Hubbry Logo
logo
Unknown (magazine)
Community hub

Unknown (magazine)

logo
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Contribute something to knowledge base
Hub AI

Unknown (magazine) AI simulator

(@Unknown (magazine)_simulator)

Unknown (magazine)

Unknown (also known as Unknown Worlds) was an American pulp fantasy fiction magazine, published from 1939 to 1943 by Street & Smith, and edited by John W. Campbell. Unknown was a companion to Street & Smith's science fiction pulp, Astounding Science Fiction, which was also edited by Campbell at the time; many authors and illustrators contributed to both magazines. The leading fantasy magazine in the 1930s was Weird Tales, which focused on shock and horror. Campbell wanted to publish a fantasy magazine with more finesse and humor than Weird Tales, and put his plans into action when Eric Frank Russell sent him the manuscript of his novel Sinister Barrier, about aliens who own the human race. Unknown's first issue appeared in March 1939; in addition to Sinister Barrier, it included H. L. Gold's "Trouble With Water", a humorous fantasy about a New Yorker who meets a water gnome. Gold's story was the first of many in Unknown to combine commonplace reality with the fantastic.

Campbell required his authors to avoid simplistic horror fiction and insisted that the fantasy elements in a story be developed logically: for example, Jack Williamson's Darker Than You Think describes a world in which there is a scientific explanation for the existence of werewolves. Similarly, L. Sprague de Camp and Fletcher Pratt's Harold Shea series, about a modern American who finds himself in the worlds of various mythologies, depicts a system of magic based on mathematical logic. Other notable works included several novels by L. Ron Hubbard and short stories such as Manly Wade Wellman's "When It Was Moonlight" and Fritz Leiber's "Two Sought Adventure", the first in his Fafhrd and the Gray Mouser series.

Unknown was forced to a bimonthly schedule in 1941 by poor sales and canceled in 1943 when wartime paper shortages became so acute that Campbell had to choose between turning Astounding into a bimonthly or ending Unknown. The magazine is generally regarded as the finest fantasy fiction magazine ever published, despite the fact that it was not commercially successful, and in the opinion of science fiction historian Mike Ashley it was responsible for the creation of the modern fantasy publishing genre.

In May 1923, the first issue of Weird Tales appeared, from Rural Publications in Chicago. Weird Tales was a pulp magazine that specialized in fantasy stories and material that no other magazine would accept. It was not initially successful, but by the 1930s had established itself and was regularly publishing science fiction (SF) as well as fantasy. Weird Tales was the first magazine to focus solely on fantasy, and it remained the pre-eminent magazine in this field for over a decade. In the meantime, science fiction was starting to form a separately marketed genre, with the appearance in 1926 of Amazing Stories, a pulp magazine edited by Hugo Gernsback. In 1930 pulp publisher Clayton Publications launched Astounding Stories of Super Science, but the company's bankruptcy in 1933 led to the acquisition of the magazine by Street & Smith. The title was shortened to Astounding Stories, and it became the leading magazine in the science fiction field over the next few years under the editorship of F. Orlin Tremaine. At the end of 1937, John W. Campbell took over as editor.

By 1938, Campbell was planning a fantasy companion to Astounding: Weird Tales was still the leader in the fantasy genre, though competitors such as Strange Stories were also being launched. Campbell began acquiring stories suitable for the new magazine, without a definite launch date in mind. When Eric Frank Russell sent him the manuscript of his novel Sinister Barrier, Campbell decided it was time to put his plans into action. The first issue of Unknown appeared in March 1939. It was a monthly at first, but poor sales forced a switch to a bimonthly schedule beginning in February 1941. In December 1940, the subtitle Fantasy Fiction was added, and in October 1941, the main title was changed to Unknown Worlds; both changes were intended to make the genre of the magazine clearer to potential readers. When wartime paper shortages became severe in late 1943, Campbell chose to keep Astounding monthly and cancel Unknown, rather than switch the former to a bimonthly schedule as well. The last issue was dated October 1943.

Campbell's plans for Unknown were laid out in the February 1939 issue of Astounding, in the announcement of the new magazine. He argued that "it has been the quality of the fantasy that you have read in the past that has made the very word anathema ... [Unknown] will offer fantasy of a quality so far different from that which has appeared in the past as to change your entire understanding of the term". The first issue, the following month, led with Russell's Sinister Barrier, the novel that had persuaded Campbell to set his plans for a fantasy magazine into motion: the plot, involving aliens who own the human race, has been described by SF historian Mike Ashley as "a strange mixture of science fiction and occult fantasy". Campbell asked Russell for revisions to the story to emphasize the fantastic elements but still demanded that Russell work out the logical implications of his premises. This became a defining characteristic of the fiction published in Unknown; in Ashley's words, Campbell "brought the science fiction rationale to fantasy". The first issue also contained Horace L. Gold's "Trouble with Water", a comic fantasy about a modern New Yorker who offends a water gnome; in its whimsicality and naturalistic merging of a modern background with a classic fantasy trope, "Trouble with Water" was a better indication than Sinister Barrier of the direction Unknown would take. Campbell commented in a letter at the time that Sinister Barrier, "Trouble with Water", and "'Where Angels Fear ...'" by Manly Wade Wellman were the only stories in the first issue that accurately reflected his goals for the magazine.

Under Campbell's editorial supervision, the fantasy element in Unknown stories had to be treated rigorously. This naturally led to the appearance in Unknown of writers already comfortable with similar rigor in science fiction stories, and Campbell soon established a small group of writers as regular contributors, many of whom were also appearing in the pages of Astounding. L. Ron Hubbard, Theodore Sturgeon, and L. Sprague de Camp were among the most prolific. Hubbard contributed eight lead novels including Typewriter in the Sky, Slaves of Sleep, and Fear, described by Ashley as a "classic psychological thriller"; SF historian and critic Thomas Clareson describes all eight as "outstanding". De Camp, in collaboration with Fletcher Pratt, contributed three stories featuring Harold Shea, who finds himself in a world where magic operates by rigorous rules. The title of one of these, "The Mathematics of Magic", is, according to SF critic John Clute, "perfectly expressive of the terms under which magic found easy mention in Unknown".

Other Astounding writers who wrote for Unknown included Robert A. Heinlein, whose "The Devil Makes the Law" (reprinted as "Magic, Inc.") depicts a world where magic is a part of everyday life. Heinlein also contributed "The Unpleasant Profession of Jonathan Hoag" and "They", described by Ashley as "perhaps the ultimate solipsist fantasy". A.E. van Vogt, a frequent Astounding contributor, appeared in the final issue with "The Book of Ptath" (later expanded into a novel). Isaac Asimov, despite multiple attempts to write for Unknown, never appeared in the magazine. On his sixth attempt, he sold "Author! Author!" to Campbell, but the magazine was canceled before it could appear. It eventually appeared in the anthology The Unknown Five.

See all
American pulp fantasy fiction magazine
User Avatar
No comments yet.