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Allan Hunt
Allan Hunt
Allan Hunt
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Allan Hunt (born February 12, 1945) is an American actor, probably best remembered as Crewman Stuart Riley from season 2 of ABC's Voyage to the Bottom of the Sea.

Key Information

Biography

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Hunt trained at the Pasadena Playhouse, UCLA, American Conservatory Theater, and Seattle Repertory.[1] After several small parts in his younger years he was cast in the second season of Voyage to the Bottom of the Sea. He almost didn't get the part because Irwin Allen didn't like the idea of having another regular character who was taller than the series' lead actor Richard Basehart (who was 5' 8"). During season two with heightening tension in Vietnam, Hunt realized that he would be drafted, so rather than take his chances with the draft, he enlisted in the Marine Corps. He trained as a US Marine at Marine Corps Air Station El Toro, then was transferred to Special Services with the US Army.[2] During his time in Vietnam, Allan was responsible for USO shows, wrote special material and hosted and directed live stage shows. Irwin Allen promised to keep the role of Riley for Hunt when he completed his military duties, but by the time he'd finished in Vietnam the show had ended, so he wasn't able to return. Over the years Hunt has worked as an actor and director, as a regular for two years on General Hospital, as a news anchor for CBS affiliate KGGM in Albuquerque, New Mexico in 1987[1] and in the late 1990s back on TV in shows such as Love Boat: The Next Wave and Charmed.

Partial filmography

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Stage Work

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Actor

Director

Awards

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The Caine Mutiny Court-Martial (1981)
Hello Dolly (1983)
That Championship Season (1988)

References

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[edit]
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Allan Hunt

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Allan Hunt (born February 12, 1945) is an American actor and director, best known for his recurring role as crewman Stu Riley in the second season of the ABC science fiction television series Voyage to the Bottom of the Sea (1965–1966). Over a career spanning decades, Hunt has appeared in a variety of television dramas, soaps, and films, often portraying doctors, authority figures, and supporting characters. His work extends beyond acting into directing, where he earned three Drama-Logue Awards for The Caine Mutiny Court-Martial (1981), Hello Dolly (1983), and (1988). He also directed stage productions including and . Hunt's early career included training at prestigious institutions such as the , the American Conservatory Theatre, and the , following a degree from UCLA. He served in the United States Marine Corps during the era, stationed in Okinawa, , where he managed USO entertainment shows for troops. Notable television roles include Dr. Brent Forester on and Dr. Richard Clayton on (1990). In film, he featured in Disney productions like (1980) and (1976), as well as guest spots on series such as , , and . Beyond entertainment, Hunt worked as a news anchor at KGGM, a affiliate in , in 1987, and has served as a spokesperson in commercials and infomercials while offering on-camera acting coaching. He is the nephew of actress Marsha Hunt (1917–2022), known for her roles in films like (1940). Hunt's contributions to theater and television highlight his versatility in both performance and production within the industry.

Early Life

Birth and Family Background

Allan Hunt was born Albert Broyles on February 12, 1945, in , , USA. He later changed his name to Allan Hunt. He is the son of Mary Marjorie Hunt and Bernard Carl Broyles Jr., a couple who met while attending the (UCLA). Hunt grew up in a family with ties to the entertainment industry, as his aunt was the acclaimed actress Marsha Hunt, known for her roles in major motion pictures of the ; this familial connection has been described as giving him "acting in his blood." He had at least two siblings, including brother Douglas Randall Broyles and sister Georgia Dvornychenko.

Education and Early Interests

Allan Hunt, born in Los Angeles, California, in 1945, was raised in South Pasadena and attended local schools in the region throughout the 1950s and 1960s, graduating from Pasadena High School in 1962. His early interest in acting was profoundly shaped by familial influences, including his aunt, the acclaimed actress Marsha Hunt, whose career in major motion pictures of the 1940s provided inspiration and a sense of acting as a familial legacy. Additionally, Hunt's musically oriented grandparents contributed to his youthful exposure to the performing arts, sparking a foundational passion for drama. From a young age, Hunt engaged in informal theatrical activities, such as creating and performing in backyard plays with his siblings, which allowed him to explore storytelling and performance in a supportive home setting. These early experiments honed his imaginative skills and reinforced his affinity for the stage. Following high school, Hunt pursued higher education at the (UCLA), where he studied journalism. To develop his acting aspirations professionally, he underwent specialized training at prestigious institutions, including the —alongside other notable performers—the American Conservatory Theatre, and the . These programs provided rigorous instruction in dramatic arts, bridging his early hobbies to more structured preparation for a career in performance.

