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Ada Chaseliov
Ada Chaseliov
Ada Chaseliov
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Ada Chaseliov (March 30, 1952 – October 27, 2015) was a Brazilian film, stage, and television actress.

Key Information

Life

[edit]

Chaseliov was born in Rio de Janeiro in 1952. She studied at drama school before her film debut in 1973 in Um Virgem na Praça. In 1974, she made her first appearance on TV in the telenovela Supermanoela.[1]

The actress participated in several soap operas on Rede Globo, including the Brazilian telenovela Guerra dos Sexos in 1983, where she played the jealous and tormented Manoela, and the telenovela Belíssima. Both these series were created by Sílvio de Abreu. Her greatest achievement on TV is said to be playing the villain Leonor in the miniseries A Muralha, which was broadcast on the free-to-air Brazilian network Rede Globo in 2000.[2]

Chaseliov appeared on Brazilian television as a judge in the soap opera Amor à Vida in 2013. It was her last appearance in a telenovela. She died in São Paulo in 2015 from cancer.[1] She had a daughter, Mila Chaseliov, with film director Ney Sant'Anna.[3]

Filmography

[edit]
Year Title Role Notes
1973 Um Virgem na Praça
1974 Fogo sobre Terra Maria Paula
1983 Guerra dos Sexos Manoela Marino
1984 Memoirs of Prison
1988 Sonhei com Você
1991 Felicidade Ana
1993 O Mapa da Mina Olga
1994 A Viagem Fonoaudióloga
1997-1998 Anjo Mau Dora TV series
1999 Suave Veneno
2000 A Muralha Leonor
2002 Desejos de Mulher Luiza
2002 Sabor da Paixão Yvonne Ferreira Jardim
2004 Da Cor do Pecado Solange
2005 Belíssima Esther Schneider
2006 Brasília 18% Cacilda Becker
2007 Paraíso Tropical Guiomar
2007 Sete Pecados
2010 Passione Matilde
2010 De Pernas pro Ar Dona Lourdes
2014 As Canalhas Maria do Carmo

References

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Ada Chaseliov

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Ada Chaseliov was a Brazilian actress known for her extensive career spanning theater, film, and television, with particular acclaim for her work in musical theater and long-running telenovelas produced by TV Globo. Born in Rio de Janeiro on March 30, 1952, she trained at the renowned O Tablado theater school under Maria Clara Machado and built a versatile repertoire that encompassed classic plays, musicals, and screen roles over more than four decades. Chaseliov began her professional career in film with Um Virgem na Praça in 1973 and made her television debut in 1974 in Supermanoela, quickly establishing herself in Brazilian soap operas with memorable appearances in Guerra dos Sexos, Felicidade, A Muralha, Belíssima, Passione, Cheias de Charme, and her final role as a judge in Amor à Vida in 2013. In cinema, she was recognized for her portrayal of Olga Prestes in Memórias do Cárcere (1984) and later appearances in films such as Brasília 18% and De Pernas pro Ar. Her stage work stood out especially in musical theater, where she frequently collaborated with directors Charles Möeller and Claudio Botelho on productions including Um Violinista no Telhado, Gypsy, Ópera do Malandro, A Noviça Rebelde, and O Abre Alas, often praised for her ability to elevate supporting roles. Born to Russian Jewish immigrants who fled antisemitic persecution, Chaseliov brought cultural depth to many of her performances and described herself as an "atheist Jew" influenced by her heritage. She was the mother of publicist Mila Chaseliov from her marriage to actor and director Ney Santanna. Chaseliov died on October 27, 2015, in São Paulo at the age of 63 after battling lymphoma.

Early life and training

Birth and background

Ada Chaseliov was born on March 30, 1952, in Rio de Janeiro, Rio de Janeiro, Brazil. She was a Brazilian national of Jewish descent, the daughter of Russian Jews who immigrated to Brazil to escape antisemitic persecutions. Chaseliov described herself as a "judia-ateia" (Jewish atheist), explaining that while she did not practice the religion, she remained deeply influenced by Hebrew culture, particularly in behaviors and symbols. She grew up in Rio de Janeiro, where her early life unfolded before pursuing formal acting studies.

Acting education

Ada Chaseliov trained as an actress at O Tablado, a renowned theater school in Rio de Janeiro founded by playwright Maria Clara Machado. Her studies at the school occurred during the late 1960s, when she first engaged with its teachings after attending a class led by Machado in 1968, which sparked her passion for theater. This formal training provided her with foundational skills in acting, preparing her for professional work upon completion. Following her time at O Tablado, Chaseliov transitioned into professional acting, beginning her career in theater before making her film debut in 1973. The school remained a key part of her early development as an actress in Brazil's performing arts scene.

Career

Theater career

Ada Chaseliov was widely regarded as one of the most respected figures in Brazilian theater, particularly excelling in musical productions where she earned acclaim for her versatile performances. She frequently collaborated with directors Charles Möeller and Claudio Botelho, becoming their most assiduous onstage partner and often elevating supporting roles into memorable highlights through her talent and presence. Her notable musical theater credits include O Abre Alas, Cole Porter, Ópera do Malandro, A Noviça Rebelde (the Brazilian production of The Sound of Music), and Gypsy – O Musical, the latter marking one of her more recent contributions to the stage. These works underscored her prominence in musical theater, an area where she achieved particular consagração alongside her screen endeavors. Chaseliov began her stage career after training at the Teatro Tablado, appearing in early productions there before shifting focus to the musical repertoire that defined much of her later theatrical legacy.

Film career

Ada Chaseliov made her film debut in the 1973 Brazilian comedy Um Virgem na Praça, marking her entry into cinema alongside her emerging stage and television work. Her appearances in feature films remained occasional and selective over the ensuing decades, contrasting with her more extensive commitments elsewhere in the performing arts. In 1984, she portrayed Olga Prestes in Hector Babenco's Memórias do Cárcere, a significant dramatic role in a critically regarded historical film. She later appeared as Cacilda Becker in the 2006 satire Brasília 18%, directed by Vicente Amorim. In 2010, Chaseliov played Dona Lourdes in the comedy De Pernas pro Ar (released internationally as Head Over Heels), contributing to another popular Brazilian production. These roles exemplified her limited but enduring presence in Brazilian cinema across four decades, from the early 1970s through the 2010s, often in supporting capacities that complemented her primary career in television and theater.

Television career

Ada Chaseliov maintained a prolific career in Brazilian television for nearly four decades, primarily through her work with Rede Globo on telenovelas and miniseries, where she frequently took on supporting and recurring roles in both primetime and afternoon programming. Her television appearances spanned from the 1970s to 2013, with many contributions to long-running serial dramas that defined Brazilian primetime. She made her television debut in 1974 with a role in the telenovela Supermanoela. In 1983, she appeared in the series Do outro lado do túnel. That same year marked a significant breakthrough with her role as the character Manuela Marino in Guerra dos Sexos (1983–1984), where she appeared in 185 episodes. She followed with prominent long-running parts, including Ana in Felicidade (1991–1992) across 203 episodes and Olga in O Mapa da Mina (1993) in 137 episodes. Chaseliov continued to feature in notable Rede Globo productions throughout the late 1990s and 2000s, including Anjo Mau (1997–1998), Suave Veneno (1999), Paraíso Tropical (2007), and Passione (2010). One of her most recognized performances came as the villainous Leonor in the 2000 miniseries A Muralha, a role highlighted for its dramatic impact. She portrayed Esther Schneider in Belíssima (2005–2006), appearing in 38 episodes. Her final television appearance was a recurring role as a judge in the telenovela Amor à Vida (2013).

Personal life

Death

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