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Winnie Lightner
Winnie Lightner
Winnie Lightner
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Winnie Lightner (born Winifred Josephine Reeves;[2] September 17, 1899 – March 5, 1971) was an American stage and motion picture actress.[3]

Key Information

Perhaps best known as the man-hungry Mabel in Gold Diggers of Broadway (1929), Lightner was often typecast as a wise-cracking gold-digger and was known for her talents as a comedian and singer. She is also noted for introducing the song "Singin' in the Bathtub" in the 1929 motion picture The Show of Shows.

Life and career

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As a young vaudevillian, Lightner (left) partnered with the longtime vaudeville team of Theodora Lightner (from whom she took her stage surname) and Newton Alexander

Also known as Winifred Hansen (using the last name of her foster family),[2][4][5] she started off in vaudeville at age fifteen and adopting Winnie Lightner as her stage name, she was an immediate success and played the fabled Palace theater in New York City only three months after beginning her career.[citation needed]

With vaudeville in decline in the early 1920s, she switched to Broadway revues, where she starred in George White's Scandals of 1922, 1923, and 1924, in Gay Paree in 1925 and 1926, and in Harry Delmar's Revels in 1927.[6]

In 1928, she made a Vitaphone short in which she sang "We Love It", "Heaven Help a Sailor on a Night Like This", "That Brand New Model of Mine", and "We've Got a Lot to Learn". A censorship board in Pennsylvania held up the release of the film because of the content of Lightner's songs. According to film historian Alexander Walker, "Warners asked the censors to merely pass judgment on the visuals – the censors refused."[citation needed]

The musical Gold Diggers of Broadway was a 1929 triumph and made her a star. Warner Bros. quickly signed her up for additional films. The first of these was She Couldn't Say No (1930), in which Lightner was cast in a maudlin dramatic role that did not suit her talents. This was followed by Hold Everything, a lavish all-Technicolor musical comedy that was a huge hit. It was followed by another highly successful picture, The Life of the Party, which was also shot entirely in Technicolor but from which most of the songs were cut prior to release.

By the end of 1930, audiences had grown tired of musicals, while Lightner was in the process of shooting three of them: Sit Tight (1931), Gold Dust Gertie (1931), and Manhattan Parade (1932). They all were released with most of the music cut. This was especially noticeable on Manhattan Parade, in which even the background music was completely removed.

In response to the changes in public tastes, Warner Bros. decided to try another dramatic role for Lightner; the result was a picture called Side Show (1931) which proved to be unsuccessful. She appeared in two more comedies, in which she co-starred with Loretta Young – without songs – before she left Warner Bros. In the first of these, Play Girl (1932), she was billed with her name above the title, but in the second, She Had to Say Yes (1933), Young received first billing.

Family

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Lightner was the mother of multiple-Emmy-award-winning cinematographer Thomas Del Ruth and was married to film director Roy Del Ruth until his death in 1961.[7] She died in 1971, aged 71, and was interred in the San Fernando Mission Cemetery.[1]

Filmography

[edit]
Year Title Role Notes
1929 Gold Diggers of Broadway Mabel Incomplete film
The Show of Shows Performer in "Pingo Pongo" & "Singing in the Bathtub" Numbers
1930 She Coundn't Say No Winnie Harper Lost film
Hold Everything Toots Breen Lost film
The Life of the Party Flo Cut black-and-white print survives, full Technicolor version is lost
1931 Sit Tight Winnie Cut black-and-white print survives, full Technicolor version is lost
The Stolen Jools Winnie Short
Gold Dust Gertie Gertrude "Gertie" Dale Cut print survives, full version is lost
Side Show Pat Cut print survives, full version is lost
Manhattan Parade Doris Roberts Cut black-and-white print survives, full Technicolor version is lost
1932 Play Girl Georgine Hicks
1933 She Had to Say Yes Maizee
Dancing Lady Rosette LaRue
1934 I'll Fix It Elizabeth (final film role)

See also

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References

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Further reading

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Revisions and contributorsEdit on WikipediaRead on Wikipedia

