Video Phone (song)
Video Phone (song)
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Video Phone (song)

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Video Phone (song)

"Video Phone" is a song recorded by American singer Beyoncé and released on September 22, 2009, as the eighth single from her third studio album I Am... Sasha Fierce (2008). Written by Beyoncé, Shondrae Crawford, Angela Beyincé and Sean Garrett, and produced by Beyoncé, Bangladesh and Garrett, the crunk song consists of simple lyrics and hidden innuendos referring to putting up a sexy display to be recorded on a video phone. The extended remix, featuring Lady Gaga, was produced by Vybe Chyle and released on November 17. Soon after, Gaga featured Beyoncé on her song "Telephone".

"Video Phone" received generally mixed reviews from music critics. Some noted that Gaga's featured appearance on the song's remix failed to add anything to the tune. The original version charted in the lower regions of the charts in Australia, Spain, and the United Kingdom, while the remix peaked at number 65 on the US Billboard Hot 100 and atop the US Dance Club Songs chart.

The accompanying music video filmed for the remix of "Video Phone" portrayed Beyoncé and Gaga in a number of costumes, brandishing colorful guns towards men and paying homage to the film Reservoir Dogs (1992) and pin-up legend Bettie Page. It received mixed feedback from critics, who felt it was uninteresting and did not present anything new. However, they complimented the costumes and the cinematic homage of the video. The video went on to win the BET Award for Video of the Year.

"Video Phone" was written by Beyoncé Knowles, Shondrae Crawford, Sean Garrett, Angela Beyincé and Lady Gaga in the remixed version. It was produced by Bangladesh, The Pen and Knowles. Initially, "Video Phone" was sent to US urban contemporary radios on September 22, 2009. In October 2009, Life & Style reported that Knowles and pop singer Lady Gaga were collaborating for a remixed version of the song. The remixed version featured both Knowles and Lady Gaga trading verses with one another. The remixed version of the song that features Lady Gaga was included on the 2009 deluxe edition of I Am... Sasha Fierce.

Musically, "Video Phone" is a crunk song. According to the sheet music published at Sheetmusicplus.com by Hal Leonard Corporation, the song is set in the time signature of common time, with a moderate groove tempo of 79 beats per minute and in the key of E♭ minor. It consists of simple lyrics, with hidden innuendos, and is backed by thin-spread beats; Knowles and Gaga uttering gasps and groans while singing the song. Chris Willman from Yahoo! said that the lyrics are a "celebration of Skype sex and putting on a solo show, on camera, for a guy you just met at the club."

The female protagonist sings how she will dance for a man, while he is filming her with his videophone, this being illustrated in the line, "Press 'record' and I'll let you film me", and "You want me naked? If you like this position you can tape it". According to James Reed of The Boston Globe the lines "What? You want me naked/ If you likin' this position, you can tape it" are sung with an accent which was "part Long Island, part Barbados". Michaelangelo Matos of The A.V. Club commented that "Video Phone" is very similar to Missy Elliott's songs. Rolling Stone's Christian Hoard and The Washington Post's J. Freedom du Lac found similarities between "Video Phone" and the songs by rock band Nine Inch Nails. San Francisco Chronicle's Aidin Vaziri noted that the song sounded like it was swiped from Björk.

The song received mixed reviews. Alexis Petridis from The Guardian compared the song to "Diva", stating that "Video Phone" is "Almost equally weird, but much better, [and it] introduces us to the unlikely figure of Beyoncé Knowles, amateur pornographer: 'You want me naked? If you like this position you can tape it.' She doesn't make for the world's most believable Reader's Wife, but it doesn't matter, because the spare, eerie backdrop of groans and echoing electronics is so thrilling." A writer of Rolling Stone said that Knowles sings in a "dirty groove on the slippery" song. Colin McGuire from PopMatters wrote that "'Video Phone' is sexy enough to the point where it almost becomes uncomfortable to think of her listening back to this with her father in the room." Sal Cinquemani from Slant Magazine commented that the song ended the album abruptly. Daniel Brockman of The Phoenix noted that the song was "smutty" for an artist like Knowles. J. Freedom du Lac of The Washington Post chose the song as a highlight on I Am... Sasha Fierce saying, "The moaning, groaning 'Video Phone' positions Beyoncé as the star of a sex tape set to a thrillingly spare soundtrack that sounds like a Nine Inch Nails instrumental." A negative review for the song was given by Bernard Zuel of The Sydney Morning Herald who described it as "awful".

For the collaboration, Fraser McAlpine from BBC Radio 1 reviewed the song negatively, writing: "So anyway, this brings me to 'Video Phone' – and what exactly is the point of Gaga featuring in this song? I know Beyoncé fans won't like me saying this, but I can't help but think that in this instance it's a case of 'if you can't beat em, join em' [...] For someone as naturally brilliant as Beyoncé (and a better singer than Gaga and Rihanna put together), perhaps she should actually stop trying so hard and do what she does best - singing proper songs." Chris Willman from Yahoo! compared the song to Gaga's "Telephone", where Knowles appears as a featured artist, and wrote that "Maybe it's because the lack of a video for Gaga's 'Telephone' leaves more to the imagination, but if this were a contest, I'd have to say her tune trumps Beyoncé's. [...] [Her] greatest promises of unbridled exhibitionism can't quite make the genre feel fresh." The New York Times' Jon Caramanica commented that "Video Phone" and "Telephone", "promised a new direction, but all Beyoncé did was show up to prove she could out-Gaga Gaga, then return to her comfort zone." Kyle Anderson of MTV, felt that "Gaga got a bit lost in the mix" of "Video Phone". David Balls of the website Digital Spy gave a negative review for the remix version, grading it two out of five stars. He further commented,

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