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Obverse of the 1785 design shows a plow and the Sun rising over the Green Mountains. The Latin motto VERMONTS. RES. PUBLICA. can be translated to mean the republic, or commonwealth, of Vermont.
Reverse of the 1785 and 1786 design features an "all-seeing eye" with 13 stars encircled by the Latin motto STELLA. QUARTA. DECIMA. meaning the fourteenth star.

Vermont coppers were copper coins issued by the Vermont Republic.[1] The coins were first struck in 1785 and continued to be minted until Vermont's admission to the United States in 1791 as the State of Vermont.

History

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On June 10, 1785, the House of Representatives of the Freemen of Vermont met to select a committee of three to consider a request from Reuben Harmon, Jr. of Rupert to mint copper coins for the new entity Vermont.[2] Though Vermont's legislative branch at this period was unicameral, the Governor's Council, a part of the executive branch, acted as a sort of upper house. The Governor's Council appointed one of its members to join the committee studying the proposal. On June 15, 1785, the committee presented to the House of Representatives of the Freemen of Vermont their recommendation that Vermont grant Harmon "...the exclusive right of coining Copper within this State for the term of two years..." The approved language required the coins to have a minimum weight of one-third of an ounce troy weight (160 grains).[3] The House approved the measure and sent the recommendation to the Governor's Council which concurred. On June 17, 1785, Harmon posted a required bond and began establishing his mint situated beside Hagar's Brook in Rupert.[3]

Design and motto

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1785 and 1786 landscape design

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The same committee was retained to select a motto for the coins, and to oversee design. The design of the obverse, on the initial 1785 and 1786 coins, featured the Sun rising above the Green Mountains and a plow in the foreground encircled by the inscription VERMONTS. RES. PUBLICA.,[4] which can be translated as the republic, or commonwealth, of Vermont. The design of the reverse of the coin is an almost wholesale appropriation of an earlier 1783 American coin called the Nova Constellatio (new constellation) design.[5] It features a large single star emanating rays, with an eye within, it is surrounded by a wreath of 13 smaller stars, and they are encircled by the motto STELLA QUARTA DECIMA which translates as "the 14th star". Subsequent issues altered the inscription on the obverse, variously using VERMONTIS. RES. PUBLICA. and VERMONTENSIUM. RES. PUBLICA.

1787 and 1788 bust design

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In October 1785, with new Vermont coppers in circulation, Harmon sought an extension of his exclusive two-year contract. An act, possibly written with Harmon, himself a former member of the House, extends the agreement eight years from July 1, 1787, and describes a dramatically different design. The obverse is to bear a bust, encircled with a new motto reading AUCTORITATE VERMONTENSIUM. which translates as by authority of Vermont. The reverse of the coin depicts a seated woman, and the inscription INDE ET LIB an abbreviation of independence and liberty.[6] Sixteen variations of dies on this second set of coins were made. The new design closely resembled the British halfpenny then in circulation in the American colonies. On that coin a bust of George III is encircled by the inscription GEORGIVS. III. REX. and the reverse with a seated female embodiment of Britain called Britannia. A common explanation of the redesign of Vermont's coins, so close to the British half-pence model, has been made to make their circulation and exchange easier beyond Vermont's boundaries.

Symbolism

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While the 1785 Act of the Vermont House describes the design of the bust and seated female figure design in detail, no notes of the period exist on the meaning of either the mottoes or imagery of Vermont's copper coinage. Twentieth century numismatists Kenneth Bressett, Tony Carlotto and Hillyer Ryder offer nearly identical explanations of the imagery and mottoes. The depiction of the Sun rising above the Green Mountains is to indicate peace, and possibly the approval of Divine Providence. The plow may simply represent agriculture, a primary activity and industry of the young state, but might also allude to the story of Cincinnatus the ancient Roman citizen-farmer who left his plow in the field to serve Rome as consul, fight the encroachment of aristocracy, and later return to his field. The large single star, with the eye, on the 1785 and 1786 issues, is nearly identical in design to a widely available typographic device, or dingbat, of the time called the Eye of Providence, a Deist and Masonic image suggestive of an all-seeing God. Here however the star may simply be Vermont itself, centered among the 13 stars likely used to suggest the existing 13 American states.[7] The addition of the motto STELLA QUARTA DECIMA, the 14th star, is cited as a hope for eventual statehood. The seated female on the reverse side of the second design is modeled on the Britannia figure then on British half-penny. A similar seated female is found on the reverse of the coat of arms of Vermont, and is described variously as Agriculture, or Ceres.[8]

