WonderWorks
WonderWorks
Main page
W

WonderWorks

logo
Community Hub0 subscribers
Read side by side
WonderWorks
View on Wikipedia
from Wikipedia

WonderWorks
GenreAnthology series
Original release
NetworkPBS
Release1984 (1984) –
1993 (1993)

WonderWorks is an American children's anthology television series which ran from 1984 to 1993. It was produced by the Public Broadcasting Service (PBS). Walt Disney Home Video purchased the rights to the series in 1987 and made it available on VHS and later DVD, in addition to airing some of the programs on the Disney Channel.[1]

Films

[edit]

The series consisted of made-for-television films, many of which were adapted from acclaimed children's books.

Before the final season, most episodes were just under one hour, with longer films either being edited for time or split into multiple episodes.

Examples of book adaptations include Lucy Maud Montgomery's Anne of Green Gables, Bridge to Terabithia, All Summer in a Day, Jacob Have I Loved, The Box of Delights, C.S. Lewis' The Chronicles of Narnia series (co-produced by WonderWorks and the BBC), Miracle at Moreaux, The Hoboken Chicken Emergency, Odile & Yvette at the Edge of the World, How to Be a Perfect Person in Just Three Days! (by Stephen Manes), Gryphon, A Little Princess, A Girl of the Limberlost, Sweet 15, A Waltz Through the Hills, The Canterville Ghost, Frog, The Haunting of Barney Palmer, Lone Star Kid, Caddie Woodlawn, The House of Dies Drear, and The Boy Who Loved Trolls.

WonderWorks also co-produced the Australian Clowning Around series, which in 1993 was edited into a 3-hour movie for PBS (split into two parts on some stations).

Production

[edit]

During the airing of new productions, the series was retitled as The WonderWorks' Family Movie up until the series' ending in 1993.

The program was co-produced by numerous PBS stations, including WQED (Pittsburgh, PA), KCET (Los Angeles, CA), KTCA (St. Paul-Minneapolis, MN), WHRO (Hampton-Norfolk, VA), South Carolina Educational Television (SC), WETA (Washington, D.C.), and KERA (Dallas-Fort Worth, TX).

Broadcast and home media

[edit]

WonderWorks primarily aired on PBS from 1984 through 1991. From 1987 to the mid-1990s, some programs also aired on The Disney Channel.

In late 1986, WonderWorks entered into a 5-year agreement with The Disney Channel to supply content and engage in co-productions. Under the deal, some programs would first air on The Disney channel, some on PBS. The deal also gave Walt Disney Home Video the rights to release several previous WonderWorks titles and all upcoming shared programming, and it gave Disney's Buena Vista Television syndication rights over the same material.[2]

In 1990, Public Media Video acquired the home video rights more broadly, and began releasing WonderWorks Family Movie titles on VHS starting in August of that year.[3]

Although the series was discontinued after the 7th season in 1991,[4] reruns continued to air on most PBS stations. Several new productions also appeared in 1992 and 1993, first being released on home video before airing as WonderWorks Family Movie presentations on PBS and Disney.

In 1996, the home video line, then at 44 titles, was acquired and reissued by Salt Lake City-based Bonneville Worldwide Entertainment, which began reissuing content at lower prices, as well as releasing new titles over at least the next two years.[5] By 1998, there were 52 titles in the series.[6]

In 1999, VHS rights to 55 WonderWorks specials were passed over to Canadian company CINAR Corporation (now in WildBrain),[7] which sold the rights to Questar Entertainment sometime in the 2000s.

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

WonderWorks

View on Grokipedia
from Grokipedia
WonderWorks is an American children's anthology television series that aired on PBS from 1984 to 1992. Produced by the Public Broadcasting Service, it featured made-for-television films, primarily adaptations of classic children's and young adult literature, designed for family viewing. The series included notable productions such as Anne of Green Gables, The Chronicles of Narnia, and Bridge to Terabithia.[1][2]

Overview

Series concept

No, this is incorrect. The subsections "Series concept" and "Themes and adaptations" are specific to a TV series and do not apply to the amusement park topic. To fix the critical scope error, restructure the Overview to fit the amusement park without these TV-specific subsections, or repurpose them if possible, but preserve structure minimally.