Winnie Lightner

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''Winnie Lightner'' is an American actress and comedienne known for her brash, wisecracking style and her prominence in the early days of sound films, particularly in Warner Bros. musicals and comedies during the late 1920s and early 1930s. She transitioned from vaudeville and Broadway revues to become one of the first stars of talking pictures, often portraying bold, gold-digging characters with a distinctive singing and comedic flair. Born Winifred Josephine Reeves on September 17, 1899, in Greenport, New York, Lightner began performing in vaudeville at age 15 under her adopted stage name. She gained attention on Broadway in shows like George White's Scandals and Gay Paree during the 1920s before signing with Warner Bros. in 1929, where she starred in several pioneering Technicolor musicals. Notable films include Gold Diggers of Broadway (1929), where she played the man-hungry Mabel, The Show of Shows (1929), in which she introduced the song "Singin' in the Bathtub," and The Life of the Party (1930). Her energetic performances helped define the exuberant early talkie era, though many of her films suffered from cuts to musical numbers as audience tastes shifted. Lightner's film career slowed after 1931, with her last role in I'll Fix It (1934). She married director Roy Del Ruth in 1934 and retired from acting, later raising their son Thomas Del Ruth, who became a cinematographer. She lived in California until her death on March 5, 1971, in Sherman Oaks. Her contributions to early Hollywood sound cinema mark her as a key figure in the transition from silent to talking pictures.

Early life

Birth and family background

Winnie Lightner was born Winifred Josephine Reeves on September 17, 1899, in Greenport, New York. She was also known as Winifred Hansen after being raised by a foster family. Details about her parents and siblings are not widely documented in reliable sources, and no verified information indicates direct influence from her immediate family on her early life prior to entering entertainment. She was sometimes referred to by variations of her name in early records, including associations with foster or other family names.

Entry into show business

Winnie Lightner entered show business around 1915 at approximately age sixteen when she joined a vaudeville act billed as the Lightner Sisters. She adopted her stage name from Thea Lightner, a talent manager with whom she formed a professional association. Although presented as sisters in the act, which was described as a dance routine, they were not actually related. This initial engagement marked her transition from private life in Manhattan's Hell's Kitchen, where she had been raised by relatives, to professional performance on vaudeville circuits. Her early work with the Lightner Sisters laid the foundation for her development as a performer before more prominent opportunities emerged.

Stage career

Vaudeville beginnings

Winnie Lightner began her vaudeville career in 1915 at around age fifteen or sixteen, joining the act "The Lightner Sisters and Newton Alexander" under the name Winifred Hansen (from her foster family) before adopting the stage name Winnie Lightner from her partner Theodora Lightner (to whom she was not biologically related). She initially partnered with established vaudevillians Theodora Lightner and Newton Alexander and quickly outshone others in the act, building a reputation for her brassy personality and comedic timing. She became widely known as "The Song a Minute Girl" for her fast-paced delivery of humorous, risqué songs combined with wisecracks and expressive facial gestures, which defined her style and set her apart in vaudeville. Lightner performed on major circuits including Keith-Albee-Orpheum and headlined at prestigious venues such as the Palace Theatre in New York, the premier vaudeville house of the era. Her vaudeville phase lasted several years through the late 1910s and early 1920s, during which she honed her singing and comedic skills, earning billing as a top attraction and laying the foundation for her later stage success.

Broadway roles

Winnie Lightner established herself on Broadway during the mid-1920s through appearances in several prominent musical revues, where she performed as a singer and comedienne known for her energetic style and rapid-fire delivery. She earned the nickname "Broadway's Song a Minute Girl" for her ability to belt out songs in under sixty seconds, a trait that highlighted her vaudeville-honed skills in these stage productions. Her Broadway credits include George White's Scandals (1922, 1923, 1924), in which she appeared as a performer. She later featured in Gay Paree (1925) from August 18, 1925, to January 30, 1926, and returned for Gay Paree (1926) from November 9, 1926, to April 9, 1927. Lightner also performed in Harry Delmar's Revels, which ran from November 28, 1927, to March 1928. These revue appearances showcased her in sketches, song-and-dance numbers, and comedic routines typical of the era's extravagant stage spectacles.