See also

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia

Vermont copper

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from Grokipedia
The Vermont coppers were a series of copper coins minted by the independent Republic of Vermont from 1785 to 1788, marking the region's sole official coinage effort during its sovereignty prior to statehood. These coins, produced at a private mint in Rupert operated by Reuben Harmon Jr. under exclusive legislative franchise granted on June 15, 1785, featured distinctive designs including landscape scenes symbolizing Vermont's terrain and emblems like eyes, plows, and suns, with inscriptions such as "VERMONTENSIVM RES PVBLICA." Comprising approximately 39 to 40 die varieties, the coppers were initially struck heavier than contemporaneous issues from other areas, prompting later weight reductions to curb clipping and counterfeiting, though one variety is identified as a contemporary imitation. Minting ceased around 1788 amid operational challenges and Vermont's impending union with the United States in 1791, rendering these pieces notable artifacts of early American numismatics prized for their historical significance and rarity today.

Historical Context

Vermont Republic and Economic Independence

The , established through a declaration of independence on January 15, 1777, from the claims of New York and , operated as a sovereign entity until its admission to the on March 4, 1791. Amid the economic disruptions following the Revolutionary War, the Republic faced a chronic shortage of small-denomination currency, which hindered local trade and everyday transactions in a predominantly agrarian economy reliant on and foreign coins of varying quality. To promote economic self-sufficiency and reduce dependence on British or continental paper money, Vermont authorities pursued the minting of copper coins as a means to circulate reliable, low-value specie tailored to regional needs. On June 15, 1785, the , meeting in , granted Reuben Harmon Jr. of Rupert an exclusive eight-year contract to establish a mint and produce coins, following the formation of a four-man legislative to oversee the process. This reflected a deliberate strategy for fiscal autonomy, as the coins were intended to standardize small change values consistent with other regional issues while asserting Vermont's independent monetary policy during the era, when no unified federal coinage existed. An amendment to the coining act in October 1785 adjusted coin weights to align with prevailing standards, ensuring broader acceptability in trade extending to neighboring areas, , and even the . The issuance of these coppers symbolized the Republic's broader quest for economic , with inscriptions such as "INDE ET LIB" (for and ) and "VERMONTENSE" underscoring rather than subservience to external powers. By contracting private enterprise under state oversight, avoided the costs of a public mint while fostering local using imported blanks, thereby stimulating domestic economic activity without relying on distant mints or depreciating continental currency. This approach, though limited in scale, contributed to stabilizing intraregional commerce until federal monetary reforms supplanted such territorial emissions.

Legislative Authorization and Initial Plans

On June 15, 1785, during its session in , the granted Reuben Harmon Jr. of Rupert the exclusive right to coin copper within the state, addressing the scarcity of low-denomination currency for everyday transactions. This authorization permitted Harmon to operate a mint starting July 1, 1785, for an initial term of two years, with the coins intended to circulate at a value equivalent to fractions of a . The legislature stipulated that coin designs and mottos required approval by a designated committee to ensure alignment with state interests, reflecting Vermont's efforts to assert economic sovereignty as an independent republic amid disputes with New York and New Hampshire. Harmon planned to establish the mint on his property, sourcing copper blanks and employing local workmanship to produce durable, standardized pieces for regional trade. This legislative action marked Vermont's first official coinage initiative, predating its union with the in 1791, and aimed to reduce reliance on foreign or depreciated paper prevalent during the post-Revolutionary period.

Production History

Establishment of the Mint

The , during its session in on June 15, 1785, enacted legislation granting Reuben Harmon Jr. of Rupert the exclusive privilege to establish and operate a mint for coining money within the Republic of . This authorization, which specified a two-year term commencing July 1, 1785, positioned as the inaugural American to formally sanction its own mint for circulating coinage, addressing the republic's acute shortage of small-denomination amid postwar economic challenges. Harmon secured the required bond on June 17, 1785, and promptly initiated construction of the mint facility—a modest 16-by-18-foot clapboard structure—adjacent to Hagar's Brook in East Rupert, leveraging the site's water power for machinery. The operation, known as Harmon & Co. Mint, relied on imported copper planchets and dies, with Harmon assembling coining presses adapted from local resources, marking the practical inception of Vermont's sole official minting endeavor. Legislative terms mandated that coins bear denominations, weight standards, and inscriptions affirming Vermont's sovereignty, such as "VERMONTENSE," to circulate at face value equivalent to Continental coppers. This establishment reflected the republic's push for monetary , independent of British or federal influences, though enforcement of the exclusivity proved challenging due to limited oversight and emerging counterfeits. Harmon's initiative, backed by figures like Colonel , facilitated the production of pattern coins by late 1785, laying the groundwork for the series' landscape-reverse designs emblematic of Vermont's agrarian identity.