Career Beginnings

Initial Acting Roles

Hunt began his acting career in the early with minor guest roles on popular television series, marking his entry into the profession as a young performer based in . His first credited appearance was in the episode "Dennis at Boot Camp" of Dennis the Menace in 1962, where he played Ted Wilson. Following this debut, Hunt secured supporting parts in several Western and drama series. In 1963, he appeared as a boy in the Gunsmoke episode "Lover Boy." The next year, he portrayed Rusty in the Dr. Kildare episode "The Child Between" and Roger in an episode of the short-lived sitcom Karen. He also made two guest appearances on during this period, playing Jimmie Moore in "The Case of the Potted Planter" (1963) and another boy in "The Case of the Bullied Bowler" (1964). Hunt's early resume included a recurring role on from 1962 to 1965, where he appeared in multiple episodes as characters such as Bill, Stan, Moose, and Howard, often as ' boyfriend, providing steady exposure as a newcomer. Additional guest spots came in 1964 with the role of Jerry Donan on and in 1965 as the second G.I. in a episode. These television appearances, honed through training at the , established his presence in the industry during the mid-1960s.

Breakthrough in Television

Allan Hunt's breakthrough came in 1965 when, at age 20, he was cast as Crewman Stuart "Stu" Riley in the second season of the ABC science fiction series Voyage to the Bottom of the Sea (1964–1968), produced by . The role marked his first significant recurring part in , appearing in 17 episodes and boosting his visibility as a young . During production, Hunt was initially noted as "too tall" for the role but was selected for his potential. His tenure ended after season 2 when he enlisted in the U.S. Marine Corps, serving during the Vietnam War era in Okinawa, Japan, where he managed USO entertainment shows; upon return, he resumed his acting career.

Television Career

Role in Voyage to the Bottom of the Sea

Allan Hunt portrayed Seaman Stuart "Stu" Riley, a young and eager crewman aboard the submarine Seaview, in 17 episodes of the second season of the science fiction series Voyage to the Bottom of the Sea (1965–1966). Riley was introduced as a fresh addition to the crew, often depicted as enthusiastic and reliable, contributing to the show's emphasis on team dynamics and underwater missions. His character brought a youthful energy to the ensemble, frequently assisting Captain Lee Crane (David Hedison) and Admiral Harriman Nelson (Richard Basehart) in high-stakes scenarios, such as navigating perilous ocean depths or defending the vessel from threats. Hunt's episodes highlighted Riley's involvement in various underwater adventures and crew interactions, showcasing the character's growth and loyalty. For instance, in the season premiere "Jonah and the Whale," Riley participates in a daring rescue operation inside a massive , emphasizing the physical demands of submarine life and team coordination during an aquatic peril. In "The Shape of Doom," he aids in investigating an undersea project threatened by seismic activity, underscoring dynamics under pressure from geological hazards. Another key appearance occurs in "The Peacemaker," where Riley helps manage tensions during a tense diplomatic encounter, reflecting interpersonal conflicts among the . "The Return of the Phantom" further illustrates his role in a supernatural-tinged mission involving ghostly submarine apparitions, blending adventure with eerie vigilance. These selections represent Riley's recurring contributions to the series' blend of action, , and naval camaraderie, appearing across the 26-episode season without a fixed arc but as a supporting regular. To prepare for the role, Hunt drew on his formal acting training at the and the (UCLA), where he honed skills in character development and essential for portraying a naval seaman. His audition with producer addressed initial concerns about his height, which Hunt countered with humor, securing the part at age 20; this preparation extended to on-set familiarization with submarine sets and naval procedures to authentically depict Riley's duties in confined, high-tension environments. For the physical aspects of naval scenes, including underwater simulations and action sequences, Hunt underwent conditioning to handle the role's demands, such as maneuvering in tight spaces and simulating emergency drills, aligning with the production's emphasis on realistic seafaring portrayals. Hunt's association with Voyage to the Bottom of the Sea has endured beyond the series, fostering a lasting connection through fan events and reunions. He departed after season 2 to enlist in the U.S. Marine Corps, training at El Toro Marine Air Station, but the role's significance persisted in his career narrative. Over the decades, Hunt has participated in conventions celebrating the show, including the StarCon panel discussions on crew portrayals and the 2014 50th anniversary reunion at The Hollywood Show, where he reunited with co-stars like and . More recently, in October 2024, he appeared at The Hollywood Show for a Voyage tribute event, sharing anecdotes about Riley's episodes and the production's legacy with attendees. Hunt continues to engage with fans at similar gatherings, maintaining the character's cultural impact within television history.