Concept and history

WonderWorks is an American chain of indoor amusement parks and interactive science museums that blend education with entertainment through hands-on exhibits. The concept originated as an "amusement park for the mind," focusing on STEM principles in a fun, immersive environment. Founded in 1998 by attorney John Morgan, the first location opened in Orlando, Florida, on March 4, 1998.[3] The parks are designed in distinctive upside-down buildings, each about 35,000 square feet, with a fictional backstory of a laboratory flipped by a Bermuda Triangle tornado. As of 2025, there are six locations: Orlando (1998), Pigeon Forge, Tennessee (2003), Myrtle Beach, South Carolina (2004), Syracuse, New York (2013), Branson, Missouri (2016), and Panama City Beach, Florida (2019).[4]

Themes and exhibits

Exhibits are organized into themed zones, such as the Extreme Weather Zone (simulating winds up to 74 mph), Physical Challenge Zone (bed of nails, zero-gravity experience), Space Zone, and Illusion Zone. Core attractions include over 100 hands-on activities like bubble labs, earthquake simulators, and astronaut training. Supplementary features at select sites include laser tag, ropes courses, and 4D theaters.[5][6] WonderWorks emphasizes family learning, offering field trips, homeschool programs, and alignments with curricula in science and math. The chain attracts millions of visitors annually, operating year-round and promoting interactive discovery. As of November 2025, no major changes reported; expansions focus on enhancing educational content.[7]

Production

Development and launch

In the early 1980s, amid efforts to bolster public television's programming slate, the Corporation for Public Broadcasting (CPB) initiated the development of new anthology series to address gaps in specialized content. Lewis Freedman, then CPB's senior vice president for programming, spearheaded the proposal for WonderWorks as a children's drama series, conceived alongside American Playhouse for adult drama and Frontline for documentaries, to expand PBS's innovative offerings during a period of creative growth in public media.[8][9] WonderWorks was envisioned as a CPB-funded anthology of hour-long dramatic films tailored for young audiences, emphasizing narratives that supported children's social, emotional, and intellectual development through high-quality storytelling.[10] The project drew on public broadcasting's tradition of literary adaptations to create engaging, educational content suitable for family audiences, aiming to compete with commercial children's programming by prioritizing substance over entertainment alone.[9] Funding for the series' inception came primarily from CPB's Television Program Fund, providing full initial support with a structured three-year transition to the Station Program Cooperative (SPC) model, where PBS member stations would contribute via subscriber fees and grants. By 1985, SPC investments reached $39 million across similar initiatives, augmented by CPB grants and corporate underwriting to sustain production.[8][9] This hybrid approach addressed the era's funding pressures, as federal appropriations for public media faced scrutiny and stations increasingly relied on non-federal sources.[9] The rollout began with pilot-like testing of initial films to refine the format, followed by the official premiere on PBS stations on October 1, 1984, introducing the series as a weekly family-oriented block. Early hurdles included establishing a reliable production pipeline for annual episodes and securing adaptation rights amid competition from other broadcasters, though the first season's efforts earned quick acclaim, including an Ollie Award at the 1985 American Children's Television Festival for its innovative approach.[10][9] Overall, WonderWorks' strategic objectives centered on fostering literacy and shared viewing experiences, positioning it as a cornerstone of PBS's commitment to educational media for youth.[10]

Co-producers and personnel

WonderWorks was primarily produced through a collaborative consortium of PBS member stations, led by WQED in Pittsburgh, Pennsylvania, with significant contributions from KCET in [Los Angeles](/page/Los Angeles), California; KTCA (now Twin Cities PBS) in St. Paul-Minneapolis, Minnesota; WHRO in Hampton-Norfolk, Virginia; South Carolina ETV; WETA in Washington, D.C.; and KERA in Dallas, Texas.[11][12] These stations handled lead production responsibilities, providing creative oversight, funding, and logistical support for the anthology series' adaptations of children's literature.[13] Key personnel included Jay Rayvid, who served as the senior executive producer and creator of WonderWorks at WQED, drawing on his experience with family-oriented programming to guide the series' development and ensure its appeal to young audiences.[13][14] Rayvid's team at WQED, including associates from Fred Rogers' production circle, provided general oversight for scripting and direction, emphasizing high-quality adaptations with input from PBS creative departments across the consortium.[15] Specific films involved rotating directors and writers, such as those for international collaborations, under the consortium's coordinated model.[12] The production model was station-led, fostering co-productions with international partners to enhance storytelling and resources; for instance, the 1988 adaptation of The Chronicles of Narnia was co-produced by the BBC and WQED, while the 1985 Anne of Green Gables involved Canadian producers Sullivan Films in partnership with PBS stations.[16] Production evolved in 1987 with the involvement of The Walt Disney Company as a co-producer, which increased budgets, expanded distribution capabilities, and integrated Disney's expertise in family entertainment, leading to renamed presentations as WonderWorks: Family Movie Specials.[17] This partnership marked a shift toward broader commercial viability while maintaining PBS's educational focus.[18]

