflicting perspectives on a topic's development, ensuring discussions avoid monolithic assertions by grounding claims in verifiable historical contingencies and cross-cultural exchanges.[19][14] This approach underscores the series' commitment to dissecting food's embeddedness in broader causal dynamics, such as trade routes and social migrations, without deferring to unchallenged traditionalist views.[3]Production
Development and Key Personnel
Ugly Delicious originated from collaborations between chef David Chang, known for founding the Momofuku restaurant empire in 2004, and documentary filmmaker Morgan Neville, whose company Tremolo Productions handled principal production.[20][21] The project built on Chang's prior work with food writer Peter Meehan, including co-founding the quarterly Lucky Peach magazine in 2011, which emphasized irreverent culinary essays and ceased publication in December 2017 amid financial challenges during the series' post-production.[3] Netflix commissioned the non-fiction docuseries in late 2017 as a hybrid of travelogue, cooking demonstrations, and historical analysis, with an official announcement on January 18, 2018, and a premiere date set for February 23, 2018.[21] Chang served as host, creator, and executive producer, leveraging his public persona from Momofuku's expansion and media ventures to guide episode selections toward comfort foods with contested origins, such as pizza and fried chicken, aiming to unpack cultural evolutions over aesthetic ideals.[22][3] Neville directed multiple episodes and acted as executive producer, bringing expertise from Oscar-winning documentaries like 20 Feet from Stardom to emphasize narrative depth in food's socio-historical contexts.[20][9] Peter Meehan contributed as co-creator, executive producer, and on-screen collaborator in the first season, drawing from his Lucky Peach tenure to inform scripting and tastings that prioritized experiential authenticity over polished presentation.[22][3] Additional executive producers included Eddie Schmidt, Christopher Chen, Lisa Nishimura, and Ben Cotner from Netflix, overseeing a production team that integrated Chang's hands-on cooking with Neville's directorial focus on global sourcing and interviews.[21] Early production choices emphasized raw, unfiltered discussions on food's "ugliness"—its imperfect forms and cultural hybridity—to counter prevailing culinary gatekeeping, as articulated by Chang in promotional contexts.[3][9] This approach stemmed from the team's intent to extend Lucky Peach's ethos of questioning food purism into visual storytelling, without reliance on scripted drama.[14]Filming Process and Challenges
The production of Ugly Delicious Season 1 entailed extensive international travel to film on-location segments, including visits to Naples, Italy, for the pizza episode, where David Chang collaborated with local pizzaiolos to demonstrate traditional wood-fired techniques amid bustling street scenes.[22] Shoots also covered sites in South Korea and the United States for the barbecue episode, incorporating Korean barbecue feasts with experts like artist David Choe and actor Steven Yeun, as well as domestic American pitmasters.[23] These logistics demanded coordination with local culinary figures, historians, and chefs, often requiring on-site cooking setups in non-studio environments to capture unscripted interactions and authentic preparations.[6] Challenges arose from the dual demands of global mobility and substantive content creation, as Chang described the series as "really difficult" due to simultaneous efforts in traveling worldwide while delving into complex cultural narratives and fostering guest relationships.[5] In episodes like fried chicken, filming involved navigating racial sensitivities through interviews with African American studies professors and black chefs in the U.S. and Japan, addressing historical stereotypes tied to enslaved Africans' culinary adaptations without scripted resolutions, which necessitated careful on-set facilitation to encourage candid dialogue.[24] Similarly, the dumplings episode featured unfiltered encounters in China, where Chang grappled with unfamiliar textures like dried deer tendon, leading to spontaneous reactions such as spitting it out, highlighting the unpredictability of sourcing and tasting rare ingredients on location.[6] Chang's Korean-American heritage influenced site selections, such as prioritizing Korean street food and barbecue origins to reflect personal explorations of identity, though this added layers of introspection during shoots that required balancing emotional authenticity with logistical timelines.[25] For Season 2, filmed around 2019-2020, expansions to locations like Istanbul, Sydney, Tokyo, and Mumbai intensified travel disruptions and coordination demands, compounded by overlapping productions like Breakfast, Lunch & Dinner, yet maintained the emphasis on raw, documentary-style captures over polished narratives.[5] Post-production edits focused on preserving unvarnished discussions, such as cultural debates, to align with the series' commitment to causal examinations of food evolution rather than sanitized portrayals.[6]Episodes
