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XTRMST
XTRMST
XTRMST
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XTRMST was an American straight edge hardcore punk band[1][2] featuring Davey Havok and Jade Puget of AFI. XTRMST was Havok and Puget's second side project together, after their electronic project Blaqk Audio.[3] They released their debut album XTRMST in 2014[4][5] on long-time friend Steve Aoki's Dim Mak Records.[6][7] Havok and Puget later added Chris Sorenson (Saosin) on bass, Josh James (Stick to Your Guns, Evergreen Terrace, Casey Jones) on guitar, and Val Saucedo (Loma Prieta, Punch) on drums.

Key Information

The band ultimately played two live shows in early 2015: One at the Roxy in West Hollywood, and one at The Observatory in Santa Ana. The project became inactive in 2015 and has not been revisited since, with each member returning to their main bands.

Band members

[edit]
  • Davey Havok – lead vocals (2012–2015)
  • Jade Puget – lead guitar (2012–2015)
  • Josh James – rhythm guitar (2014–2015)
  • Chris Sorenson – bass (2014–2015)
  • Val Saucedo – drums (2014–2015)

Discography

[edit]

Albums

[edit]

Studio albums

[edit]
Title Album details
XTRMST

Extended plays

[edit]
Title Album details
XTRMST
  • Released: March 10, 2014[9]
  • Label: Self-released
  • Format: Cassette, digital download

Singles

[edit]
Title Year Album
"Conformist"[10] 2014 XTRMST
"Dirty Nails"[11]
"Exterminate"[12]

Non-album tracks

[edit]
Title Year
"Little King" 2014

Music videos

[edit]
Title Year Director(s)
"Conformist" 2014 Djay Brawner[13]

References

[edit]

Further reading

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

XTRMST

View on Grokipedia
from Grokipedia
XTRMST was an American straight edge hardcore punk band formed in 2012 as a side project of AFI vocalist and guitarist . The duo's endeavor marked a return to their roots, emphasizing principles of abstaining from alcohol, drugs, and promiscuous sex. The band's debut full-length release, a self-titled album, came out on , , via Dim Mak Records, the founded by producer . Featuring 14 tracks such as "Conformist," "Exterminate," and "Swallow Your God," the record delivers ferocious, mosh-ready hardcore with Havok's intense vocals and Puget's driving riffs, described as heavier than anything previously issued by AFI. The lyrics focus on themes of purity, passion, truth, and societal critique, underscoring the ethos. XTRMST performed a limited number of live shows in 2015, including dates in and other U.S. cities, but has remained inactive since, with no further releases announced as of 2025. The project stands as Havok and Puget's second collaboration outside AFI, following their electronic outfit , and it garnered positive reception for revitalizing the straight edge hardcore genre.

Formation and early years

Origins as a side project

XTRMST emerged in , , as the second side project for AFI vocalist and guitarist , following their electronic duo , which they formed in 2007 to explore synth-driven sounds outside AFI's framework. The concept for XTRMST had roots in discussions dating back to their teenage years within the hardcore scene, but active development commenced in early 2012, when the pair began writing and recording tracks concurrently with AFI's ongoing work. This timing allowed them to channel influences from their formative punk experiences without disrupting AFI's trajectory, which had progressively incorporated and alternative elements since the band's early hardcore days. The project's motivations were deeply tied to a return to hardcore punk roots, providing a raw, aggressive outlet that contrasted sharply with AFI's more polished, evolving soundscapes. Havok and Puget aimed for a "purer" expression of the ethos they embraced as youths, emphasizing chaos and intensity over AFI's broader artistic experimentation. In a 2014 interview, Havok described the inspiration as revisiting the philosophy of rejecting self-destruction, stating, "We were writing what was a bit more akin to traditional music," but evolving it into something more dynamically chaotic. This drive stemmed from a shared desire to honor bands like and Earth Crisis while addressing contemporary themes of resistance against conformity. Songwriting in 2012 centered on Havok's lyrical focus on , personal , and defiance of societal and religious pressures, paired with Puget's emphasis on visceral, riff-heavy guitar work to capture the genre's urgency. Tracks like "Conformist" exemplified this shift, marking a pivotal moment where the material's aggression dictated the project's expansion from a planned EP to a full . By 2014, XTRMST signed with Dim Mak Records, founded by in 1996 with initial roots in punk and hardcore releases, a fit that bridged the label's origins with the duo's punk priorities despite Aoki's electronic prominence.

