Alice Tully Hall is a concert hall at the Lincoln Center for the Performing Arts on the Upper West Side of Manhattan in New York City. The hall is named for Alice Tully, a New York performer and philanthropist whose donations assisted in the construction of the hall. Tully Hall is located within the Juilliard Building, a Brutalist structure, which was designed by architect Pietro Belluschi. It was completed and subsequently opened in 1969. Since its opening, it has hosted numerous performances and events, including the New York Film Festival. Tully Hall seats 1,086 patrons. It is the home of the Chamber Music Society of Lincoln Center.

As part of the Lincoln Center 65th Street Development Project, the Juilliard School and Tully Hall underwent a major renovation and expansion by architects Diller Scofidio + Renfro and FXFOWLE, which were completed in 2009. The building utilizes new interior materials, technologies, and updated equipment for concerts, film, theater, and dance. The expansion of the Juilliard building features a three-story all-glass lobby and sunken plaza beneath a new, cantilevered extension, “projecting a newly visible public identity to Broadway.”

The Juilliard School building sits along the west side of Broadway, between 65th and 66th Streets (across the street from Avery Fisher Hall and the Lincoln Center parking garage). Prior to its expansion, it maintained a rectangular footprint of approximately 200 x 350 feet (110 m). Also, prior to the re-development project, the building's primary means of connection to the main Lincoln Center complex was a large pedestrian footbridge (named the Paul Milstein Plaza) that crossed over and covered a large portion of West 65th Street. Despite the original building's shape, its site was rhomboidal in shape, due to the diagonal progression of Broadway through the orthogonal grid of Manhattan. Rejecting Broadway's diagonal progression, the architects oriented Juilliard to the grid, using the remaining triangular section as a small plaza.

Though not located on the complex's superblock between West 62nd and 65th Streets, the architects identified the original Juilliard building with Lincoln Center through the footbridge connection and use of cladding. Gordon Bunshaft originally envisioned the bridge to better integrate Juilliard with the main Lincoln Center campus and hide street traffic. Little to no consideration was given to the effects of such a wide bridge on the street below.

As Juilliard's main public theater, Alice Tully Hall was not given a prominent entrance, despite the fact that it was housed in the only Lincoln Center building on a site directly facing Broadway. The entrance was instead tucked under the second-story outdoor terrace/footbridge and the monumental exterior staircase that led up to it from the plaza. This feature along with the rejection of the diagonal and the setting back of the building from Broadway follow a similar logic of detachment from the city street that the main Lincoln Center campus embodied. This original entrance to Tully Hall became fully visible only once the terrace, staircase, and footbridge was removed in 2006.

Before the construction of Alice Tully Hall, most of the chamber music performances in New York City were held at The Town Hall on West 43rd Street, which had been built in 1921. The founders of Lincoln Center wished to have a chamber music hall in the complex, as there was still a need for a dedicated space. Before construction on Lincoln Center began, the architects considered placing a chamber music hall in the basement of Philharmonic Hall (since renamed David Geffen Hall, formerly Avery Fisher Hall). However, as the Juilliard School needed a concert hall that was equal in size to a chamber music hall, Lincoln Center chose to build one in the Juilliard building. Construction on the Juilliard building began in 1965 on a site one block north of the original Lincoln Center complex and part of the parcel designated for improvement through urban renewal. The cost of the chamber music hall was approximately $4.2 million, all of which was covered by donations from Alice Tully, a New York chamber music patron and former singer.

Alice Tully Hall was designed as part of the Juilliard School building by Pietro Belluschi, who became involved with the Lincoln Center project in October 1956, when he participated in a two-week conference devoted to discussing the planning of the center. The president of the Juilliard School consulted with Belluschi on which architect to choose for the project, and though Belluschi had submitted a list of architects to be considered, he was ultimately chosen for the role. He collaborated with Eduardo Catalano and Helge Westermann. Westermann had established an office in New York, which Belluschi and Catalano used as a local liaison for the project. Over twelve years, the architectural team had developed approximately 70 sets of preliminary drawings.

The project had been put on hold, pending decisions on the final site and budget, but went forward in 1963. Tired of battling budget restrictions and changing program requirements, Belluschi and Catalano had difficulty generating new plans when the project restarted. Several of their previously proposed plans were turned over to Robert Burns, Frederick Taylor, and Frederick Preis, three employees at Catalano's office. Burns’ plan was based heavily off Catalano's MIT Student Center (completed in 1965). Catalano was regularly available for guidance and criticism on the project, whereas Belluschi would only stop in occasionally to review the work of Catalano's office. Belluschi played a more public role, communicating with Juilliard and with donors. He also was highly involved in designing spaces like the performance hall lobbies and foyers.