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Alice Boner
Alice Boner (22 July 1889 – 13 April 1981) was a Swiss painter and sculptor, art historian, and an Indologist.
In her drawings she used pencil, charcoal, sepia, red chalk, ink, and sometimes pastel. Her early works focused on drawings, sculptures, portrait, full body studies, landscapes and nature observations. The artist also harbored a great fascination for the art of dance and created motion studies of the three dancers Lilly, Jeanne, and Leonie Brown as well as the Indian dancer Uday Shankar. Her sketches were spontaneous, a series of observations, that are usually performed only with a few quick strokes, and are focused on the essential characteristics of the body.[citation needed] The collection of the Rietberg Museum houses a variety of sculptures and statues of Alice Boner from her youth.
Between 1926 and 1930, Boner made trips to Morocco, Tunisia and India with the dancer Uday Shankar. She decided in 1935 to migrate to India.
Alice Boner was born in Italy in 1889 to Swiss parents. After going through the Italian education system, she studied painting and sculpture in Brussels, Munich, and Basel from 1907 to 1911. In 1911 her family moved back to Switzerland, where she began work as an independent sculptor. In 1916, her work was exhibited in the Kunsthaus Zurich (Museum of Modern Art), and by 1925 she had her own studio in the Rokoko-pavilion close to the University of Zurich.
In 1926 she saw Uday Shankar perform at the Kursaal Zürich. She was immediately intrigued by the elegant dance movements of Shankar, and with his consent made some sketches on paper and with clay. Boner moved to Paris in 1928 and continued her work as a sculptor. By now her sculptures were placed in public parks and houses in Zurich, Geneva, and Baden. She saw Uday Shankar again in Paris in 1929, and he desired to go back to India to recruit a troupe of musicians and dancers. For Boner, who was fascinated by Indian dance and had long dreamed about going to India, this was a chance for her to go to India and she suggested to accompany Shankar to India.
Boner and Shankar both traveled to India in December 1929. They traveled through India with letters of recommendations from Shankar's father, Pandit Shyam Shankar, who was the former Dewan of Jhalawar State. Thus, they were usually the guests of Maharajas on their travels through India. Even though they informed the Maharajas of their plans to perform Indian dance in the west, they were all reluctant to support them because of the negative connotation that was associated with them had they supported the troupe. By the time they arrived in Kolkata, they changed their plans and recruited most of the members of their troupe from Uday Shankar's family, among them the then still young Ravi Shankar.
Beginning in 1930 the troupe toured together, with its first performance in the Théâtre des Champs-Élysées in Paris on 3 March 1931. Boner's function was essentially that of a co-director. She advertised the troupe, but also helped with costumes and correspondences. After five years with the troupe Boner moved to India in 1935 and then Varanasi, India, in 1936.
After moving to India, Boner began to paint again. She gave up sculpting, saying that it was "too slow a process to catch up with the wealth of aspects India offered to the observing eye". Some of her early pieces were exhibited in Kolkata, Mumbai, and Zurich. In 1939, Boner began to paint Indian deities after studying sacred Indian scriptures, but in accordance with her diary, these paintings were never made public.
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Alice Boner
Alice Boner (22 July 1889 – 13 April 1981) was a Swiss painter and sculptor, art historian, and an Indologist.
In her drawings she used pencil, charcoal, sepia, red chalk, ink, and sometimes pastel. Her early works focused on drawings, sculptures, portrait, full body studies, landscapes and nature observations. The artist also harbored a great fascination for the art of dance and created motion studies of the three dancers Lilly, Jeanne, and Leonie Brown as well as the Indian dancer Uday Shankar. Her sketches were spontaneous, a series of observations, that are usually performed only with a few quick strokes, and are focused on the essential characteristics of the body.[citation needed] The collection of the Rietberg Museum houses a variety of sculptures and statues of Alice Boner from her youth.
Between 1926 and 1930, Boner made trips to Morocco, Tunisia and India with the dancer Uday Shankar. She decided in 1935 to migrate to India.
Alice Boner was born in Italy in 1889 to Swiss parents. After going through the Italian education system, she studied painting and sculpture in Brussels, Munich, and Basel from 1907 to 1911. In 1911 her family moved back to Switzerland, where she began work as an independent sculptor. In 1916, her work was exhibited in the Kunsthaus Zurich (Museum of Modern Art), and by 1925 she had her own studio in the Rokoko-pavilion close to the University of Zurich.
In 1926 she saw Uday Shankar perform at the Kursaal Zürich. She was immediately intrigued by the elegant dance movements of Shankar, and with his consent made some sketches on paper and with clay. Boner moved to Paris in 1928 and continued her work as a sculptor. By now her sculptures were placed in public parks and houses in Zurich, Geneva, and Baden. She saw Uday Shankar again in Paris in 1929, and he desired to go back to India to recruit a troupe of musicians and dancers. For Boner, who was fascinated by Indian dance and had long dreamed about going to India, this was a chance for her to go to India and she suggested to accompany Shankar to India.
Boner and Shankar both traveled to India in December 1929. They traveled through India with letters of recommendations from Shankar's father, Pandit Shyam Shankar, who was the former Dewan of Jhalawar State. Thus, they were usually the guests of Maharajas on their travels through India. Even though they informed the Maharajas of their plans to perform Indian dance in the west, they were all reluctant to support them because of the negative connotation that was associated with them had they supported the troupe. By the time they arrived in Kolkata, they changed their plans and recruited most of the members of their troupe from Uday Shankar's family, among them the then still young Ravi Shankar.
Beginning in 1930 the troupe toured together, with its first performance in the Théâtre des Champs-Élysées in Paris on 3 March 1931. Boner's function was essentially that of a co-director. She advertised the troupe, but also helped with costumes and correspondences. After five years with the troupe Boner moved to India in 1935 and then Varanasi, India, in 1936.
After moving to India, Boner began to paint again. She gave up sculpting, saying that it was "too slow a process to catch up with the wealth of aspects India offered to the observing eye". Some of her early pieces were exhibited in Kolkata, Mumbai, and Zurich. In 1939, Boner began to paint Indian deities after studying sacred Indian scriptures, but in accordance with her diary, these paintings were never made public.
