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Walhalla (memorial)
Walhalla (German pronunciation: [valˈhala] ⓘ) is a hall of fame monument in Bavaria that honours laudable and distinguished people in German history – "politicians, sovereigns, scientists and artists of the German tongue"; While all new inductees since 1890 have been Germans or German-speakers, several earlier honorees came from outside modern Germany, which had not yet been established when the monument was built. Their inclusion reflects a 19th-century, still evolving, more loosely defined concept of "Germanness", one that would today be seen as conflating the term "German" with the much broader notion of having spoken a Germanic language or being of partial or supposed German ancestry.
The Walhalla memorial is named for the Valhǫll of Norse Paganism. It was conceived in 1807 by Crown Prince Ludwig I of Bavaria in order to support the gathering momentum for the unification of the many German states into the German Empire. Following his accession to the throne of Bavaria, construction took place between 1830 and 1842 under the supervision of the architect Leo von Klenze. The memorial displays some 65 plaques and 130 busts covering 2,000 years of history, beginning with Arminius, victor at the Battle of the Teutoburg Forest in the year 9 AD.
The entire system including the substructure is 125 meters long and 55 meters high, the shape of complex is a Greek temple in the style of a Doric Peripteros. The roof is supported by an iron structure that was ultra-modern for the time. The length of the classicist temple building is 66.7 meters, the width is 31.6 meters, and the height is 20 meters. The fully sculptural gable field on the north side, designed by Christian Daniel Rauch and executed by Ludwig von Schwanthaler, shows on the left the Germanic tribes under Arminius in the battle in the Teutoburg Forest against the Romans attacking from the west right. The southern gable represents Germany's liberation in 1814, in the middle Germania, from the left and right the German states and federal fortresses approach in homage, in the spandrel the border rivers Rhine and Moselle are symbolized. Inside, Walhalla is 48.5 meters long, 14 meters wide and 15.5 meters high. The surrounding frieze by Martin von Wagner depicts the early history of the Germanic peoples, their departure from the Caucasus and their immigration into Central Europe. The final stage is the conversion to the Christian faith by Saint Boniface. In addition to its decorative function, the history frieze also serves as a visual separation between the lower bust zone and the upper panel zone. There are also twelve marble armchairs in the interior, which were created by the sculptor Ernst Mayer, and eight marble candlesticks.
By 1806 Napoleon's First French Empire had annexed German lands along the Rhine River and the North Sea. Central German states formed the Confederation of the Rhine, which sided with Napoleon. Francis II, Holy Roman Emperor, then formally dissolved the Holy Roman Empire of the German Nation (6 August 1806) and instead styled himself Emperor of Austria. The War of the Fourth Coalition (1806–1807) pitted German forces on both sides against each other, and Napoleon again prevailed.
In 1807, 20-year-old Crown Prince Ludwig of the Kingdom of Bavaria (newly elevated from Electorate to Kingdom by Napoleon in 1806), had the idea of reminding all Germans of their common heritage – of the great figures and events in ethnic German history. He commissioned several sculptors to create busts of famous individuals of his choice. Johann Gottfried Schadow's bust of Nicolaus Copernicus became one of the first completed, in 1807. Further suggestions for individuals to be honoured were solicited in 1808 from Swiss historian Johannes von Müller.
By the time of Crown Prince Ludwig's coronation as King Ludwig I of Bavaria in 1825, 60 busts had been completed. In 1826 Ludwig commissioned the construction of a memorial above the Danube River, near Regensburg, modelled after the Parthenon in Athens. The southern pediment frieze features the 1815 creation of the German Confederation; the northern pediment frieze features scenes from the Battle of the Teutoburg Forest of 9 AD. According to Pictorial Travels Continentally Described (circa 1892), the construction of the building cost £666,666.
A two thaler coin was minted commemorating the opening of Walhalla, Krause catalog number KM# 811. It is moderately scarce.
At Walhalla's inauguration on 18 October 1842, there were 96 busts, plus 64 plaques for persons or events of which no portrait was available on which to model a sculpture. When the memorial was opened in 1842, Guido von Lessner authored a poem about Germany's greatness which was set to music by Joseph Hartmann Stuntz.