Timeline of Minting Operations

In 1785, the granted Reuben Harmon Jr. of Rupert exclusive rights to establish and operate a mint for coining pieces, marking the initiation of official minting operations. Harmon posted the required £5000 bond on June 16, 1785, enabling the setup of a small facility—measuring approximately 16 by 18 feet—along a stream in northeastern Rupert, equipped with coining presses and sourced , likely from suppliers given the absence of local mining at the time. Production commenced following the formal two-year franchise effective July 1, 1785, with the mint capable of striking 30 to 60 coins per minute using steam-powered or manual presses. Operations continued beyond the initial two-year term, with coins struck through 1787 and into 1788, producing varieties dated 1785 and 1786 across landscape and bust designs. Although legislative authorization extended up to ten years in some accounts, Harmon's mint did not sustain full operations that long, ceasing production entirely by late 1788 amid economic pressures and regulatory changes, such as a 1787 New York law prohibiting their circulation. The total output remains uncertain but was notably lower than contemporaneous issues from Connecticut or New Jersey, reflecting limited scale and Harmon's personal copper stockpiles rather than state-supplied metal.

Closure and Aftermath

The minting operations at Reuben Harmon Jr.'s facility in East Rupert ceased in 1788, approximately three years after commencing on July 1, 1785, despite legislative authorization that could have extended longer. The closure followed the expiration of Harmon's initial two-year contract and was influenced by external pressures, notably a New York state law passed on March 5, 1787, which deemed underweight coppers—including Vermont issues—illegal for circulation, subjecting them to seizure effective August 1, 1787, amid ongoing territorial disputes between New York and Vermont. This restriction limited the coins' utility in trade beyond Vermont's borders, exacerbating economic challenges for the independent republic's currency. In the immediate aftermath, the mint's dies and equipment were relocated to Machin's Mills in New York, where additional Vermont coppers were produced into 1789, though these strikes are regarded as unauthorized extensions or potential counterfeits rather than official output. Genuine Vermont coppers persisted in circulation as within and adjacent regions, valued at a each despite their lighter weight compared to British halfpence prototypes, filling a void in small-denomination specie during the . Vermont's as the 14th state on , , eliminated the rationale for independent minting, paving the way for federal coinage under the , which introduced standardized U.S. coppers and gradually supplanted state issues. However, the coins' legacy was undermined by pervasive counterfeiting, with at least one documented contemporary counterfeit variety mimicking authentic dies, contributing to broader distrust in copper money that culminated in the Copper Panic of 1789—a market collapse triggered by oversupply and debasement across state and private mints. Limited original production, estimated in the tens of thousands rather than millions as initially planned, rendered surviving authentic specimens scarce, while fakes proliferated, eroding their role in everyday transactions by the early federal era.

Designs and Inscriptions

Landscape Reverse Design

The landscape reverse design depicts a rising sun positioned behind a range of pine-topped hills representing Vermont's , with a plow situated in the foreground field. This motif symbolizes the republic's geographic features and emphasis on as an economic cornerstone. Encircling the scene is the Latin inscription VERMONTIS RES PUBLICA, translating to "Public Thing of " or effectively "Republic of ," underscoring the issuing authority during the period of independence from 1777 to 1791. The design appears on coins dated 1785 and 1786, with minor die variations affecting tree counts, hill contours, and plow details. This reverse was adapted from the 1785 Nova Constellatio pattern coin, a proposed federal issue that itself drew from European influences, reflecting limited original artistry in Vermont's minting efforts due to resource constraints in the frontier republic. Numismatists note the crude engraving style, with the sun often anthropomorphized by facial features and rays extending unevenly, typical of hand-cut dies produced in England or America. Ryder classifications RR-1 through RR-8 encompass landscape reverse varieties, primarily paired with obverse inscriptions varying in spelling from VERMONTS to VERMONTENSIUM RES PUBLICA, indicating multiple strikes to meet legislative quotas of up to 40,000 pounds of copper coinage authorized in 1785. In certain emissions, particularly transitional pieces around , the reverse was combined with bust obverses, though most surviving examples maintain the eye-of-Providence obverse for earlier reverses; this flexibility arose from die pairings at the Rubrecht & Crawford operation in New York. The plow element specifically evokes Vermont's farming heritage, while the eastward-rising sun alludes to enlightenment and the republic's aspiration for statehood as the "fourteenth star" in the union, though not explicitly inscribed here. Contemporary accounts, such as those in legislative records, confirm the design's intent to promote local identity amid scarce circulating .

