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Vaughn Frick

Carl Vaughn Frick – often credited as Vaughn Frick or simply Vaughn – is an alternative cartoonist known for the exploration of gay, environmental, HIV/AIDS awareness, and radical political themes in his comics. His Watch Out! Comix #1 (1986) was an influential gay-themed comic, one of the first by an openly gay male cartoonist. His work was also included in issues of Gay Comix, Meatmen, Strip AIDS, No Straight Lines, and So Fey, a collection of Radical Faerie fiction.

Vaughn is primarily known for being outspoken in his works, often focusing on activism within various communities. Although he is primarily associated with the romance and erotica genre due to his works within queer publications, Vaughn is also versed in writing for the sci-fi, horror, and supernatural genres.

It is known that Vaughn pursued acting as a career in the 1980s while simultaneously writing for Gay Comix #3. It is also known that he worked as an art director for San Francisco Sentinel, a job position which was acquired after designing for the Northwest Passage, the Seattle Sun, and Seattle Gay News, and worked as a cover artist, designer, and photographer for the Seattle Gay News. Vaughn is also known for his design work in Earth First! Journal and The Portland Alliance.

His personal blog, Radical Faerie Church, is Vaughn's blogspace primarily dedicated to posting panels of NOMEANSYES, one of Vaughn's comics that centers around gay activism by satirically tackling problems associated with homophobia. Vaughn also posts updates of his own personal thoughts here, sometimes about events or publications that mention him and his general reactions. Interviews and Q&As of him can also be found here.

One of Vaughn's most prominent works within activism includes the creation of "Watch Out!", a comic that served as a reaction to the general HIV/AIDS pandemic that began in 1983, which paralleled similar views from other authors such as David Wojnarowicz and Jaime Cortez. The comic depicts a man named Doug being coerced by his friend to explore a queer bar. After a moment of skepticism Doug agrees to enter, but is then sexually assaulted by various men. It is revealed this occurred because Doug happened to be wearing a specific color that codes him as a willing participant in their sex acts, before waking up and expressing relief at having had a bad dream. Vaughn's aim while creating the comic was to take a sardonic approach in addressing the unrealistic fears associated with queer underground BDSM culture, mainly those of straight men who fear gay men are predatory in nature. The comic was especially relevant to the HIV/AIDS crisis that ensued homophobic sentiments at the time.

Vaughn features in issues #3, #4, #5, #7, #8, #13, #14, #15, #22, and #25. The following are some of his most notable features within Gay Comix. Gay Comix #4 includes some of Vaughn's most notable work. It features Stan stone, a comic related to HIV/AIDs was posted in this publication. Also notable was that Vaughn was responsible for producing the cover illustration for Gay Comix #4, sparking the beginning of his work in publication that would later become relevant in his work for Drummer.

Gay Comix #25 provides a brief overview of Vaughn Frick under the History of Contributors section. Mentioned are his works within Gay Comix #3, #4, #5, #7, #8, #13, #14, #15, #22, and #25, and related works included in Meatmen, Strip AIDS USA, Annie Sprinkled Is Miss Timed, RFD, and PDXS. A nod is also given to his activist work related to environmentalism in “Cascadia,” a strip created for Earth First! Journal and The Portland Alliance.

Vaughn was responsible for the production of 1982's volume 5, issue 50, and volume 6, issue 51, 52, and 54. Drummer was a publication magazine that published both erotic and non-erotic fanfiction, photography, cartoons, comics, calendars, dramas, scripts, poems, and interviews. Other non-erotic content includes lifestyle articles, letters, reviews of other leather organizations, personal accounts, new columns, and editorials. Drummer would be the second publication of Vaughn's career in which he was responsible for production work (the first being Gay Comix #25).

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