Season 1 (2018)
The first season of Ugly Delicious consists of eight episodes, all released simultaneously on February 23, 2018, via Netflix in partnership with CNN.[22] Hosted by chef David Chang, the episodes examine specific foods through historical, cultural, and economic lenses, featuring travels to locations such as Naples, Italy; Los Angeles, California; and various U.S. cities.[2] Discussions emphasize ingredient origins, labor contributions, and adaptations driven by migration and innovation, often challenging food purism.[3]- Pizza: Chang contrasts Neapolitan orthodoxy in Naples, where Margherita pizza adheres to strict DOP regulations using San Marzano tomatoes and buffalo mozzarella, with American adaptations in Brooklyn and innovative hybrids in Tokyo, such as those incorporating teriyaki or seafood toppings. The episode highlights economic impacts, noting Italy's protected designation limits exports while U.S. pizzerias generate billions annually through scalable coal-oven techniques. Interviews include purist chefs defending tradition against commercialization.[22]
- Fried Chicken: Focusing on Southern U.S. origins, the episode traces fried chicken's evolution from Scottish immigrant techniques combined with West African seasoning and frying methods brought via the slave trade, leading to African-American entrepreneurship in the post-emancipation era. Chang interviews Ethiopian-Swedish chef Marcus Samuelsson on persistent racial stereotypes associating the dish with Black culture, while visiting establishments like Prince's Hot Chicken Shack in Nashville, Tennessee, which pioneered spicy variants in the 1940s using cayenne-based recipes. Economic data underscores Black-owned chains' role in industry growth, countering narratives of appropriation.[11][26]
- Tacos: In Los Angeles, Chang explores taco trucks and taquerias operated by Mexican immigrants, detailing how post-1960s migration from regions like Sinaloa introduced al pastor via Lebanese shawarma influences using trompo grills. The episode features visits to street vendors facing regulatory pressures, with discussions on labor economics: undocumented workers contribute to a $2 billion local industry while earning median wages below $20,000 annually. Key segments include Roy Choi's fusion experiments, emphasizing adaptation over authenticity.[27][22]
- Dumplings: Chang delves into East Asian variations, comparing Chinese jiaozi wrappers made from wheat flour sourced from northern plains with Korean mandu incorporating kimchi ferments. Filming in New York City and Asia highlights family-run factories producing millions daily, with economic analysis of supply chains reliant on imported frozen dough. Guests discuss skill transmission across generations, underscoring manual labor's role in scaling production.[22]
- Bagels: Centered on New York City's Jewish immigrant history, the episode covers bagel production's shift from hand-rolled Eastern European methods to automated machines in the early 20th century, enabling daily output of over 1 million units by firms like Lender's Bagels. Chang visits boiling kettles and visits to Montreal for comparative dense styles, noting water quality's empirical impact on chewiness via mineral content. Discussions address commercialization diluting artisanal traits post-1960s union declines.[22]
- Barbecue: Examining U.S. regional styles, Chang contrasts Texas brisket smoked over post oak for 12+ hours at Central Texas pits like Franklin Barbecue, with Carolina whole-hog methods using vinegar sauces. The episode visits Kansas City for sauce-heavy variants and debates fuel choices' causal effects on flavor via Maillard reactions. Critiques note oversimplification of pitmaster apprenticeships, which historically spanned years for temperature mastery.[28][22]
- Seafood: Chang addresses overfishing and sustainability, traveling to Japan for uni harvesting quotas set at 5,000 tons annually and U.S. Gulf shrimp boats facing $3 billion import competition from Asia. Segments feature Copenhagen's Noma restaurant experimenting with fermented seaweeds, with data on global catches declining 10% since 1990 due to bycatch inefficiencies. Interviews stress traceability via blockchain pilots for ethical sourcing.[12][22]
- Twinkie: The finale tackles processed American snacks, tracing the Twinkie's 1930 invention by Hostess using banana cream before WWII rationing led to vanilla filling, with production peaking at 1 billion units yearly via mechanized injectors. Chang visits factories and debates nutritional impacts, citing corn syrup's role in obesity epidemics per CDC data linking added sugars to 40% of U.S. calorie intake. Discussions with food scientists highlight preservatives' extension of shelf life to 25 days.[22]