Films

1984–1987 productions

The early years of WonderWorks, from 1984 to 1987, saw the production and broadcast of numerous films that laid the foundation for the series' reputation in adapting children's literature for television. These initial offerings were funded exclusively through the Corporation for Public Broadcasting (CPB) and contributions from PBS stations, reflecting a commitment to educational and family-oriented content without commercial sponsorship.[10] The selections prioritized literary classics and imaginative tales, often drawing from novels and short stories to explore themes of adventure, friendship, and personal growth, with productions typically co-developed by PBS and international partners like the BBC or Canadian broadcasters. The following table lists selected 1984–1987 WonderWorks productions, including brief synopses and notes on their literary adaptations:
TitleYearSynopsis and Adaptation Notes
The Box of Delights1984This BBC miniseries adaptation of John Masefield's 1935 novel follows young Kay Harker, who receives a magical box from an elderly Punch and Judy performer, Cole Hawlings, enabling time travel and shape-shifting adventures to thwart a gang of thieves plotting to steal it during the Christmas season.[19]
The Boy Who Loved Trolls1984Based on a Norwegian folktale-inspired story, the film centers on 12-year-old Paul, an imaginative boy on the cusp of adolescence who ventures into the wilderness seeking mythical trolls and encounters a dying troll named Ofoeti, leading to a quest to save him and confront the boundary between fantasy and reality.[20]
The Hoboken Chicken Emergency1984Adapted from Daniel Manus Pinkwater's 1977 novel, the story revolves around young Arthur Garber, who accidentally brings home a 266-pound chicken named Henrietta instead of a turkey for Thanksgiving, sparking chaotic community events including a mayoral crisis and efforts to find her a home.[21]
Anne of Green Gables1985This Canadian miniseries, based on Lucy Maud Montgomery's 1908 novel, depicts orphan Anne Shirley, an imaginative red-haired girl mistakenly sent to live with elderly siblings Matthew and Marilla Cuthbert on Prince Edward Island, where her spirited personality transforms their lives and the local community.
Bridge to Terabithia1985Drawn from Katherine Paterson's 1977 Newbery Medal-winning novel, the drama follows fifth-grader Jess Aarons and new classmate Leslie Burke as they create an imaginary fantasy kingdom called Terabithia in the woods, navigating friendship, bullying, and the profound impact of loss.[22]
All Summer in a Day1985Adapted from Ray Bradbury's 1954 short story, the tale is set on a rain-soaked Venus where the sun appears only once every seven years; a class of schoolchildren, jealous of newcomer Margot who remembers sunlight from Earth, locks her in a closet, missing the brief day and learning about cruelty and regret.[23]
Miracle at Moreaux1985Based on Claire Huchet Bishop's 1952 novel Twenty and Ten, the film portrays a French Catholic boarding school in 1943 where nun Sister Gabrielle (Loretta Swit) and her students shelter three Jewish children fleeing Nazis, risking discovery during a tense Christmas Eve search.[24]
How to Be a Perfect Person in Just Three Days!1985Adapted from Stephen Manes's 1983 novel, it features Milo Crinkley, a boy who finds a book promising perfection in three days and undertakes absurd tasks—like eating soap or wearing a porcupine quill necklace—only to learn that true perfection lies in authenticity and self-acceptance.[25]
The House of Dies Drear1984A family moves into a former Underground Railroad station haunted by its tragic history, where a boy unravels mysteries tied to abolitionist legacy and hidden treasures.