Film career

Transition to sound films

Winnie Lightner transitioned to motion pictures in 1929 as Warner Bros. actively sought stage-trained performers capable of handling dialogue in their pioneering sound films. Her successful Broadway run in "Hold Everything!" (1928) attracted the attention of Warner Bros. executives, who signed her to a contract that capitalized on her proven comedic timing and strong vocal presence, qualities essential for the emerging talkie era. She had appeared in a Vitaphone short in 1928, but made her feature film debut in Gold Diggers of Broadway (1929). These early sound opportunities allowed her to adapt her vaudeville-honed brassy style directly to the microphone, positioning her as a natural fit for sound technology that often challenged silent stars. Lightner quickly moved to prominent roles in Warner Bros. features, including the all-star revue The Show of Shows (1929), where her comedy sketches stood out amid the musical numbers. Studio promotion highlighted her as a "blonde bombshell of comedy" suited to the talkies, and her energetic performance helped establish her as a rising star in Hollywood's shift from silent to sound production.

Major successes and key roles

Lightner's major successes in motion pictures occurred during the transition to sound films at Warner Bros., where her bold, brassy comedic style and strong singing voice from vaudeville and Broadway made her a standout performer in early talkies. Her breakthrough came with Gold Diggers of Broadway (1929), directed by Roy Del Ruth, in which she played Mabel Munroe, an outgoing showgirl who performed songs including "Keeping the Wolf from the Door" and "Mechanical Man." This all-talking, two-strip Technicolor musical comedy became the biggest box office hit of the year for Warner Bros., praised as a fast-moving comedy enhanced by popular songs and innovative color processes. ) The film's success turned Lightner into a major star and led Warner Bros. to promote her as the screen's foremost comedienne. She followed with a featured appearance in the all-star revue The Show of Shows (1929), performing in segments such as "Pingo Pongo" and introducing the song "Singin' in the Bathtub." In 1930, Lightner starred in She Couldn't Say No as Winnie Harper, Hold Everything as Toots Breen, and The Life of the Party as Flo, demonstrating her comedic timing and musical abilities in these Technicolor musical comedies. ) These films, along with others from 1929 to 1930, represented the peak of her popularity in Hollywood.

Final films and retirement

Lightner's film career wound down after the early 1930s decline in musicals, which had fueled her initial stardom. By 1931, she starred in her final Warner Bros. leading roles, including Sit Tight as Winnie O'Neill, Gold Dust Gertie as Gertrude 'Gertie' Dale, Side Show as Pat, and Manhattan Parade as Doris Roberts, though audience interest in such vehicles had waned. She transitioned to supporting parts at other studios, appearing in Play Girl (1932) for First National as Georgine Hicks, She Had to Say Yes (1933) for Warner Bros. as Maizee, Dancing Lady (1933) for MGM as Rosette LaRue opposite Joan Crawford, and I'll Fix It (1934) at Columbia as Elizabeth. Her final credited screen appearance was in I'll Fix It (1934). Lightner retired from acting in 1934 shortly after marrying director Roy Del Ruth. She did not return to films or pursue further show business work thereafter.

Personal life

Marriages and relationships

Winnie Lightner was married twice during her lifetime. Her first marriage was to George Holtrey (also spelled Holtry), a broker, which ended in divorce in 1933. They had one son, Robert H. Holtrey, born in 1914. She later married film director Roy Del Ruth, whom she had met earlier in her career when he directed some of her films. The couple had a son, Thomas Del Ruth, who became a multiple Emmy Award-winning cinematographer. Lightner remained married to Del Ruth until his death on April 27, 1961.

Later years and death

Post-retirement life

After retiring from films in the early 1930s, Winnie Lightner married director Roy Del Ruth on August 14, 1948. Their marriage continued until Del Ruth's death in 1961. The couple lived in California and had one son, Thomas Del Ruth, who later worked as a cinematographer in Hollywood. Information about her activities and daily life during these decades is limited, as she remained out of the public eye and away from show business.

Death

Winnie Lightner died of a heart attack at her home in Sherman Oaks, California, on March 5, 1971, at the age of 71. Following decades of retirement from show business, she was buried at San Fernando Mission Cemetery in Mission Hills, Los Angeles County, California.

Legacy

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