Initial lineup assembly

The core creative force behind XTRMST consisted of on lead vocals and on and production, who handled primary songwriting duties as a duo. Drawing from their established partnership in AFI, the pair initiated songwriting for the project in early 2012 during the writing of AFI's Burials, using it as a break from that process, aiming to channel their longstanding influences into a dedicated hardcore outlet. In 2014, Havok and Puget expanded the lineup by recruiting supporting members aligned with the band's commitment to sobriety and unyielding intensity: on rhythm guitar, Chris Sorenson on bass (formerly of AFI), and Val Saucedo on drums (from The Nerve Agents). This selection of like-minded musicians from the hardcore scene ensured cohesive energy, with the full ensemble forming specifically to support live execution of the material recorded by the core duo. Rehearsals for the assembled group occurred in Los Angeles studios, where the focus remained on delivering high-energy punk instrumentation—guitar-driven riffs, aggressive basslines, and propulsive drumming—eschewing the synthesizers that characterized their work in AFI and for a stripped-back, visceral sound.

Recording and releases

Extended play debut

XTRMST entered the recording scene with their self-released debut (EP), also titled XTRMST, issued on March 10, 2014 in both cassette and digital formats. The cassette edition was limited to approximately 500 copies, which were initially distributed for free at select record stores in and Orange County to generate buzz among local hardcore enthusiasts. This DIY approach underscored the project's roots as a spontaneous side endeavor by AFI members and , who handled primary songwriting contributions alongside initial bandmates. The EP comprises four tracks—"Dirty Nails," "Conformist," "Exterminate," and "The Breed"—recorded in the months leading up to its release. These four tracks were later included on the full-length . Capturing the band's raw energy, the production emphasizes blistering fast tempos, Havok's intense screamed vocals, and a lo-fi aesthetic that mirrors the immediacy of live hardcore performances, with Puget overseeing the mixing to preserve an unpolished, chaotic vibe. Promotion for the EP relied heavily on announcements, including a confirming tweet from Puget, and leveraged existing AFI fan networks to build anticipation without any accompanying major tours or live shows at the time. This low-key rollout positioned the EP as an introductory teaser, highlighting XTRMST's straight-edge hardcore while setting the stage for further material.

Full-length album production

Following the release of their debut earlier in 2014, XTRMST expanded their sound into a full-length studio album, building on the raw energy of the EP while incorporating more intricate arrangements. The self-titled debut album XTRMST was recorded primarily in 2014, with production and mixing handled by guitarist at his home studio and at The Treehouse in . This process allowed for a denser sonic palette, featuring layered guitar work to heighten the intensity of the tracks' aggressive breakdowns and mosh-ready riffs. The album comprises fourteen tracks, capturing the band's straight-edge hardcore ethos through blistering tempos and confrontational energy. Vocalist employed a mix of screamed and raspy clean deliveries, alternating between shouts for verses and higher-register strains to emphasize lyrical urgency, marking a deliberate shift from his typical AFI style to suit the genre's demands. Puget's engineering focused on raw aggression, ensuring the production retained a chaotic edge without over-polishing the instrumentation. Released on November 18, 2014, via Dim Mak Records, the album was distributed in CD, limited-edition white vinyl (accompanied by a full CD), and digital formats. The album's artwork adopted a stark, minimalist aesthetic with bold black-and-white typography against a plain background, evoking themes of unadulterated intensity and straight-edge purity. To promote the release, Dim Mak offered iTunes pre-orders in the weeks leading up, allowing early access to tracks like "Conformist." On the day of release, Havok and Puget participated in a Reddit AMA, where they described the album as embodying "purity, passion and truth," underscoring its personal significance as one of their most vital creative endeavors.

Live performances and disbandment

Touring activity

XTRMST conducted a limited touring activity consisting of just two live performances in January 2015 to promote their self-titled debut album. The band's first show occurred on January 29 at The Roxy Theatre in , followed by their second and final appearance on January 30 at The Observatory in . These engagements formed a brief two-date run, as the members' primary obligations with AFI prevented any extended tour. The setlists for both shows drew predominantly from the album, including tracks like "Conformist," "Coward, Bow Your Head," "Dirty Nails," and "Exterminate," alongside covers of songs such as "Filler." Performances emphasized high-energy execution, with blistering guitar riffs, rapid-fire drumming, and abrupt tempo shifts creating an atmosphere of raw aggression. Abrupt breakdowns and Havok's guttural vocals further amplified the chaotic intensity, lasting approximately 45 minutes per set. Crowds at both venues were enthusiastic and sold out, primarily comprising AFI fans drawn to the straight edge hardcore sound, who formed mosh pits and engaged in frequent stage dives while sharing vocals onstage. Vocalist Davey Havok actively connected with attendees on sobriety themes, reinforcing the band's commitment to straight edge principles amid the fervent, black-clad audience. The shows' reception highlighted XTRMST's ability to recapture the jagged, unpolished edges of early hardcore, leaving fans energized by the unfiltered delivery. Documentation of the performances included fan-recorded footage uploaded to , capturing the chaotic energy, as well as a promotional video titled "XTRMST: A LOUD HISTORY," in which Havok and Puget discussed the project's roots with host . The stage setups were characteristically minimalist for the genre, centering on a five-piece lineup of drums, bass, guitars, and vocals to prioritize the guitar-driven chaos over elaborate production or lighting effects.