Bust Obverse Design


The bust obverse design, employed on Vermont copper coins struck from 1786 to 1788, presents a right-facing profile bust of a youthful figure wearing a laurel wreath, evoking classical Roman iconography associated with victory and republican virtue. The bust features curly hair bound by the wreath and is positioned centrally, with the denomination or date numeral often inscribed below in select varieties. This portraiture replaced the landscape motif of the 1785 issues, aiming for a more standardized appearance akin to contemporary state and federal coinage efforts. Encircling or flanking the bust is the legend "VERMON / AUCTORI," a Latin abbreviation signifying "By the authority of Vermont," which validates the coin as an official emission authorized by the Vermont legislature on November 3, 1785, with production commencing thereafter. Lettering style varies across dies, with some exhibiting crude engraving indicative of local craftsmanship rather than professional minting. In the 1786 "Baby Head" variety (Ryder-9), the bust appears infantile, with rounded contours, a prominent ribbon below resembling a bib, and disproportionate features resulting from an early, experimental die. Later 1787 and 1788 dies refined the bust's proportions, occasionally depicting it facing left or incorporating armored (mailed) elements for added detail. Certain rarities, such as overstruck examples, adapt foreign busts—including one derived from King George III—with the Vermont legend crudely added, highlighting ad hoc manufacturing practices amid resource constraints. These variations underscore the transitional nature of Vermont's numismatic independence, balancing symbolic aspirations with technical limitations before U.S. federal standardization post-1792.

Mottoes, Symbolism, and Influences

The principal motto inscribed on the reverse of early coppers, such as the 1785 and issues, reads Stella Quarta Decima, translating from Latin as "the Fourteenth Star," which symbolized 's ambition to join the as the fourteenth state following the thirteen original colonies. This phrase encircled an amid thirteen stars, evoking divine oversight and the established union, while asserting 's independent republic status prior to statehood in 1791. Later varieties, including some bust designs, featured obverse inscriptions like Vermontensium ("Republic of ") or Vermont Auctori ("By the Authority of "), emphasizing and local minting authority granted to figures such as Reuben Harmon Jr. Symbolism in the designs drew from Vermont's geography and republican ideals: the landscape reverse depicted the Green Mountains with a rising sun and a plough, representing agricultural prosperity, natural frontiers, and emerging from British colonial rule. The obverse busts, often stylized as with flowing hair, conveyed Enlightenment-era notions of and , akin to figures on contemporaneous American tokens. These elements collectively projected Vermont's identity as a hardy, agrarian , distinct yet aspirational toward federal integration, without overt militaristic or monarchical motifs. Design influences stemmed primarily from circulating British copper coinage, such as halfpennies featuring a seated , which issues mimicked in size, composition, and partial aesthetics to facilitate acceptance in trade while substituting American inscriptions for loyalty signals. Numismatists note adaptations from coppers and other colonial precedents, including eye motifs from Continental currency, but the series prioritized local scenery over generic emblems to foster regional pride amid economic isolation. This blend reflected pragmatic counterfeiting techniques—often executed by Harmon using altered British dies—rather than purely artistic innovation, enabling circulation in a coin-scarce post-Revolutionary economy.

Technical and Material Aspects

Coin Specifications and Composition

The Vermont coppers were minted from pure planchets, as stipulated in the legislative authorization of October 1785, which required the coins to consist of unalloyed to ensure durability and intrinsic value in circulation. This composition aligned with contemporary colonial minting practices, avoiding alloys common in some counterfeits or lesser-quality issues, though actual planchets sometimes exhibited minor impurities from processes. The standard weight was legislated at 160 grains (approximately 10.37 grams), exceeding the English halfpenny's typical 120-150 grains to promote acceptance in regional and reflect Vermont's intent for robust small-denomination . Coins measured roughly 27 millimeters in diameter, with a thickness of about 1.5 millimeters and a plain edge, facilitating manual striking on screw presses at Reuben Harmon's mint in Rupert. These dimensions positioned the Vermont coppers as slightly larger and heavier than contemporaneous British coppers, aiding distinguishability amid diverse colonial small change.