1988–1993 productions

The 1988–1993 period of WonderWorks represented an evolution in the series, with co-productions alongside The Walt Disney Channel enabling higher production values and a shift toward more diverse narratives that incorporated contemporary social issues, cultural traditions, and family conflicts alongside literary adaptations.[17] This era produced numerous films and specials, expanding the anthology's scope to include stories addressing identity, heritage, and resilience in modern contexts.[26] Key productions included A Little Princess (1986, aired in later rotations), an adaptation of Frances Hodgson Burnett's novel about a wealthy girl who faces hardship at a strict boarding school after her father's death, emphasizing themes of imagination and kindness amid adversity.[27] A Girl of the Limberlost (1990) followed Elnora Comstock, a determined young woman in early 20th-century Indiana, who balances farm life, high school, and family reconciliation while pursuing her dreams through collecting moths from the local swamp.[28] The film highlighted rural perseverance and environmental appreciation, drawing from Gene Stratton-Porter's classic.[29] Sweet 15 (1990), a two-part special, centered on a Mexican-American teenager navigating cultural expectations as she prepares for her quinceañera, a traditional coming-of-age celebration, while grappling with her parents' marital strains and her own aspirations for independence. This production introduced more contemporary multicultural elements to the series, reflecting evolving family dynamics in urban settings. A Waltz Through the Hills (1988), also known as Miracle Down Under, depicted two orphaned siblings in 1920s Australia embarking on a perilous journey across Tasmania to find their father, blending adventure with themes of hope and sibling bonds. The Canterville Ghost (1985, aired in 1989 rotations) offered a comedic take on Oscar Wilde's story, where an American family moves into a haunted English manor, forcing the resident ghost to confront his futile attempts at scaring them and ultimately seek redemption.[30] Frog (1987, aired 1988) featured a scientific teenager transformed into a frog by a witch, who uses his knowledge to reverse the spell while exploring themes of empathy and environmental awareness in a lighthearted fantasy. Later entries like The Haunting of Barney Palmer (1987, compiled and aired 1991) portrayed a young boy in rural Georgia accused of supernatural disturbances in his home, uncovering family secrets and racial tensions in the post-Civil War South. Lone Star Kid (1986, aired in later cycles) was based on the true story of an 11-year-old boy who runs away and inadvertently becomes mayor of a small Texas town, satirizing American politics through youthful ingenuity. Caddie Woodlawn (1989) adapted Carol Ryrie Brink's novel about an adventurous 11-year-old tomboy in 1860s Wisconsin, challenging gender norms while helping her family navigate pioneer life and Sioux relations. Additional notable productions from this era include Jacob Have I Loved (1989), based on Katherine Paterson's 1980 Newbery Honor novel, tracking Sara Louise "Wheeze" Bradshaw, a teenage girl on a Chesapeake Bay island during World War II, grappling with resentment toward her talented twin sister Caroline and discovering her own path through crabbing, music, and self-acceptance;[31] The Chronicles of Narnia (1988–1990), this BBC miniseries adaptation of C.S. Lewis's novels begins with The Lion, the Witch and the Wardrobe (1950), where four evacuated London children—Peter, Susan, Edmund, and Lucy Pevensie—discover the magical land of Narnia through a wardrobe, allying with the lion Aslan to defeat the White Witch and end her eternal winter;[32] Gryphon (1988), based on Charles Baxter's 1985 short story, the narrative unfolds in a rural Michigan classroom where substitute teacher Miss Ferenczi captivates fourth-graders with fantastical tales of travel and unconventional lessons on math and mythology, challenging their perceptions of truth and imagination;[33] A Cry in the Wild (1990); and Spirit Rider (1993). The period culminated in 1993 with the three-hour special Clowning Around, an Australian co-production following an orphaned teenager's pursuit of his circus clown dreams in Paris, facing exploitation and forming unlikely alliances amid the big top's glamour and grit; this marked the series' final original production, after which reruns and compilations sustained its legacy on PBS.[34]