Other Notable TV Appearances

Following his breakout role in Voyage to the Bottom of the Sea, Allan Hunt secured a diverse array of television guest spots and recurring parts that showcased his versatility across genres, from and police procedurals to soap operas and supernatural dramas. In the 1970s, Hunt appeared in several episodic series, including a recurring role as Bobby Richards in the Arnie, where he played the son of the lead character across four episodes from 1970 to 1971. He also guest-starred as a young man in the ABC drama episode "Nightmare" in 1975, and as , a key figure in a Western-themed storyline, in the anthology Police Story episode " Syndrome" in 1974. These roles highlighted his early work in family-oriented and action-driven television. The 1980s saw Hunt take on supporting parts in high-profile miniseries and procedurals, notably as Stanford in the NBC epic Centennial, a 1978 historical drama spanning generations in the American West, where he appeared in one episode. He recurred as Dr. Innis in the medical examiner series Quincy, M.E. during its 1983 episode "Women of Valor," contributing to storylines involving forensic investigations and social issues. Later in the decade, Hunt played a bookie in the NBC crime drama Midnight Caller in 1989, adding to his portfolio of character-driven guest appearances in gritty urban settings. Hunt's soap opera work became prominent in the late 1980s and 1990s, including a recurring role as Dr. Richard Clayton on ABC's in 1990, appearing in 9 episodes as a physician entangled in the show's romantic and medical plots. He also had a six-month stint as Dr. Brent Forester on CBS's in the 1990s. Extending into supernatural territory, Hunt portrayed an auctioneer in two first-season episodes of The WB's —"Feats of Clay" and ""—in 1998 and 1999. These later credits underscored Hunt's enduring presence in episodic television through the , often in supporting roles that ranged from dramatic intensity to lighter ensemble dynamics.

Film and Stage Work

Film Roles

Allan Hunt's contributions to feature films were limited compared to his extensive television work, spanning minor and supporting roles across genres from comedy to drama during the through . These appearances often highlighted his ability to portray everyday characters in ensemble settings, though they remained secondary to his small-screen presence. Hunt made his earliest known film appearance in the comedy The Misadventures of Merlin Jones (1964), playing an uncredited student in scenes depicting college life and inventive antics led by protagonist Merlin Jones, a brilliant but eccentric major. In the family-oriented body-swap film (1976), directed by Gary Nelson, Hunt appeared uncredited as a car cop, contributing to the film's humorous traffic mishaps following a mother-daughter personality exchange. His official biography notes this role as part of his broader . Hunt received a credited supporting role as Deputy Sherman in the comedy-thriller Herowork (1977), where he assisted in a small-town investigation of a nicknamed "The Chocolate Killer," blending humor with in a story about an inept deputy. In the romantic drama A Different Story (1979), Hunt portrayed Richard I, a minor character in a exploring a gay man and a entering a that evolves into genuine affection, marking a progressive take on relationships for its time. One of Hunt's more visible film parts was as Canal Operator #1 in the adventure comedy Herbie Goes Bananas (1980), the fourth entry in Disney's Herbie franchise, where he facilitated the Volkswagen Beetle's chaotic passage through the Panama Canal amid a globe-trotting plot involving treasure hunters and a stolen artifact. This role, highlighted in his biography, underscored his involvement in family-friendly Disney productions. Hunt's final known feature film role was as a customer in the lounge in (1983), Bigelow's directorial debut—a stylized black-and-white about a gang's stopover in a Southern town in 1952, evoking influences with themes of alienation and romance.
YearFilm TitleRoleGenre
1964Student (uncredited)Comedy
1976Car Cop (uncredited)Comedy
1977HeroworkDeputy ShermanComedy-Thriller
1979A Different Story IDrama-Romance
1980Canal Operator #1Adventure-Comedy
1983Customer in Lounge