Die Varieties and Manufacturing Techniques

The Vermont coppers exhibit a complex array of die varieties, primarily due to the rapid wear of soft dies during striking and the need for frequent replacements, resulting in at least 34 principal genuine combinations documented in numismatic literature. These are systematically classified using the (RR) numbering system, which identifies pairings of dies, supplemented by E. Bressett's "B" designations for specific die states and combinations in his 1976 reference work. Early -type issues (1785–1786) feature three orthographic variants of "" on the obverse—VERMONTS (RR-1 to RR-3), VERMONTIS (RR-4), and VERMONTENSESIUM (RR-5 onward)—paired with a consistent reverse depicting a mountainous with trees, a rising sun, and the STELLA QUARTA DECIMA. Later bust-type issues (1787–1788) introduce obverses with a female bust facing right or left, inscribed with and AMERICA, while retaining the landscape reverse, yielding varieties such as RR-14 (bust right with plow device influences) and rarer states like RR-37, of which only six examples are known. Notable diagnostic features include die cracks, repunching (e.g., doubled letters in AUCTORI), and spelling errors like a backward "C" in RR-11, reflecting hasty adjustments. Die production involved hand-engraving by artisans, with early dies attributed to William H. Coley of Birmingham, , evidenced by shared punch details like the inverted eye and in RR-4. Subsequent bust dies show influences from British halfpence, including reworked central devices possibly derived from prior coinage punches, leading to stylistic inconsistencies such as crude portraits and irregular denticulation. Late die states often display progressive deterioration, including cracks from the bust to the rim or filled cracks in the , which numismatists use to sequence production runs. Manufacturing techniques followed standard early American copper coin production: copper ingots were melted in a furnace, rolled into thin sheets using manual or horse-powered rollers, and sheared into irregular weighing approximately 120–150 grains, heavier than contemporaneous issues due to Harmon's sourcing. were annealed for malleability, then manually struck between dies via a screw press operated at Reuben Harmon's mint in , achieving output rates of roughly 30–50 coins per hour under optimal conditions. Absent edge collars, strikes exhibit off-center margins, weak centers, and planchet striations from imperfect rolling, with frequent overstriking on host coins (e.g., Irish halfpence) to conserve material. This labor-intensive process, reliant on local craftsmanship without mechanized hubbing until later federal minting, contributed to the series' variability and eventual cessation in amid legal challenges and economic shifts.

Quality Control Issues and Defects

The Vermont copper mint, operated by Reuben Harmon Jr. in Rupert from to 1788 using manual screw presses and rudimentary techniques, exhibited significant shortcomings typical of early colonial coinage operations, resulting in widespread inconsistencies across production. Lacking standardized machinery or rigorous processes, the facility produced coins with variable weights, uneven strikes, and compositional flaws, often prioritizing volume over precision to meet contractual obligations for circulating half-pennies valued at 1/48th of a . Planchet preparation represented a primary defect source, as most coins were struck on rough, impure copper blanks sourced locally or imported hastily, leading to frequent fissures, laminations, and surface irregularities that compromised durability and appearance. These defective planchets, compounded by inconsistent annealing and cutting, contributed to higher circulation wear and lower survival rates in higher grades. Striking defects were prevalent due to operator variability and equipment limitations, including weak or incomplete impressions, off-center alignments, and occasional double strikes, which arose from misaligned dies or insufficient pressure. Die-related issues further exacerbated problems, with cracks and breaks developing rapidly from overuse—evident in varieties like Ryder 13 and RR-15—producing raised lines or missing elements that persisted uncorrected, as recutting or replacement was time-prohibitive. Edge lettering and inscription quality suffered from poor die engraving, manifesting as uneven spacing and shallow , while impure copper alloys promoted and formation post-minting. These systemic flaws, unmitigated by any formal , diminished the coins' reliability in and fueled among users, though numismatists today value certain defects for their rarity in documenting the mint's operational constraints.