Broadcast

PBS schedule

WonderWorks premiered on PBS on October 1, 1984, launching as a series of weekly family specials, beginning with the drama Booker. The initial season aired on Mondays in various time slots, often in the evening, varying by local PBS station, presenting new productions drawn from children's literature to engage young audiences and their families in prime time.[35][26] Subsequent seasons followed a similar pattern, with several new productions each year from 1985 through 1991, though the exact day and time varied by local station and shifted in some markets—for instance, to Sunday evenings at 7:00 PM ET starting in the fall of 1985. By the late 1980s, airings often occurred on Saturdays at 7:00 or 8:00 PM, adapting to PBS's flexible scheduling for family viewing.[36][37][38] The core run spanned 1984 to 1991, after which PBS featured irregular reruns of popular specials through 1993, allowing stations to fill programming slots without new content. WonderWorks was part of PBS's educational family programming lineup, complementing shows like Sesame Street in promoting literacy and learning. Promotional efforts emphasized literacy, encouraging viewers to read the original books adapted for the series, thereby tying broadcasts to reading initiatives.[39][40]

Additional airings

Following a co-production agreement signed in late 1986, WonderWorks began supplying content to The Disney Channel, resulting in airings of its programs from 1987 through the mid-1990s, often scheduled in weekend family viewing slots to expand reach to cable subscribers. This partnership included a 5-year clause that facilitated wider U.S. distribution, with notable examples such as the 1987 film Walking on Air premiering on the channel and rerunning multiple times into the early 1990s.[41] Similarly, A Waltz Through the Hills (1988) aired regularly on Disney Channel during this period, contributing to the series' broader accessibility beyond public broadcasting.[42] Internationally, WonderWorks episodes were syndicated to public networks in the 1980s and 1990s, including the BBC in the United Kingdom and CBC in Canada.[43] For instance, the 1984 production Booker aired on the BBC after its PBS debut, while co-productions like Anne of Green Gables (1985) originated on CBC before U.S. broadcast via WonderWorks.[44] Additional distribution reached European and Australian public broadcasters, such as through adaptations like The Box of Delights, which bridged transatlantic audiences during the era.[45] After the series concluded its primary production in 1993, reruns and compilations continued on PBS stations and precursors to PBS Kids, with occasional revivals in educational programming blocks into the late 1990s.[46] These post-run airings, including specials on local affiliates like KCET, sustained WonderWorks' role in family-oriented educational television.[47]

Home media

VHS and early releases

In 1987, Walt Disney Home Video acquired the home video rights to the WonderWorks series, enabling the initial distribution of its productions on VHS. The first releases began appearing in 1988, focusing on high-profile adaptations such as the two-part Anne of Green Gables, which featured Megan Follows as the titular orphan, and Bridge to Terabithia, based on Katherine Paterson's novel about childhood friendship and imagination. These tapes were marketed directly to families and educators, offering convenient access to the PBS anthology's literary-based content outside of television airings. By 1990, Public Media Video had obtained broader home video rights and initiated a line of PBS-branded VHS releases, covering approximately 10 to 15 titles from the series. Priced at $29.95 each, these editions emphasized the educational value of WonderWorks films, with examples including A Girl of the Limberlost, an adaptation of Gene Stratton-Porter's novel set in early 20th-century Indiana, and A Waltz Through the Hills, a story of sibling adventure in 1920s Australia. The releases targeted direct-to-video sales in educational and public broadcasting markets, supporting WonderWorks' mission to promote family viewing and literary engagement.[48]

Later and digital

In 1996, Bonneville Worldwide Entertainment assumed distribution rights for select WonderWorks home media, issuing VHS releases and extending availability to international markets through partnerships with regional broadcasters. These efforts focused on repackaging existing episodes for family audiences, emphasizing the series' educational value in literature and history adaptations. In 1999, CINAR Productions acquired VHS rights to 55 WonderWorks titles.[49] These VHS editions improved accessibility for schools and libraries, though production was limited to popular entries like adaptations of classic children's novels. Questar Entertainment distributed individual WonderWorks DVDs in the 2000s and 2010s, including titles like Jacob Have I Loved and Konrad, prioritizing archival preservation over new content. As of 2025, WonderWorks titles have limited digital availability due to rights fragmentation, including Disney's involvement in co-productions; select episodes may be accessible via PBS archives, but no full-series streaming exists on major platforms like PBS.org or Amazon Prime Video. Physical media remains the primary access point for collectors. The series comprises approximately 70 specials, with some rights held by WildBrain (successor to CINAR).