Stage Performances

Hunt's early stage work in the and focused on a mix of musicals, comedies, and Shakespearean productions, often in regional theaters and national tours across the . One of his notable early credits was in the rock musical Your Own Thing, a contemporary adaptation of Shakespeare's , where he appeared in ensemble roles during its 1968-1969 run, including a production starring . He also performed in Everybody's Girl, a 1967 musical revue by Billy Barnes featuring comedic sketches and songs, alongside . In the early , Hunt took on dramatic roles, including a part in Richard II opposite at the in in 1972. He appeared in the comedy Forty Carats, a touring production of the Broadway hit, sharing the stage with . Another highlight was his role in a revival of Thornton Wilder's , performing alongside . These performances showcased Hunt's versatility, drawing on his television background to bring nuanced characterizations to live audiences. By the mid-, he joined the national tour of Samuel Taylor's The Pleasure of His Company, acting with and in a 1975 production. Later in his career, Hunt continued selective stage acting amid a shift toward directing, returning to the theater in musical roles that highlighted his singing and charismatic presence. In 2005, he portrayed the con artist in The Music Man for a Glendale Centre Theatre production, marking his first performance with the ensemble. Critics praised his confident and professional delivery in a 2009 staging of at the same venue, where he played both Professor Marvel and the Wizard, noting his "delightfully different" interpretation that added fresh energy to the classic characters. These later appearances received positive audience reception for blending his seasoned acting skills with engaging live energy, solidifying his enduring contribution to regional theater.

Directing and Later Career

Directing Projects

Allan Hunt transitioned to directing in the , leveraging his background as an to focus on actor-centered guidance, including on-camera coaching, diction, speech training, and . His early directing experience dated back to his time in the U.S. Marine Corps during the era, where he hosted, wrote material for, and directed USO live stage shows in Okinawa. This foundation informed his professional shift, allowing him to apply insights from his own performances in theater and television to shape productions. Hunt's initial directing gigs centered on theater, earning him recognition through three Drama-Logue Critics' Awards for outstanding direction. Notable projects included The Caine Mutiny Court-Martial at the Liberty Theatre in 1981, Hello, Dolly! with the San Diego Civic Light Opera in 1983, and That Championship Season at the Whitefire Theatre in Los Angeles in 1988, all of which received Drama-Logue honors. He also directed The Boys in Autumn, collaborating with former Star Trek actors Walter Koenig and Mark Lenard, alongside other stage works such as The Student Prince and Pirates of Penzance. Guest directing engagements took him to venues like the Starlight Theatre in San Diego, the Thousand Oaks Performing Arts Center, and the Ford Theatre in Washington, D.C. In his later career, Hunt extended his directing to educational theater, serving for 21 years at Oak Park High School in , where he helmed 52 drama productions until his retirement at the end of the 2021–2022 school year. These included acclaimed musicals like , Evita, , Grease, Little Shop of Horrors, , , Mamma Mia!, and . Collaborations during this period featured close partnerships with choir teacher Heidi Cissell on approximately 20 productions and occasional work with band director Zachary Borquez. More recent theater efforts encompassed and additional stagings of .

Recent Activities and Appearances

In the and , Allan Hunt continued to engage with fans through appearances at conventions dedicated to Voyage to the Bottom of the Sea. In 2007, he participated in the Cult TV Weekend at Hotel in , , , where he hosted a lunchtime , took part in interviews, and attended signing sessions alongside other members. He also joined the 50th anniversary reunion for the series at The Hollywood Show in 2014, held at The Westin Los Angeles Airport Hotel, reuniting with co-stars , , and Derrik Lewis for fan meet-and-greets and panel discussions. Hunt has maintained his personal website, allanhunt.com, since the late , featuring his biography, filmography, photo galleries, and links to past appearances. The site serves as a hub for fans, featuring content on his highlights and related media. Following his earlier directing projects, Hunt has scaled back public activities in recent years, with no new acting or voice work credited after 1988. As of November 2025, Hunt has no reported new professional engagements following his retirement.

Personal Life

Marriage and Relationships

Allan Hunt was married to Suzanne Hunt from November 30, 1969, until their in 1990. The couple had two children during their marriage: Ashley Hunt and Christian Earl Hunt. No information is publicly available regarding relationships after his .