Circulation and Economic Impact

Intended Use and Denomination

The Vermont coppers were minted primarily to address the chronic shortage of small-denomination coinage in the post-Revolutionary economy of the independent , facilitating everyday transactions in local trade and commerce where British halfpence and other coppers were scarce. Authorized by the in 1785, these coins were granted exclusive minting rights to Reuben Harmon Jr. of Rupert, with production continuing until 1788, aimed at injecting copper currency into circulation to support the republic's barter-heavy agrarian and frontier economy. All varieties were denominated as one-half (1/2d), explicitly intended to function as equivalents to the British halfpenny then prevailing in colonial America, despite their lighter weight—typically around 130-150 grains compared to the standard 144-168 grains of authentic British pieces—which reflected an intrinsic value closer to one-third but was legislated for halfpenny parity within . This denomination was marked on certain issues via lettered edge devices or implied through design mimicry of British coinage, underscoring their role as proxy halfpence rather than full , though acceptance was not universally enforced beyond regional borders. The assembly specified production quotas tied to repayment in copper value, ensuring the coins' issuance aligned with economic needs rather than speculative profit, with an estimated to 300,000 pieces struck across varieties.

Acceptance in Trade and Regional Circulation

The Vermont coppers, struck between 1785 and 1788 under to Reuben Harmon Jr., served as within the for small-denomination transactions, addressing a chronic shortage of copper coinage in the post-Revolutionary economy. Merchants and traders in rural accepted them at face value—typically valued at 1/48th of a Spanish milled dollar—for everyday purchases such as provisions, labor, and local goods, facilitating commerce in an agrarian region reliant on and scarce hard money. Design features, including the 1787 Britannia reverse and landscape motifs echoing Connecticut coppers, enhanced their acceptance by mimicking familiar British and state-issued pieces, allowing them to pass current alongside imported halfpence in regional New England trade networks. These coins circulated beyond Vermont into adjacent areas like New Hampshire and Massachusetts, where hoards and contemporary accounts indicate their use in cross-border exchanges, though their reduced weight of 111 grains (down from an initial 160 grains standard in July 1785) occasionally prompted scrutiny and uneven valuation compared to heavier foreign coppers. A 1787 New York law prohibiting the circulation of "foreign" coppers limited their penetration southward, yet enforcement was inconsistent, and Vermont issues continued to appear in New England commerce until statehood in 1791, bolstered by legislative extensions granted to in 1786 for ongoing production. Quality variations from the rudimentary East Rupert mint, including off-center strikes, did not broadly undermine trust, as the coins' legislative backing and similarity to accepted types sustained their utility in informal trade despite private minting concerns.

Decline in Usage Post-Statehood

Following Vermont's as the 14th state on March 4, , the issuance of Vermont coppers ended definitively, as the U.S. Constitution prohibited states from coining money or emitting bills of credit (Article I, Section 10). With no further minting after —already halted due to production challenges, excessive weight relative to circulating British halfpence, and restrictive laws in neighboring New York banning non-state coppers—the existing supply faced obsolescence amid the shift to national currency. The Coinage Act of April 2, 1792, authorized the establishment of the in and the striking of federal half cents, with production commencing in 1793 at a standardized weight of 5.44 grams (approximately 158 grains) of pure . These coins, bearing official U.S. designs and status, provided a uniform alternative to irregular state and foreign coppers, accelerating the displacement of issues in everyday transactions across and beyond. coppers, valued nominally at one 48th of a (equivalent to a halfpenny), lacked federal endorsement and were increasingly viewed as unofficial, reducing merchant acceptance in interstate trade. Despite this, Vermont coppers persisted in regional circulation for several years post-1791, often alongside British halfpence and other colonials, due to their familiarity in local and New York commerce. However, their non-standard weights—initial landscape types averaging over 200 grains before redesign—led to uneven valuation and reluctance in broader markets favoring lighter, consistent pieces. By the early 1800s, as federal half cent and cent production ramped up and copper's intrinsic value rose, many surviving examples were melted down, contributing to their scarcity today.