Inactivity and status

Following their final live performances in early 2015—at The Roxy in West Hollywood on January 29 and The Observatory in Santa Ana on January 30—the band ceased all activities, including releases, tours, and public announcements. This absence of further engagement resulted in a de facto disbandment by 2016, with no official declaration but a clear halt to operations. The primary reason for the hiatus stemmed from core members and shifting focus to AFI, particularly the production and promotion of their 2017 album AFI (also known as The Blood Album), which debuted at number five on the and was supported by extensive touring. Supporting members, including bassist Chris Sorenson and rhythm guitarist Josh James, returned to prior commitments such as Sorenson's work with . The band's official website, xtrmst.com, remains online but unchanged since late 2014, featuring only promotional material from the debut album era. Similarly, their presence, including the page, has been dormant since early 2015, with no posts or updates thereafter. As of 2025, XTRMST is widely regarded as disbanded, with Havok and Puget continuing their primary efforts through AFI's ongoing releases and tours, though AFI's sustained success has occasionally fueled brief fan discussions of potential side-project revivals without any confirmations from the members.

Musical style and themes

Genre characteristics

XTRMST's primary genre is hardcore , a subgenre of hardcore that emphasizes from drugs, alcohol, and through its and sound. The band's music features fast-paced, aggressive compositions driven by frantic tempos and dynamic shifts, creating an intense, chaotic energy typical of the style. Instrumentation centers on dual guitars—Jade Puget handling leads with melodic yet noisy riffs, complemented by Josh James on rhythm for a thick, wall-of-sound texture—paired with Chris Sorenson's propulsive bass lines that lock in with the rhythm section. Val Saucedo's drumming provides staccato blasts and rapid fills, emphasizing double-kick patterns to heighten the ferocious pace. Davey Havok's vocals alternate between guttural screams and shouted melodies, delivering a raw, confrontational delivery that aligns with hardcore traditions while incorporating subtle melodic elements. The production on XTRMST's self-titled album strikes a balance between raw aggression and clarity, resulting in a crisp, vibrant mix that captures the claustrophobic intensity of live hardcore without excessive polish. Subtle electronic textures add a moody undercurrent, distinguishing it from purer analog punk recordings while avoiding the overt synth-heavy approach of Havok and Puget's other projects like Blaqk Audio. This sonic approach amplifies the genre's core elements—short, explosive tracks averaging around two minutes—fostering high replay value through relentless energy and abrupt changes. Influences draw heavily from the 1980s hardcore scene, including and for their foundations and unyielding aggression, as well as later acts like , Snapcase, , and for metallic edges and boundary-pushing dynamics. These roots manifest in XTRMST's commitment to straightforward, riff-driven structures that prioritize emotional urgency over complexity, echoing the California and East Coast punk origins while infusing a darker, more modern ferocity.

Lyrical content and influences

The lyrics of XTRMST center on core themes of anti-conformity, personal purity, and societal critique, all underpinned by the straight-edge philosophy of rejecting intoxicants and self-destructive behaviors. In the track "Conformist," vocalist directly challenges societal pressures and the ironic conformity within countercultural scenes, with lines like "Your toxic life we are defying" emphasizing a purist rebellion against normalized vices. Similarly, "Exterminate" invokes a call to eradicate complacency and waste, portraying observers encircling those who "waste your body, waste your mind" in , culminating in the repeated chant to "terminate" such cycles. These themes extend to broader critiques, including as an "" akin to drugs, highlighting universal and a lack of self-respect that permeates modern life. Havok's lyrical style is characteristically poetic yet uncompromisingly direct, diverging from the ambiguity often found in his AFI work to deliver confrontational messages through metaphors of cleansing, intolerance toward weakness, and defiant rebellion. This approach is inherently tied to straight-edge principles, promoting clarity, responsibility, and over , with the band's aggressive hardcore delivery amplifying the raw urgency of the words. Tracks like "Coward, Bow Your Head" target hypocrisy within the straight-edge community itself, underscoring a commitment to authenticity without compromise. The content draws heavily from influences such as Ian MacKaye's , whose songs inspired Havok to embrace in his early teens and extend its to and animal rights activism as positive affirmations of purity. Havok's personal experiences as a lifelong advocate and activist infuse the lyrics with passion for self-respect and opposition to , whether through substances or ideological crutches. On the self-titled album, this manifests in a narrative arc that evolves from individual confrontations with personal and cultural vices to a collective call for empowerment and resistance against extreme societal norms, maintaining a focus on ethical living over overt politics.

