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Wayne Koestenbaum
Wayne Koestenbaum (born 1958) is an American artist, poet, and cultural critic. He received an American Academy of Arts and Letters Award in Literature in 2020. He has published over 20 books to date.
Koestenbaum works as a Distinguished Professor of English, French, and Comparative Literature at the CUNY Graduate Center, where he teaches poetry, and teaches painting at Yale University. He lives and works in New York City.
Koestenbaum was born and raised in San Jose, California. He is the son of writer Phyllis Koestenbaum and leadership consultant Peter Koestenbaum. He received a B.A. from Harvard University, an M.A. from the Johns Hopkins Writing Seminars, and a Ph.D. from Princeton University and is a 1994 Whiting Award recipient.
Koestenbaum lived in New York from 1984 to 1988 while a graduate student at Princeton University. He notes that his early years in New York as the period when he discovered opera, literature, and gay culture. Koestenbaum wrote book reviews for the New York Native and the Village Voice during these years.
In Boston Review, Stefania Heim wrote that Koestenbaum's work —across genre— "obliterates any vestigial divide we might hold on to between play and thought. It revels in and broadcasts the risks and joys ( the risky joys and joyful risks) inherent in both." His best-known critical book, The Queen's Throat, is an exploration of the predilection of gay men for opera. Koestenbaum's conclusion is that gay men's affinity for opera tells us as much about opera and its inherent questions about masculinity as it does about homosexuality.
Humiliation, Koestenbaum's book on the meaning of humiliation (both personal and universal), was reviewed by John Waters as "the funniest, smartest, most heartbreaking yet powerful book I've read in a long time." Koestenbaum starred in a web series in support of this book, "Dear Wayne, I've Been Humiliated...", which was dubbed "the mother of all book trailers" by The New York Observer.
Koestenbaum's 2012 book The Anatomy of Harpo Marx was met with mixed reviews. Brian Dillon praised the book in Sight and Sound as "charming and rigorous" and lauded the book in Frieze as an "excellent example of a kind of delirious scholarship." Writing in the San Francisco Chronicle, Saul Austerlitz suggested that Koestenbaum "sexualizes Harpo beyond all recognition, creating a figure about whom the author can say, in all seriousness, that 'courtesy of the anus, we can imagine, Marxist-style, a path away from family and state.'" Joe Queenan wrote that Koestenbaum "peppers his story with just enough tidbits of fascinating information that readers may fleetingly overlook the fact that his theories are barmy."
Koestenbaum has published essays on celebrity, classical music, contemporary art, literature, and aesthetics; some of these essays have been collected in the books, Cleavage: Essays on Sex, Stars, and Aesthetics, and My 1980s & Other Essays, and Figure It Out: Essays. In 2021, Koestenbaum published his first collection of fables under Semiotext(e) titled, The Cheerful Scapegoat: Fables.
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Wayne Koestenbaum
Wayne Koestenbaum (born 1958) is an American artist, poet, and cultural critic. He received an American Academy of Arts and Letters Award in Literature in 2020. He has published over 20 books to date.
Koestenbaum works as a Distinguished Professor of English, French, and Comparative Literature at the CUNY Graduate Center, where he teaches poetry, and teaches painting at Yale University. He lives and works in New York City.
Koestenbaum was born and raised in San Jose, California. He is the son of writer Phyllis Koestenbaum and leadership consultant Peter Koestenbaum. He received a B.A. from Harvard University, an M.A. from the Johns Hopkins Writing Seminars, and a Ph.D. from Princeton University and is a 1994 Whiting Award recipient.
Koestenbaum lived in New York from 1984 to 1988 while a graduate student at Princeton University. He notes that his early years in New York as the period when he discovered opera, literature, and gay culture. Koestenbaum wrote book reviews for the New York Native and the Village Voice during these years.
In Boston Review, Stefania Heim wrote that Koestenbaum's work —across genre— "obliterates any vestigial divide we might hold on to between play and thought. It revels in and broadcasts the risks and joys ( the risky joys and joyful risks) inherent in both." His best-known critical book, The Queen's Throat, is an exploration of the predilection of gay men for opera. Koestenbaum's conclusion is that gay men's affinity for opera tells us as much about opera and its inherent questions about masculinity as it does about homosexuality.
Humiliation, Koestenbaum's book on the meaning of humiliation (both personal and universal), was reviewed by John Waters as "the funniest, smartest, most heartbreaking yet powerful book I've read in a long time." Koestenbaum starred in a web series in support of this book, "Dear Wayne, I've Been Humiliated...", which was dubbed "the mother of all book trailers" by The New York Observer.
Koestenbaum's 2012 book The Anatomy of Harpo Marx was met with mixed reviews. Brian Dillon praised the book in Sight and Sound as "charming and rigorous" and lauded the book in Frieze as an "excellent example of a kind of delirious scholarship." Writing in the San Francisco Chronicle, Saul Austerlitz suggested that Koestenbaum "sexualizes Harpo beyond all recognition, creating a figure about whom the author can say, in all seriousness, that 'courtesy of the anus, we can imagine, Marxist-style, a path away from family and state.'" Joe Queenan wrote that Koestenbaum "peppers his story with just enough tidbits of fascinating information that readers may fleetingly overlook the fact that his theories are barmy."
Koestenbaum has published essays on celebrity, classical music, contemporary art, literature, and aesthetics; some of these essays have been collected in the books, Cleavage: Essays on Sex, Stars, and Aesthetics, and My 1980s & Other Essays, and Figure It Out: Essays. In 2021, Koestenbaum published his first collection of fables under Semiotext(e) titled, The Cheerful Scapegoat: Fables.