Community hub
Recent from talks
Knowledge base stats:
Talk channels stats:
Members stats:
Walter Wanger
Walter Wanger (born Walter Feuchtwanger; July 11, 1894 – November 18, 1968) was an American film producer active from the 1910s, his career concluding with the turbulent production of Cleopatra, his last film, in 1963. He began at Paramount Pictures in the 1920s and eventually worked at virtually every major studio as either a contract producer or an independent. He also served as President of the Academy of Motion Picture Arts and Sciences from 1939 to October 1941 and from December 1941 to 1945. Strongly influenced by European films, Wanger developed a reputation as an intellectual and a socially conscious movie executive who produced provocative message movies and glittering romantic melodramas. He achieved notoriety when, in 1951, he shot and wounded the agent of his wife, Joan Bennett, because he suspected they were having an affair. He was convicted of the crime and served a four-month sentence, then returned to making movies.
After his death, his production company, Walter Wanger Productions, was sold to and absorbed by Time-Life Films, which also acquired many films produced by him and that company.
Wanger was born Walter Feuchtwanger in San Francisco. He was the son of Stella (Stettheimer) and Sigmund Feuchtwanger, who were from German Jewish families that had emigrated to the United States in the nineteenth century. Wanger was from a non-observant Jewish family, and later attended Episcopalian services with his wife. In order to assimilate into American society, his mother altered the family name to Wanger in 1908. The Wangers were well-connected and upper middle class, something which later differentiated Wanger from the other Jewish film moguls who came from more ordinary backgrounds.
Wanger attended Dartmouth College in Hanover, New Hampshire, where he was a founding member of the Dartmouth Laboratory Theatre. After leaving college, Wanger became a professional theatrical producer in New York City where he worked with figures such as the influential British manager Harley Granville-Barker and the Russian actress Alla Nazimova.
Following the American entry into World War I in 1917, Wanger served with the U.S. Army in Italy initially in the Signal Corps where he worked as a pilot on reconnaissance missions, and later in propaganda operations directed at the Italian public. It was during this period that Wanger first came into contact with filmmaking. In April 1918 Wanger was transferred to the Committee on Public Information, and joined an effort to combat anti-war or pro-German sentiment in Allied Italy. This was partly accomplished through a series of short propaganda films screened in Italian cinemas promoting democracy and Allied war aims.
After the Allied victory, Wanger returned to the United States in 1919 and was discharged from the army. Wanger married silent film actress Justine Johnstone in 1919. He initially returned to theatre production, before a chance meeting with film producer Jesse Lasky drew him into the world of commercial filmmaking. Lasky was impressed with Wanger's ideas and his experiences in the theatre, and hired him to head a New York office vetting and acquiring books and plays for use as film stories for Famous Players–Lasky (later to become Paramount), which was then the largest film production company in the world.
Wanger's job at Paramount was to help meet the studio's large annual requirement for fresh stories. One of Wanger's major successes in his early years with the company was his identification of the British novel The Sheik as a story with potential. In 1921, it was turned into an extremely successful film starring Rudolph Valentino. The film helped establish the popularity of the Orientalist genre, which Wanger returned to a number of times during his career.
By 1921, Wanger was unhappy with the terms he was receiving and left his job with Paramount. He travelled to Britain where he worked as a prominent cinema and theatre manager until 1924. While on a visit to London, Paramount key founder Jesse Lasky offered to appoint him as "general manager of production" on improved terms and Wanger accepted.
Hub AI
Walter Wanger AI simulator
(@Walter Wanger_simulator)
Walter Wanger
Walter Wanger (born Walter Feuchtwanger; July 11, 1894 – November 18, 1968) was an American film producer active from the 1910s, his career concluding with the turbulent production of Cleopatra, his last film, in 1963. He began at Paramount Pictures in the 1920s and eventually worked at virtually every major studio as either a contract producer or an independent. He also served as President of the Academy of Motion Picture Arts and Sciences from 1939 to October 1941 and from December 1941 to 1945. Strongly influenced by European films, Wanger developed a reputation as an intellectual and a socially conscious movie executive who produced provocative message movies and glittering romantic melodramas. He achieved notoriety when, in 1951, he shot and wounded the agent of his wife, Joan Bennett, because he suspected they were having an affair. He was convicted of the crime and served a four-month sentence, then returned to making movies.
After his death, his production company, Walter Wanger Productions, was sold to and absorbed by Time-Life Films, which also acquired many films produced by him and that company.
Wanger was born Walter Feuchtwanger in San Francisco. He was the son of Stella (Stettheimer) and Sigmund Feuchtwanger, who were from German Jewish families that had emigrated to the United States in the nineteenth century. Wanger was from a non-observant Jewish family, and later attended Episcopalian services with his wife. In order to assimilate into American society, his mother altered the family name to Wanger in 1908. The Wangers were well-connected and upper middle class, something which later differentiated Wanger from the other Jewish film moguls who came from more ordinary backgrounds.
Wanger attended Dartmouth College in Hanover, New Hampshire, where he was a founding member of the Dartmouth Laboratory Theatre. After leaving college, Wanger became a professional theatrical producer in New York City where he worked with figures such as the influential British manager Harley Granville-Barker and the Russian actress Alla Nazimova.
Following the American entry into World War I in 1917, Wanger served with the U.S. Army in Italy initially in the Signal Corps where he worked as a pilot on reconnaissance missions, and later in propaganda operations directed at the Italian public. It was during this period that Wanger first came into contact with filmmaking. In April 1918 Wanger was transferred to the Committee on Public Information, and joined an effort to combat anti-war or pro-German sentiment in Allied Italy. This was partly accomplished through a series of short propaganda films screened in Italian cinemas promoting democracy and Allied war aims.
After the Allied victory, Wanger returned to the United States in 1919 and was discharged from the army. Wanger married silent film actress Justine Johnstone in 1919. He initially returned to theatre production, before a chance meeting with film producer Jesse Lasky drew him into the world of commercial filmmaking. Lasky was impressed with Wanger's ideas and his experiences in the theatre, and hired him to head a New York office vetting and acquiring books and plays for use as film stories for Famous Players–Lasky (later to become Paramount), which was then the largest film production company in the world.
Wanger's job at Paramount was to help meet the studio's large annual requirement for fresh stories. One of Wanger's major successes in his early years with the company was his identification of the British novel The Sheik as a story with potential. In 1921, it was turned into an extremely successful film starring Rudolph Valentino. The film helped establish the popularity of the Orientalist genre, which Wanger returned to a number of times during his career.
By 1921, Wanger was unhappy with the terms he was receiving and left his job with Paramount. He travelled to Britain where he worked as a prominent cinema and theatre manager until 1924. While on a visit to London, Paramount key founder Jesse Lasky offered to appoint him as "general manager of production" on improved terms and Wanger accepted.