Health and Residence

Allan Hunt resides in the area of , where he has maintained his home following a career in and in the region. Born on February 12, 1945, Hunt is 80 years old as of 2025. No public details regarding specific health conditions have been disclosed. In his later years, Hunt has shown involvement through local theater and educational initiatives, including his role as a caregiver for his aunt, Marsha Hunt, until her passing in 2022. While specific philanthropic efforts are not widely documented, his contributions to regional drama programs, including his long tenure at Oak Park High School until retirement in 2022, highlight his engagement with the arts .

Legacy and Recognition

Cultural Impact

Allan Hunt's portrayal of Seaman Stu Riley in the second season of Voyage to the Bottom of the Sea (1964–1968) helped define the of the young, irreverent crew member in and adventure television series, embodying the era's emerging amid structured military environments. Introduced as a slangy hipster and former champion, Riley's laid-back slang and casual attitude often bemused the older officers on the Seaview, injecting countercultural flair into the show's high-stakes underwater missions and influencing similar youthful sidekicks in later adventure formats. Riley's character contributed to Voyage to the Bottom of the Sea's broader legacy as a foundational sci-fi television series, marking Irwin Allen's shift from film to episodic TV and establishing templates for serialized blended with speculative threats like aliens and sea monsters. As the decade's longest-running non-anthology sci-fi program, spanning 110 episodes over four seasons and predating by nearly two years, the series popularized resource-efficient production techniques—such as reused sets and —while shaping the adventure genre's emphasis on ensemble crews facing extraordinary perils. In reflections on his role, Hunt has highlighted its lasting appeal through the camaraderie and authenticity on set, crediting co-star Richard Basehart's presence for grounding the show's fantastical elements: "Richard had an 'air' about him. A quiet that everyone on the set responded to... His participation made all the preposterous goings-on... perpetually balanced and credible." During his audition, Hunt demonstrated Riley's slouched posture with the quip, "I slouch beautifully," capturing the character's relaxed essence that resonated with audiences. Hunt's involvement in fan events further illustrates the role's enduring draw within production , where Voyage serves as a touchstone for sci-fi enthusiasts. His appearances at reunions, including the 50th anniversary gathering at The Hollywood Show in 2014 alongside castmates and , highlight the series' role in fostering dedicated communities that celebrate Allen's visionary blend of spectacle and serial storytelling.

Fan Engagement and Tributes

Allan Hunt has maintained a connection with fans through participation in dedicated conventions and reunions celebrating Voyage to the Bottom of the Sea. In October 2014, he attended the show's 50th Anniversary Reunion at The Hollywood Show in , where he joined fellow cast members , , and for panel discussions, autograph sessions, and photo opportunities with attendees. This event drew enthusiasts of Irwin Allen's productions, allowing Hunt to share anecdotes from his time portraying Crewman Stuart Riley. Earlier, Hunt appeared at the Voyage In Person Convention in , , in October 1998, alongside co-stars and , where international fans, including those from , gathered for Q&A sessions and memorabilia displays. He also participated in the Cult TV Weekend in , , , from October 19-22, 2007, hosting a , conducting interviews, and attending an awards ceremony focused on cult television series. These appearances underscore Hunt's ongoing engagement with a niche but devoted audience appreciative of his contributions to 1960s television sci-fi. Dedicated fan resources preserve Hunt's legacy through websites, photo galleries, and collectibles. His official website, allanhunt.com, serves as a hub for biographies, filmographies, and links to related fan pages. The Irwin Allen News Network (iann.net) features extensive galleries of rare photographs from Voyage to the Bottom of the Sea, including images and showcases, contributed by fans worldwide. Collectibles such as DVD box sets of the series, replica patches from the 1961 film, and original press photos of Hunt in character as Riley are actively traded among enthusiasts. Uncle Odie's Collectibles maintains an online photo gallery dedicated to Hunt, compiling images from his Voyage episodes and other roles to aid fan appreciation and research. The series marked its 60th anniversary in September 2024, with fan sites like the News Network highlighting its enduring popularity. In February 2025, fans celebrated Hunt's 80th birthday on , recognizing his iconic role as Stu Riley. While Hunt has not received formal fan-voted awards, his portrayals have inspired informal tributes within sci-fi communities, such as milestone recognitions tied to show anniversaries. Fans continue to celebrate his work through online forums and archives, fostering a around 's era of television.

References

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