Authenticity and Counterfeits

Contemporary Counterfeits

Among the forty die varieties cataloged for , at least one—RR-5, featuring the obverse inscription "VERMONTIS" with pointed sun rays—is classified as a contemporary produced in the late . This variety exhibits casting flaws such as irregular striations, porous surfaces, and non-uniform edges, distinguishing it from the hammered and struck genuine issues minted by Reuben Harmon Jr. in Rupert, , from 1785 to 1788. Rated R6 to R7 in rarity, surviving examples remain scarce, with auction realizations reflecting their appeal to specialists despite dubious authenticity. Struck counterfeits also emerged, particularly at Machin's Mills near , a prolific 1780s operation specializing in imitation British and Irish halfpence. The RR-27 variety, dated 1788 with a right-facing bust, has been identified by Eric P. Newman as a Machin's Mills product, employing dies to replicate designs on lightweight planchets averaging under 120 grains—below the official 157-grain standard. These pieces often show overstriking evidence, with undertypes from counterfeit Irish halfpence visible, as in RR-18 and RR-28 pairings where host coin details like devices persist. Production likely intensified after Harmon's authorized mint closed circa 1788-1789, when equipment reportedly transferred to Machin's, enabling illicit continuation under reduced metal content to maximize profit. Further adaptations include re-engraved "whatsits," such as a 1787-dated example modifying a George III-style counterfeit halfpenny (100.4 grains) by adding "VERMON AUCTORI" and figural elements to the reverse, blending British imitation with Vermont mimicry for regional deception. These circulated amid widespread colonial coin shortages, exacerbating distrust in low-denomination coppers, though their prevalence is inferred from die studies rather than contemporary records, as official documentation focused on authorized minting.

Identification Challenges for Collectors

coppers challenge collectors with their 40 documented die varieties, necessitating precise attribution through examination of subtle diagnostics such as , die breaks, and portrait styles. Poor original striking quality, characterized by weak central details, off-center , and imperfections like fissures and voids, often obscures these markers, complicating differentiation from damaged genuine pieces or alterations. Contemporary counterfeits, including one cast variety ( 1-B), introduce further hurdles, as these exhibit porous surfaces, casting seams, or mismatched weights but can closely mimic legitimate issues when circulated and worn. Attribution relies on reference catalogs like Wells's revisions to 's work, requiring magnification to discern die states amid , residues, or environmental that degrade legibility. Advanced varieties, such as the -26, demand verification due to rarity and subtle diagnostics, where even minor flaws can mislead assessments of authenticity or grade. Collectors face risks from misattributed pieces in the market, underscoring the need for cross-referencing multiple diagnostics against verified specimens to avoid conflating mules or questionable emissions with standard issues.

Modern Authentication Methods

Third-party grading services like the Professional Coin Grading Service (PCGS) and Numismatic Guaranty Corporation (NGC) dominate modern authentication of s, with experts scrutinizing submissions against databases of verified specimens to confirm die varieties—40 recognized types, including one known contemporary —and detect alterations or fabrications. These services employ high-magnification imaging and stereoscopic to identify period-specific traits, such as irregular edges from hand-cut blanks, authentic die clash marks, and natural patterns, which fakes often replicate poorly through or electrotype seams. Metallurgical analysis via non-destructive (XRF) evaluates elemental composition, revealing the high-purity (typically exceeding 95%) and trace period impurities in genuine issues, in contrast to counterfeits alloyed with modern , lead, or that alter spectral signatures. Specific gravity testing complements XRF by quantifying —authentic register approximately 8.8 to 8.9 relative to , flagging base-metal substitutes or filled fakes that deviate due to inconsistent internal . Weight and dimensional checks against variety-specific norms (generally 9-11 grams and 27-29 mm diameter) provide additional baselines, though variability in original strikes necessitates cross-referencing with cataloged examples. Advanced techniques, including environmental scanning electron microscopy (ESEM) for surface microstructure or rare invasive sectioning for cross-sectional validation, are reserved for high-value or disputed pieces, often at institutional labs rather than routine grading. review, tracing ownership through records or early collections, bolsters confidence but is absent for many unattributed survivors, underscoring reliance on empirical testing over historical narrative alone. Despite these methods, sophisticated contemporary reproductions occasionally evade initial detection, prompting ongoing refinements in authentication protocols by numismatic bodies.