Band members

Core creative members

Davey Havok, born David Paden Marchand on November 20, 1975, in , is the lead vocalist and primary lyricist of XTRMST. As the frontman of AFI since its inception in 1991, Havok has cultivated a distinctive theatrical vocal delivery that transitions into raw, aggressive hardcore screams for XTRMST's straight-edge punk sound. His lifelong commitment to straight-edge principles informs the band's lyrical focus on themes of anger, despair, and societal critique. Jade Puget, born Jade Errol Puget on November 28, 1973, in , serves as XTRMST's lead guitarist, producer, and co-songwriter. He joined AFI in 1998 after earning a degree in , infusing the band's music with technical precision derived from his prior experience in and playing. In XTRMST, Puget's contributions emphasize dissonant, chaotic riffs and intricate patterns that blend hardcore aggression with subtle electronic textures. A straight-edge adherent since the 1980s, he has shaped the project's raw, unpolished aesthetic through bedroom recordings. Havok and Puget's collaboration traces back to their high school friendship, solidifying in 1998 with AFI's album Black Sails in the Sunset, where they transitioned from the band's early punk foundations to broader explorations in side projects like the electronic duo . emerged as their deliberate return to hardcore influences, conceived during breaks from AFI's songwriting sessions and distinct from AFI's non-straight-edge identity. Their partnership in AFI's discography, spanning punk to evolutions, underscores the expertise they apply to XTRMST's intense, niche sound. For XTRMST, Havok provides complete involvement in vocals and lyrics, capturing each track in one or two takes with high-energy screams that align with the band's terse, melodic structures. Puget, meanwhile, composes all guitar arrangements, handles production and mixing, and crafts the music's claustrophobic density over extended sessions to evoke unfiltered chaos. This division allows XTRMST to deliver 14 tracks of straight-edge hardcore that push beyond AFI's aggression.

Supporting musicians

XTRMST's supporting musicians consisted of on , Chris Sorenson on bass, and Val Saucedo on , who joined the core duo of and to enable live performances. These members provided essential harmonic, rhythmic, and percussive support, contributing to the band's high-energy hardcore sound during its brief active period. handled from 2014 to 2015, offering solid harmonic backing that complemented 's lead work; his background in the scene included notable roles with and Stick to Your Guns, where he honed his aggressive style without prior ties to major mainstream acts. Chris Sorenson played bass during the same tenure, delivering steady and aggressive low-end lines that anchored the band's intensity; a veteran of the world, he was previously the longtime bassist for from 2003 onward, bringing familiarity with dynamic, emotive hardcore structures to XTRMST. Val Saucedo managed drums, supplying high-speed, precise beats that aligned with the ethos of relentless energy; originating from the Bay Area punk and hardcore communities, he had prior experience with and Punch, bands known for their raw, fast-paced deliveries. All three supporting members were involved exclusively from 2014 to 2015, participating only in the band's two live shows at The Roxy in West Hollywood and The Observatory in Santa Ana, after which XTRMST entered inactivity with no further commitments from the group. The selection of James, Sorenson, and Saucedo emphasized technical proficiency in hardcore instrumentation alongside shared values, as the core duo sought like-minded collaborators to form a unified live ensemble without ongoing obligations.

Discography

Albums and EPs

XTRMST's debut , self-titled XTRMST, was released in 2014 as a limited-run cassette of approximately 500 copies, distributed for free at record stores in . The EP contains four tracks—"Dirty Nails," "Conformist," "Exterminate," and "The Breed"—repeated on both sides of the cassette, with a fold-out featuring lyrics; it functioned as an early preview of the band's sound and was also offered as a digital download. The band's sole full-length studio album, also titled XTRMST, followed later in 2014 on November 18 via Dim Mak Records. Comprising 14 tracks, it was issued in multiple formats, including CD, digital, and a limited-edition 180-gram white vinyl pressing. The release garnered attention within punk and hardcore circles for its aggressive style, with several tracks like "Conformist" and "Dirty Nails" later promoted as singles. As of 2025, neither the EP nor the has seen any reissues, though both remain accessible digitally on streaming services such as and .

