Umberto Saba

Umberto Saba (9 March 1883 – 25 August 1957) was an Italian poet and novelist, born Umberto Poli in the cosmopolitan Mediterranean port of Trieste when it was the fourth largest city of the Austro-Hungarian Empire. Poli assumed the pen name "Saba" in 1910, and his name was officially changed to Umberto Saba in 1928. From 1919 he was the proprietor of an antiquarian bookshop in Trieste. He suffered from depression for all of his adult life.

Saba's Christian father, 29-year-old Ugo Edoardo Poli, converted to Judaism in order to marry 37-year-old Felicita Rachele Cohen in July 1882. Felicita was one month pregnant with Umberto at the time of the wedding. Ugo abandoned his new wife and faith before Umberto was born and the child was raised first by a Slovene Catholic wet-nurse, Gioseffa Gabrovich Schobar ("Peppa"), and her husband, who had just lost a child, and from 1887 onwards by his mother, in her sister Regina's home, though Umberto maintained a close lifelong attachment to Peppa. ^(p. 528)

Saba was a keen reader who kept pet birds and studied the violin. ^{(pp. xix, 528)} In 1897 he transferred from the Gymnasium to a commercial college, the Imperial Academy of Commerce and Navigation, and then went to work in the office of a customs agent.

As a boy and a young man he was of a shy and solitary character, with just a few friends, among whom were his cousin Giorgio Fano and the other great Triestine poet Virgilio Giotti.

In 1900 he began composing poetry, signing his work "Umberto Chopin Poli." In January 1903 Saba travelled to Pisa to study archaeology, German and Latin, but began to complain of a nervous disorder and, in June, returned to Trieste. After a holiday in Slovenia, he spent some time later that year in Switzerland, writing a play. In July 1904, the socialist newspaper, Il Lavoratore, edited by his friend Amadeo Tedeschi, published Saba's account of a visit to Montenegro earlier in the year, and in May 1905, Il Lavoratore printed his first published poem. In 1905 he travelled to Florence with friends and – upon meeting his father for the first time – changed his pen name to "Umberto da Montereale," after the town of his father's birth. That summer he met Carolina (Lina) Wölfler, and began corresponding with her the following December. Between 1907 and 1908 he completed an obligatory year of Italian military service in an infantry unit based in Salerno. He married Lina in a Jewish ceremony in 1909, and they had a daughter, Linuccia, the following year. ^{(p. xix)}

In November 1910 his first collection of poems, Poesie, was published under the name Saba, and the name was legally recognised as his surname in 1928. ^{(p. xix)}. This choice of name (which may be based on one of two Hebrew words – "sova" (שובע) meaning "being well-fed" or "saba" (סבא) meaning "grandfather") is thought by some scholars to be a homage to his Jewish mother, while others point to the similarity with his wet nurse's surname, Schobar.

In the spring of 1911, while Saba was away in Florence meeting people associated with the influential magazine La Voce, and initiating a collaboration with Mario Novaro, Lina had an affair with a painter. The couple separated, but were together again by May 1912 when the family moved to Bologna, where public readings of his poetry were poorly received and Saba was beset by depressed lows and creative highs. Destitute, in 1914 the family moved to Milan, where Saba found work first as a secretary, then as a nightclub manager. In early 1915 he began writing for Benito Mussolini's Il Popolo d'Italia newspaper, but in June was drafted into the army, where he saw no active service and was hospitalised due to depression. ^{(pp. 544–5)}

In 1919, he returned to Trieste and purchased the Mailänder second-hand bookshop, which he renamed La Libreria Antica e Moderna. The business produced enough income to support the family, and Saba soon became enthusiastic about buying and selling rare old books and enjoyed the extensive travel involved. After both returned to Trieste in 1919, Saba started meeting on a daily basis and collaborating artistically with Giotti, who designed for him the logo of the Libreria Antica e Moderna, edited and illustrated the plaquette for Saba's Cose leggere e vaganti and of ten small books. Saba on the other hand published Il mio cuore e la mia casa at his library. After the death of Giotti's sister in 1929, his friendship with Saba deteriorated in the 1930s, up to the point when the two even avoided meeting.