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Walhalla (memorial)
Walhalla (German pronunciation: [valˈhala] ⓘ) is a hall of fame monument in Bavaria that honours laudable and distinguished people in German history – "politicians, sovereigns, scientists and artists of the German tongue"; While all new inductees since 1890 have been Germans or German-speakers, several earlier honorees came from outside modern Germany, which had not yet been established when the monument was built. Their inclusion reflects a 19th-century, still evolving, more loosely defined concept of "Germanness", one that would today be seen as conflating the term "German" with the much broader notion of having spoken a Germanic language or being of partial or supposed German ancestry.
The Walhalla memorial is named for the Valhǫll of Norse Paganism. It was conceived in 1807 by Crown Prince Ludwig I of Bavaria in order to support the gathering momentum for the unification of the many German states into the German Empire. Following his accession to the throne of Bavaria, construction took place between 1830 and 1842 under the supervision of the architect Leo von Klenze. The memorial displays some 65 plaques and 130 busts covering 2,000 years of history, beginning with Arminius, victor at the Battle of the Teutoburg Forest in the year 9 AD.
The entire system including the substructure is 125 meters long and 55 meters high, the shape of complex is a Greek temple in the style of a Doric Peripteros. The roof is supported by an iron structure that was ultra-modern for the time. The length of the classicist temple building is 66.7 meters, the width is 31.6 meters, and the height is 20 meters. The fully sculptural gable field on the north side, designed by Christian Daniel Rauch and executed by Ludwig von Schwanthaler, shows on the left the Germanic tribes under Arminius in the battle in the Teutoburg Forest against the Romans attacking from the west right. The southern gable represents Germany's liberation in 1814, in the middle Germania, from the left and right the German states and federal fortresses approach in homage, in the spandrel the border rivers Rhine and Moselle are symbolized. Inside, Walhalla is 48.5 meters long, 14 meters wide and 15.5 meters high. The surrounding frieze by Martin von Wagner depicts the early history of the Germanic peoples, their departure from the Caucasus and their immigration into Central Europe. The final stage is the conversion to the Christian faith by Saint Boniface. In addition to its decorative function, the history frieze also serves as a visual separation between the lower bust zone and the upper panel zone. There are also twelve marble armchairs in the interior, which were created by the sculptor Ernst Mayer, and eight marble candlesticks.
By 1806 Napoleon's First French Empire had annexed German lands along the Rhine River and the North Sea. Central German states formed the Confederation of the Rhine, which sided with Napoleon. Francis II, Holy Roman Emperor, then formally dissolved the Holy Roman Empire of the German Nation (6 August 1806) and instead styled himself Emperor of Austria. The War of the Fourth Coalition (1806–1807) pitted German forces on both sides against each other, and Napoleon again prevailed.
In 1807, 20-year-old Crown Prince Ludwig of the Kingdom of Bavaria (newly elevated from Electorate to Kingdom by Napoleon in 1806), had the idea of reminding all Germans of their common heritage – of the great figures and events in ethnic German history. He commissioned several sculptors to create busts of famous individuals of his choice. Johann Gottfried Schadow's bust of Nicolaus Copernicus became one of the first completed, in 1807. Further suggestions for individuals to be honoured were solicited in 1808 from Swiss historian Johannes von Müller.
By the time of Crown Prince Ludwig's coronation as King Ludwig I of Bavaria in 1825, 60 busts had been completed. In 1826 Ludwig commissioned the construction of a memorial above the Danube River, near Regensburg, modelled after the Parthenon in Athens. The southern pediment frieze features the 1815 creation of the German Confederation; the northern pediment frieze features scenes from the Battle of the Teutoburg Forest of 9 AD. According to Pictorial Travels Continentally Described (circa 1892), the construction of the building cost £666,666.
A two thaler coin was minted commemorating the opening of Walhalla, Krause catalog number KM# 811. It is moderately scarce.
At Walhalla's inauguration on 18 October 1842, there were 96 busts, plus 64 plaques for persons or events of which no portrait was available on which to model a sculpture. When the memorial was opened in 1842, Guido von Lessner authored a poem about Germany's greatness which was set to music by Joseph Hartmann Stuntz.