Singles and other releases

XTRMST issued three promotional singles from their self-titled debut , all released in digital format through Dim Mak Records. The , "Conformist," was made available digitally on October 7, 2014, ahead of the 's full release. This track served as the band's initial foray into the hardcore scene, emphasizing themes of defiance against societal norms. Following its release, "Exterminate" dropped as the second single later in 2014, with an instant gratification track option for pre-orders announced on November 4. The third single, "Dirty Nails," also appeared digitally that year, further building anticipation for the with its raw, aggressive . In addition to album tracks, XTRMST released the non-album single "Little King" on December 1, 2014, exclusively through a BitTorrent Bundle that included bonus content like behind-the-scenes footage. This digital promo track, not featured on the main album, offered fans an unreleased B-side highlighting the band's straight-edge hardcore style. To support "Conformist," XTRMST produced an official music video directed by DJay Brawner, which premiered on YouTube via Dim Mak Records on November 13, 2014. The video depicts a chaotic confrontation between a mob of red full-body-suited figures and a solitary white-suited intruder, using abstract visuals and staged violence to symbolize rebellion against conformity. Premiered on the label's channel, it garnered over 100,000 views by 2015, reflecting early interest in the band's visual aesthetic. All singles and related media were distributed digitally, aligning with the band's independent promotional strategy.

Reception and legacy

Critical reviews

XTRMST's self-titled album received positive reviews from punk and hardcore-focused outlets, with Punknews.org awarding it 8 out of 10 stars and praising its raw energy and ferocious intensity, describing it as heavier than any AFI release. Broader media offered mixed assessments; for instance, the noted the album's infectious tempo but critiqued it as niche material best reserved for specific moods rather than everyday listening. The band's initial 2014 demo EP garnered limited professional coverage but was hailed for its authenticity by hardcore enthusiasts, with Sputnikmusic calling it an excellent surprise that showcased a raw, straight-edge hardcore direction untempered by commercial concerns, rating it 4 out of 5 and highlighting Davey Havok's gut-wrenching vocals and Jade Puget's brilliant guitar tone. Publications like Punk Rock Theory echoed sentiments for the full-length album, commending its uncompromised aggression and Puget's heavy riffs as a return to the duo's early influences. Critics commonly praised Havok's passionate, blood-curdling delivery, which captured the fury of straight-edge hardcore , and Puget's craftsmanship in delivering nasty, dynamic riffs that elevated the project's intensity. However, some reviews pointed to shortcomings, such as occasional preachiness in the and repetitive song structures, while the band's short lifespan—limited to one full-length album, a preceding demo EP, and a handful of live shows—prevented deeper critical analysis and led to perceptions of it as a derivative extension of AFI's early sound. Fan reception has been particularly strong within the straight-edge community, where the project resonated as a pure expression of the , with supporters appreciating its unapologetic return to hardcore aggression. On user-driven platforms, it holds an average rating of 2.9 out of 5 on based on over 80 votes as of 2025, reflecting polarized opinions among broader AFI followers but enduring appeal among niche punk audiences.

Cultural impact

XTRMST contributed to the revival of hardcore in the 2010s by offering a modern reinterpretation of the subgenre's drug-free ethos and aggressive sound, drawing directly from seminal influences like and Earth Crisis. As a project rooted in the punk scene's origins—such as venues like , where Havok and Puget began with AFI—XTRMST challenged perceptions of as outdated or rigid, emphasizing its relevance as a lifelong rather than a youthful phase. This approach helped sustain interest in purity-focused lyrics and hardcore intensity amid evolving punk subcultures. The band has remained inactive since 2015, with no further releases or shows announced as of November 2025. The band's fanbase largely overlapped with that of AFI, attracting followers eager to explore Havok and Puget's return to their hardcore beginnings, which bridged mainstream punk appeal with niche communities. Limited live performances, such as initial shows in and New York, fostered direct engagement with this audience, evoking the chaotic energy of traditional hardcore gatherings. For core members and , XTRMST highlighted their versatility, serving as a creative release that contrasted with AFI's broader evolution and reaffirmed their commitment. As a short-lived endeavor with only a handful of performances and no extensive tour, it exemplified the punk trend of transient side projects, yet its digital release on platforms like ensured ongoing accessibility, maintaining cultural resonance into the mid-2020s.

References

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