Alan Parker

Sir Alan William Parker CBE (14 February 1944 – 31 July 2020) was an English film director, screenwriter and producer. His early career, beginning in his late teens, was spent as a copywriter and director of television advertisements. After about ten years of filming adverts, many of which won awards for creativity, he began screenwriting and directing films.

Parker was known for using a wide range of filmmaking styles and working in differing genres. He directed musicals, including Bugsy Malone (1976), Fame (1980), Pink Floyd – The Wall (1982), The Commitments (1991) and Evita (1996); true-story dramas, including Midnight Express (1978), Mississippi Burning (1988), Come See the Paradise (1990) and Angela's Ashes (1999); family dramas, including Shoot the Moon (1982), and horrors and thrillers including Angel Heart (1987) and The Life of David Gale (2003).

Parker's films won nineteen BAFTA awards, ten Golden Globes and six Academy Awards. His film Birdy was chosen by the National Board of Review as one of the Top Ten Films of 1984 and won the Grand Prix Spécial du Jury prize at the 1985 Cannes Film Festival. In 1984, Parker received the BAFTA for Outstanding British Contribution to Cinema, and in 2002 he was knighted for his services to the film industry. He was active in both British cinema and American cinema, along with being a founding member of the Directors Guild of Great Britain and lecturing at various film schools.

In 2000, Parker received the Royal Photographic Society Lumière Award for major achievement in cinematography, video or animation. In 2013, he received the BAFTA Academy Fellowship Award, the highest honour the British Film Academy can give a filmmaker. Parker donated his personal archive to the British Film Institute's National Archive in 2015.

Parker was born on 14 February 1944 into a working-class family in Islington, North London, the son of Elsie Ellen, a dressmaker, and William Leslie Parker, a house painter. He grew up on a council estate in Islington, which always made it easy for him to remain "almost defiantly working-class in attitudes" said the British novelist and screenwriter Ray Connolly. Parker said that although he had his share of fun growing up, he always felt he was studying for his secondary school exams, while his friends were out having a good time. He had an "ordinary background" with no aspirations to become a film director, nor did anyone in his family have any desire to be involved in the film industry. The closest he ever came, he said, to anything related to films was learning photography, a hobby inspired by his uncles: "... that early introduction to photography is something I remember."

Parker attended Dame Alice Owen's School, concentrating on science in his last year. He left school when he was 18 to work in the advertising field, hoping that the advertising industry might be a good way to meet girls.

Parker's first job was office boy in the post room of Ogilvy & Mather an advertising agency in London. But more than anything, he said, he wanted to write, and would write essays and ads when he got home after work. His colleagues also encouraged him to write, which soon led him to a position as a copywriter in the company. Parker took jobs with different agencies over the next few years, having by then become proficient as a copywriter. One such agency was Collett Dickenson Pearce in London, where he first met the future producers David Puttnam and Alan Marshall, both of whom would later produce many of his films. Parker credited Puttnam with inspiring him and talking him into writing his first film script, Melody (1971).

By 1968, Parker had moved from copywriting to successfully directing numerous television advertisements. In 1970, he joined Marshall to establish a company to make advertisements. That company eventually became one of Britain's best commercial production houses, winning nearly every major national and international award open to it. Among their award-winning adverts were the UK Cinzano vermouth advertisement (starring Joan Collins and Leonard Rossiter), and a Heineken advert which used 100 actors. Parker credited his years writing and directing adverts for his later success as a film director: