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Victo Ngai
Victo Ngai (born 1988) is an American-Chinese illustrator raised in Hong Kong. Her work has been described as being highly detailed and precise, referencing comic book drawings, classic children's book illustrations, the work of Japanese painters, and more. Illustrations created by the artist are often considered to contain compelling imagery and unique styling.
Ngai (pronounced nye), was given the name of Victoria, which she later shortened to Victo. Born in Guangdong Province and raised in the former British colony of Hong Kong, current Chinese SAR as the only child of middle-class parents, Ngais' father worked in finance and her mother worked in a variety of jobs, including professor of Chinese literature, newspaper editor and the manager of an investment company. Often bedridden with high fevers until the age of six she took to drawing as a way to keep herself entertained. Her mother sought out traditional herbal treatments, which not only ended her fevers but also inspired her mother's next career as a doctor of Chinese medicine
Her great uncle was a surgeon with a passion for meticulous Chinese ink painting and drawing with him was one of her first art encounters. Ngai also went to many museum exhibitions with her mother as a child.
The artist's family moved from place to place often when she was young, which did not allow for lasting friendships and as a result her childhood was a largely solitary one. Ngai would later credit the instability in her early life with the birth of her artistic identity.
Ngai's mother first noticed her artistic talent and feared that "rigidly technical Chinese art taught in school was stifling it." For two years during summer vacation, Ngai was taken to a private art teacher in Shenzhen on mainland China, which although geographically close, was like "visiting another country" because of the customs immigration process, according to the artist. It was there that Ngai's creative confidence began to flourish.
When Ngai started thinking about an education in illustration, it was a difficult decision, because the artist and her family believed there was a prejudice in Asia against art and design. Her father hoped she would go into finance as a career.
A friend who studied art at Yale, recommended the Rhode Island School of Design and that was the only school she applied to. Ngai was accepted at the Rhode Island School of Design in 2006 where she was mentored by the award-winning illustrator, Chris Buzelli, who importantly taught the young artist that an individual style is something you have to search for within, and not search for outside.
The artist drew early influences from the works of Utagawa Kuniyoshi, Hiroshige and her college instructor, Chris Buzelli She also gained inspiration from Norman Rockwell, Winsor McCay, Mary Blair and the fashion designer Alexander McQueen.
Victo Ngai
Victo Ngai (born 1988) is an American-Chinese illustrator raised in Hong Kong. Her work has been described as being highly detailed and precise, referencing comic book drawings, classic children's book illustrations, the work of Japanese painters, and more. Illustrations created by the artist are often considered to contain compelling imagery and unique styling.
Ngai (pronounced nye), was given the name of Victoria, which she later shortened to Victo. Born in Guangdong Province and raised in the former British colony of Hong Kong, current Chinese SAR as the only child of middle-class parents, Ngais' father worked in finance and her mother worked in a variety of jobs, including professor of Chinese literature, newspaper editor and the manager of an investment company. Often bedridden with high fevers until the age of six she took to drawing as a way to keep herself entertained. Her mother sought out traditional herbal treatments, which not only ended her fevers but also inspired her mother's next career as a doctor of Chinese medicine
Her great uncle was a surgeon with a passion for meticulous Chinese ink painting and drawing with him was one of her first art encounters. Ngai also went to many museum exhibitions with her mother as a child.
The artist's family moved from place to place often when she was young, which did not allow for lasting friendships and as a result her childhood was a largely solitary one. Ngai would later credit the instability in her early life with the birth of her artistic identity.
Ngai's mother first noticed her artistic talent and feared that "rigidly technical Chinese art taught in school was stifling it." For two years during summer vacation, Ngai was taken to a private art teacher in Shenzhen on mainland China, which although geographically close, was like "visiting another country" because of the customs immigration process, according to the artist. It was there that Ngai's creative confidence began to flourish.
When Ngai started thinking about an education in illustration, it was a difficult decision, because the artist and her family believed there was a prejudice in Asia against art and design. Her father hoped she would go into finance as a career.
A friend who studied art at Yale, recommended the Rhode Island School of Design and that was the only school she applied to. Ngai was accepted at the Rhode Island School of Design in 2006 where she was mentored by the award-winning illustrator, Chris Buzelli, who importantly taught the young artist that an individual style is something you have to search for within, and not search for outside.
The artist drew early influences from the works of Utagawa Kuniyoshi, Hiroshige and her college instructor, Chris Buzelli She also gained inspiration from Norman Rockwell, Winsor McCay, Mary Blair and the fashion designer Alexander McQueen.