Numismatic Legacy

Rarity and Collectibility Factors

The rarity of Vermont stems primarily from their limited production during the Vermont Republic's brief independence (1777–1791), with minting confined to 1785–1788 at rudimentary facilities using substandard planchets, resulting in no precise mintage figures but estimated low output across approximately 40 die varieties. Many varieties exhibit extreme scarcity, with fewer than 50 known survivors for several, such as the 1785 Immune Columbia type (around 30 examples) and the 1788 Backward "C" type (25–35 examples), exacerbated by heavy circulation as low-denomination (1/2 ) coins and subsequent melting for value post-Federal coinage dominance. Collectibility is driven by the challenge of attributing and acquiring specific Ryder-numbered die varieties, standardized in Richard G. Doty's catalog, where scarcer ones like Ryder-8 (Landscape type, fewer than 100 known, no recent Mint State appearances) or Ryder-15 (R.6 rarity rating) command premiums due to die breaks, overdates, or unique states not replicable in modern . Production flaws, including crude strikes on impure blanks prone to and planchet cracks, render problem-free specimens in higher grades (e.g., VF or better) exceptionally elusive, with most extant pieces grading Good to Very Good and high-grade examples often institutional or pedigreed. Historical allure as artifacts of Vermont's sovereign coinage—featuring motifs like the landscape or "Immune Columbia" symbolizing resistance to British rule—elevates demand among colonial numismatists, though authenticity concerns from contemporary counterfeits (addressed in separate ) necessitate verification, further limiting accessible supply. Varietal completeness sets remain unattainable for most collectors due to the dispersion of rarities across auctions and museums, with overstriking on prior coppers (e.g., hosts) adding layers of attribution complexity prized by specialists. Vermont coppers command premium prices at for rare die varieties and superior preservation, reflecting their scarcity and appeal to colonial specialists. A 1785 example realized $180,000 in the Stack's Bowers 2023 Showcase , marking one of the series' top sales. Similarly, a 1786 reverse, RR-7 variety (Bressett 5-E, W-2025), graded VG-8 by PCGS, sold for $52,800 at the Stack's Bowers 2019 ANA in . In February 2020, a 1788 Backward C in AUCTORI (RR-30) variety achieved $19,800 at ' Long Beach Expo sale. Rarer varieties, such as the 1787 Bust Left (Ryder-15, R.6), have fetched over $11,000 even in lower grades like About Good, as seen in a Heritage auction at the ANA World's Fair of Money. Common circulated examples, however, trade far lower; GreatCollections recorded a 1785 VERMONTIS in grade 12 selling for $165 as recently as within the past 15 years ending 2025. Market trends indicate sustained collector interest in high-grade or key-date specimens, with Greysheet dealer bid prices for mint state brown (MS BN) examples ranging from $390 for accessible varieties to $60,000 for rarities like the 1785 Immune Columbia as of 2025 updates. While circulated commons hold steady at $100–$500, premium realizations for choice pieces have aligned with broader rare appreciation, driven by limited supply—many varieties known in fewer than 50 examples—and growing numismatic , projecting continued growth through 2025 amid a reported 8% annual market expansion for collectibles. Auction volumes remain modest due to the series' niche status, but realizations for verified authentic coins underscore resilience against counterfeits, with via PCGS or NGC bolstering values.

Scholarly Research and Cataloging

Sylvester S. Crosby's 1875 publication The Early Coins of America established the foundational scholarly framework for studying coppers, providing detailed descriptions of die varieties, minting processes, and historical context based on surviving specimens and legislative records from the . Crosby identified key issuers like Reuben Harmon Jr. and analyzed the coins' production in Ruperts, , drawing on catalogs and contemporary accounts to catalog early varieties. Subsequent research built on Crosby's work, with Eric P. Newman's extensive files from the 1950s to 1990s compiling correspondence, auction data, and metallurgical analyses specific to coppers dated 1785–1788, preserved in the Newman Numismatic Portal. In 1979, the American Numismatic Society acquired a significant collection of coppers, spurring institutional cataloging efforts that emphasized and rarity attribution. Modern scholarship culminated in Q. David Bowers' 2018 book The Copper Coins of and Interrelated Issues –, which synthesized over 60 years of personal research, incorporating die state progressions, hoard evidence, and economic circulation patterns while critiquing earlier attributions for inconsistencies in die linking. Bowers cross-referenced specimens against Crosby's plates and incorporated data from major auctions, refining estimates of total mintages for varieties like the landscape reverse types. Cataloging systems evolved from Crosby's narrative descriptions to standardized die variety numbering, with Kenneth E. Bressett's "B" designations (B1–B40) assigning unique identifiers to the approximately 40 recognized combinations, including one contemporary , facilitating collector attribution and condition tracking. Additional refinements appear in publications by the Colonial Coin Collectors Club (C4), which integrate Ryder numbers for obverse-reverse pairings and address overlaps with coppers in shared mint facilities. Ongoing cataloging in peer-reviewed outlets like the Journal of Early American Numismatics addresses debates over authenticity and variety pedigrees, often repudiating unsubstantiated claims through metallurgical and stylistic reexaminations.

References

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