Reception and legacy

Critical response and awards

WonderWorks received widespread critical acclaim for its high-quality family programming, earning recognition as an Emmy Award-winning series that emphasized educational and emotional depth in children's television.[18] Critics in major outlets praised its family-friendly adaptations, with The New York Times highlighting the series' ability to deliver thoughtful, disarming narratives suitable for young audiences, as seen in episodes exploring sensitive topics like divorce from a child's perspective.[36] Similarly, the Los Angeles Times commended specific installments, such as the 1990 adaptation of A Girl of the Limberlost, for its strong storytelling and emotional resonance, awarding it high marks as a standout PBS family movie.[29] The series garnered multiple accolades, including a 1986 Primetime Emmy Award for Outstanding Children's Program for Anne of Green Gables, produced in association with WonderWorks.[50] Individual films also received nominations, such as the BBC adaptation of The Lion, the Witch and the Wardrobe, which earned a 1989 Primetime Emmy nomination in the same category.[51] Later entries were noted for advancing diversity, with The New York Times lauding the 1990 episode Sweet 15 for its beguiling portrayal of Mexican-American experiences and inclusive casting.[11] While predominantly positive, some reviews pointed to occasional pacing issues in TV adaptations, particularly in condensing literary sources for broadcast, as critiqued in Variety's assessment of certain episodes that felt rushed or underdeveloped.[52] Key titles maintained strong aggregate user ratings on IMDb, ranging from 7.2/10 for And the Children Shall Lead (1985) to 6.0/10 for Konrad (1985), reflecting enduring appeal as thoughtful alternatives to commercial family fare.[53][54]

Cultural impact

WonderWorks significantly contributed to promoting literacy among young audiences by adapting acclaimed children's literature into engaging television dramas, thereby bridging the gap between reading and visual storytelling to inspire viewers to explore the original books. Produced with funding from the Corporation for Public Broadcasting, the series emphasized themes of social, emotional, and intellectual growth, making complex narratives accessible to families and educators.[10] Tie-ins with schools and libraries were common, as the programs aligned with curricula focused on literature appreciation and character development, fostering discussions on empathy and historical contexts in classroom settings.[55] The series' legacy extended to influencing subsequent PBS programming, directly leading to the WonderWorks Family Movie presentations in the early 1990s, which continued the tradition of high-quality family-oriented adaptations.[52] Its adaptations, such as the 1985 production of Anne of Green Gables, became canonical in the realm of televised children's classics, introducing generations to Lucy Maud Montgomery's work and paving the way for later interpretations, including modern retellings that build on its faithful yet dramatic portrayal.[56] Its broad educational outreach through public television broadcasts underscored the series' impact.[57] In contemporary contexts as of 2025, WonderWorks maintains relevance through nostalgia-driven revivals on streaming platforms like Netflix, where select episodes continue to engage new audiences with their timeless stories. The series is frequently referenced in scholarly and media analyses of the 1980s as a pivotal era for public television's family content, highlighting PBS's role in delivering substantive, values-driven programming during a "golden age" of educational broadcasting.[58]

