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A New Day...

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A New Day...

A New Day... was the first concert residency performed by Canadian singer Celine Dion in the Colosseum at Caesars Palace in Las Vegas, Nevada, United States. It was created and directed by Franco Dragone to support her seventh English-language and eighteenth studio album, A New Day Has Come (2002). The show premiered on 25 March 2003 and ended on 15 December 2007.

The residency was originally planned for three years (Dion received about $100 million, plus 50 percent of the profits during the three-year contract). However due to its immediate success, the show continued for an additional two years. It is the most successful residency of all time, grossing over US$385 million ($583.83 million in 2024 dollars) and drawing nearly three million people to 717 shows.

Dion returned to Las Vegas on 15 March 2011 to perform her second residency, Celine.

Dion initially intended for the show to be named Muse, but the band of the same name owned worldwide performing rights. Dion offered $50,000 for the rights, but the band declined, with lead singer Matthew Bellamy explaining that he did not want people to think they were Celine Dion's backup act.

The original plan for the stage backdrop/scenery was to simply use a giant video projector, but when the lighting designer, Yves Aucoin, pointed out that this would create unacceptable shadows when dancers ran in front of it, Angelil went back to Phil Anschutz, whose AEG Live was underwriting the production, and persuaded him to contribute an extra $10 million for the construction of the largest indoor LED screen in North America. The LED screen was produced by Mitsubishi Diamond Vision LED Screens. This was an HDTV LED Screen Installation with an 8mm Display "Dot Pitch". The screen consisted of many separate LED panels put together.

The year the show opened, A New Day... received mostly mixed reviews in the press, commenting on how there was not enough of a balance between concert and theater. In TheaterMania.com, an article by Christine Westley praised the sets but wrote that Dion's performance was "inconsequential at best... The most uncomfortable moments come when the music stops, the dancers disappear, and it's just Dion and her audience. This is when the show's split personality truly emerges: Dragone's alternate world is gone and now we have a Celine Dion concert, during which the star attempts witty banter as her fans scream out the mandatory declarations "We love you, Celine!" and then hold their breath, waiting for her to stop talking and start singing again."

Phil Gallo of Variety praised the sets like the former article, but criticized choices in covers. He stated, "Her run through a nostalgic trio — Etta James' first hit, 'At Last,' Peggy Lee's version of 'Fever' and the Frank Sinatra-phrased 'I've Got the World on a String' — magnified her lack of soulfulness, but they did display her capacity for mimicry: She phrases everything exactly as her predecessors did. For 'First Time Ever I Saw Your Face,' it appeared Dion and her musical director Claude (Mego) Lemay had the softness of Roberta Flack's original in mind. But they then go out on a bizarre limb, progressively bloating the arrangement and her vocal interpretation. Worse yet, Dion ascends 70 feet into the heavens with dancers all around her. Nice effect, but another song would be more appropriate for it.... It's conceivable that future audiences will have more rapport with Dion and her music than opening night's high rollers and invited guests. Dion never looked like she was struggling, but if she didn't ask for audience participation, she wasn't going to get any anyway."

In the documentary, A New Day... The Secrets, included as a bonus in the Live in Las Vegas: A New Day..., Dion and Dragone commented on making changes to the show through the years to include more appearances of the band members, or to change Dion's look to make it more like what fans expected.

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