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Unaccustomed As We Are

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Unaccustomed As We Are

Unaccustomed As We Are is the first sound film comedy starring Stan Laurel and Oliver Hardy, released on May 4, 1929. It was produced by Hal Roach and directed by Lewis R. Foster.

The title, Unaccustomed As We Are..., was a spoofing reference to the fact that its two stars had never before spoken audibly in their films. And in point of fact, although it was a film with dialogue, the soundtrack mostly carried music, and sound effects, with dialogue a long way third.

In case the Talkies did not prove popular, and in order to be released in theatres which had not yet been converted for sound, Hal Roach hedged his bets by releasing it in both the new All-Talking format and in Silent format (in the latter case, with intertitles carrying the dialogue). As with the Laurel and Hardy silent films, visual gags remained the heart and soul of the picture: the characters were certainly talking, but the comedy was not yet in the dialogue, the film still relied entirely on sight-gags for its laughs.

The film entered the public domain in the United States on January 1, 2025.

Ollie extends a cordial invitation to Stan for dinner, tempting him with promises of a sumptuous feast comprising steak, mushroom sauce, strawberries, whipped cream, coffee, and a cigar. Stan, however, remains characteristically cautious, inquiring about the inclusion of nuts in the meal.

Upon their arrival, they encounter Mrs. Hardy, whose reception of the unexpected guests is less than warm, prompting her abrupt departure in a state of irritation. Neighbor Mrs. Kennedy offers assistance with dinner preparations, inadvertently leading to a mishap that sets her dress ablaze. To conceal Mrs. Kennedy's predicament, Stan and Ollie hastily stow her in a trunk.

Subsequently, Mrs. Hardy extends an olive branch to Oliver, bearing nuts as a peace offering for Stan. However, tensions escalate when Oliver announces his intent to depart for South America, culminating in a heated exchange between husband and wife. The commotion draws the attention of Mr. Kennedy, a police officer, who becomes embroiled in the domestic dispute.

Amidst the chaos, Mr. Kennedy inadvertently assumes another woman must be in the trunk (Mrs. Kennedy) concealed in the trunk and discerns the true nature of the situation. Employing a subtle approach, he orchestrates a scheme to diffuse the conflict, instructing the boys to transport the trunk to his apartment. Meanwhile, within the Kennedys' abode, a tempestuous confrontation unfolds between the spouses, underscored by Mrs. Kennedy's righteous indignation.

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