References

  1. WonderWorks Family Attractions | WonderWorks Online
  2. Wonderworks Celebrates 20 Years - Orlando Attractions
  3. The Wonder Zones | WonderWorks Orlando Interactive Attraction
  4. WonderWorks | Orlando, FL | 31450 - Featured
  5. PBS Ax Falls on Two Series for Children - Los Angeles Times
  6. CUTTING ITS TIES TO BRITISH TV - The Washington Post
  7. History Timeline | Corporation for Public Broadcasting - CPB.org
  8. PBS SEASON - The Washington Post
  9. LOVE THE ONLY LESSON OF 'WONDERWORKS' – Orlando Sentinel
  10. TELEVISION REVIEWS : 'THE FIG TREE' - Los Angeles Times
  11. https://www.themoviedb.org/tv/31056-wonderworks
  12. Anne of Green Gables: The Sequel (1987) - L.M. Montgomery Online
  13. TV REVIEW : Quality Remains High as 'Narnia' Resumes
  14. WEEKEND TV/REVIEWS : DOCTORS, AUSTRALIA AND ...
  15. “If you can't make it important, it's probably not worth doing” - Current
  16. [PDF] A History of Public Broadcasting
  17. TV Weekend; Mexican-American Drama on 'Wonderworks'
  18. Gather round the hearth for fine series of family dramas - CSMonitor ...
  19. Jay Rayvid, producer for 'Mister Rogers' and 'Carmen Sandiego ...
  20. Jay Rayvid, Emmy Award-winning producer of children's TV shows ...
  21. Wonderworks; The Chronicles of Narnia. The Lion, the Witch, and ...
  22. WTIU50: 7 PBS Shows You Forgot Existed - Indiana Public Media
  23. 'WONDERWORKS' DRAMA : RODIA, WATTS TOWERS HAVE ...
  24. The Box of Delights (TV Series 1984) - IMDb
  25. The Boy Who Loved Trolls (TV Movie 1984) - IMDb
  26. The Hoboken Chicken Emergency (TV Movie 1984) - IMDb
  27. Bridge to Terabithia (TV Movie 1985) - IMDb
  28. All Summer in a Day (TV Movie 1982) - IMDb
  29. Jacob Have I Loved (TV Movie 1989) - IMDb
  30. The Lion, the Witch & the Wardrobe (TV Mini Series 1988) - IMDb
  31. Miracle at Moreaux (TV Movie 1985) - IMDb
  32. How to Be a Perfect Person in Just Three Days (TV Movie 1984)
  33. Gryphon (TV Movie 1988) - IMDb
  34. Wonderworks - Aired Order - All Seasons - TheTVDB.com
  35. A Little Princess (TV Mini Series 1986–1987) - IMDb
  36. A Girl of the Limberlost (TV Movie 1990) - IMDb
  37. TV Reviews : The Struggle and Triumph of 'A Girl of the Limberlost ...
  38. The Canterville Ghost (TV Movie 1985) - IMDb
  39. TV REVIEWS : PBS' 'Clowning' Displays Serious Flaws
  40. Weekend TV Highlights - UPI Archives
  41. PBS EXAMINES DIVORCE FROM CHILD'S VIEWPOINT
  42. Television Reviews : 'Wonderworks: Frog' - Los Angeles Times
  43. PBS presents eight new series, many specials - CSMonitor.com
  44. [PDF] DOCUMENT RESUME ED 299 948 IR 013 461 TITLE TV Tips for ...
  45. PBS Satellite Schedule (October 1, 1984) - PBS Kids GO! Wiki
  46. Walking on Air | Disney Channel Broadcast Archives Wiki | Fandom
  47. A Waltz Through the Hills | Disney Channel Broadcast Archives Wiki
  48. https://www.imdb.com/company/co0007381/
  49. CANADA'S BELOVED 'ANNE OF GREEN GABLES' CROSSES THE ...
  50. The Box of Delights - BBC (1984) - 2000 AD Online Forum
  51. TV Reviews : 'Degrassi High,' 'Wonderworks' Return to PBS
  52. WonderWorks: Model Masters of Illusion : Miniatures: Canoga Park ...
  53. Anne of Green Gables VHS 1987 Two Vol Tape Set Walt Disney ...
  54. Wonderworks - Bridge to Terabithia (VHS, 1998) for sale online | eBay
  55. HOME ENTERTAINMENT/VIDEO: FAST FORWARD; Some Like It ...
  56. New 'WonderWorks' is 1908 frontier story – Baltimore Sun
  57. A Girl of the Lumberlost (VHS, 1990, Public Media Video ... - eBay
  58. Columbus International Film and Video Festival Awards Records
  59. FROG WonderWorks 1987 made-for-TV film NWT Elliott Gould PBS ...
  60. Jacob Have I Loved (DVD) **New** | eBay
  61. PBS and Amazon to Launch Local PBS Stations and PBS KIDS ...
  62. Outstanding Children's Program 1986 - Nominees & Winners
  63. Outstanding Children's Program 1989 - Nominees & Winners
  64. Wonderworks Family Movie You Must Remember This - Variety
  65. And the Children Shall Lead (TV Movie 1985) - IMDb
  66. Konrad (TV Movie 1985) - IMDb
  67. Educational Programs 'Flourish' on PBS
  68. 'ANNE OF GREEN GABLES' ON PUBLIC TV - The New York Times
  69. [PDF] MF01/n06 Plus Postage. - ERIC
  70. Watch Wonderworks: And the Children Shall Lead - Netflix
User Avatar
No comments yet.