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Amélie
Amélie (French: Le Fabuleux Destin d'Amélie Poulain, pronounced [lə fabylø dɛstɛ̃ d‿ameli pulɛ̃], lit. 'The Fabulous Destiny of Amélie Poulain') is a 2001 French-language romantic comedy film directed by Jean-Pierre Jeunet. Written by Jeunet with Guillaume Laurant, the film is a whimsical depiction of contemporary Parisian life, set in Montmartre. It tells the story of Amélie Poulain, played by Audrey Tautou, a shy and quirky waitress who decides to change the lives of those around her for the better while dealing with her own isolation. The film features an ensemble cast of supporting roles, including Mathieu Kassovitz, Rufus, Lorella Cravotta, Serge Merlin, Jamel Debbouze, Claire Maurier, Clotilde Mollet, Isabelle Nanty, Dominique Pinon, Artus de Penguern, Yolande Moreau, Urbain Cancelier, and Maurice Bénichou.
Amélie was released theatrically in France on 25 April 2001 by UGC-Fox Distribution and in Germany on 16 August 2001 by Prokino Filmverleih. The film received widespread critical acclaim, with praise for Tautou's performance, the cinematography, visuals, production design, sound design, editing, musical score, writing and Jeunet's direction. Amélie won Best Film at the European Film Awards, four César Awards, including Best Film and Best Director, and two British Academy Film Awards, including Best Original Screenplay. It was nominated for five Academy Awards, including Best Foreign Language Film and Best Original Screenplay. The film was an enormous commercial success, grossing $174.2 million worldwide against a budget of $10 million, and is one of the biggest international successes for a French film.
Amélie Poulain is born in 1974 and brought up by eccentric parents who – incorrectly believing that she has a heart defect – decide to homeschool her. To cope with her loneliness, Amélie develops an active imagination and a mischievous personality. When Amélie is six, her mother, Amandine, is killed when a suicidal Canadian tourist jumps from the roof of Notre-Dame de Paris and lands on her. As a result, her father, Raphaël, withdraws more and more from society. Amélie leaves home at the age of 18 and becomes a waitress at the Café des 2 Moulins in Montmartre, which is staffed and frequented by a collection of eccentrics. She is single and lets her imagination roam freely, finding contentment in simple pleasures like dipping her hand into grain sacks, cracking crème brûlée with a spoon, and skipping stones along the Canal Saint-Martin.
On 31 August 1997, startled by the news of the death of Diana, Princess of Wales, Amélie drops a plastic perfume-stopper, which dislodges a wall tile and accidentally reveals an old metal box which contains childhood memorabilia hidden by a boy who lived in her apartment decades earlier. Amélie resolves to track down the boy and return the box to him. She promises herself that if it makes him happy, she will devote her life to bringing happiness to others.
After asking the apartment's concierge and several old tenants about the boy's identity, Amélie meets her reclusive neighbour, Raymond Dufayel, an artist with brittle bone disease who replicates Pierre-Auguste Renoir's 1881 painting Luncheon of the Boating Party every year. He recalls the boy's name as "Bretodeau". Amélie finds the man, Dominique Bretodeau, and surreptitiously gives him the box. Moved to tears by the discovery and the memories it holds, Bretodeau resolves to reconcile with his estranged daughter and the grandson he has never met. Amélie happily embarks on her new mission.
Amélie secretly executes complex schemes that positively affect the lives of those around her. She escorts a blind man to the Métro station while giving him a rich description of the street scenes he passes. She persuades her father to follow his dream of touring the world by stealing his garden gnome and having a flight attendant friend mail pictures of it posing with landmarks from all over the world. She starts a romance between her hypochondriacal co-worker Georgette and Joseph, a patron of the café. She convinces Madeleine Wallace, the concierge of her block of flats, that the husband who abandoned her had sent her a final conciliatory love letter just before his accidental death years before. She plays practical jokes on Collignon, the nasty greengrocer. Mentally exhausted, Collignon no longer abuses his meek, good-natured assistant Lucien. A delighted Lucien subsequently takes charge at the grocery stand.
Dufayel, having observed Amélie, begins a conversation with her about his painting. Although he has copied the same Renoir painting 20 times, he has never quite captured the look of the girl drinking a glass of water. They discuss the meaning of this character, and over several conversations, Amélie begins projecting her loneliness onto the image. Dufayel recognizes this and uses the girl in the painting to push Amélie to examine her attraction to a quirky young man, Nino Quincampoix, who collects the discarded photographs of strangers from passport photo booths. When Amélie bumps into Nino a second time, she realizes she is falling in love with him. He accidentally drops a photo album in the street. Amélie retrieves it.
Amélie plays a cat-and-mouse game with Nino around Paris before returning his treasured album anonymously. After arranging a meeting at the 2 Moulins, Amélie panics and tries to deny her identity. Her co-worker, Gina, concerned for Amélie's well-being, screens Nino for her; Joseph's comment about this misleads Amélie to believe she has lost Nino to Gina. It takes Dufayel's insight to give her the courage to pursue Nino, resulting in a romantic night together and the beginning of a relationship. The film ends as Amélie experiences a moment of happiness she has found for herself.
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Amélie
Amélie (French: Le Fabuleux Destin d'Amélie Poulain, pronounced [lə fabylø dɛstɛ̃ d‿ameli pulɛ̃], lit. 'The Fabulous Destiny of Amélie Poulain') is a 2001 French-language romantic comedy film directed by Jean-Pierre Jeunet. Written by Jeunet with Guillaume Laurant, the film is a whimsical depiction of contemporary Parisian life, set in Montmartre. It tells the story of Amélie Poulain, played by Audrey Tautou, a shy and quirky waitress who decides to change the lives of those around her for the better while dealing with her own isolation. The film features an ensemble cast of supporting roles, including Mathieu Kassovitz, Rufus, Lorella Cravotta, Serge Merlin, Jamel Debbouze, Claire Maurier, Clotilde Mollet, Isabelle Nanty, Dominique Pinon, Artus de Penguern, Yolande Moreau, Urbain Cancelier, and Maurice Bénichou.
Amélie was released theatrically in France on 25 April 2001 by UGC-Fox Distribution and in Germany on 16 August 2001 by Prokino Filmverleih. The film received widespread critical acclaim, with praise for Tautou's performance, the cinematography, visuals, production design, sound design, editing, musical score, writing and Jeunet's direction. Amélie won Best Film at the European Film Awards, four César Awards, including Best Film and Best Director, and two British Academy Film Awards, including Best Original Screenplay. It was nominated for five Academy Awards, including Best Foreign Language Film and Best Original Screenplay. The film was an enormous commercial success, grossing $174.2 million worldwide against a budget of $10 million, and is one of the biggest international successes for a French film.
Amélie Poulain is born in 1974 and brought up by eccentric parents who – incorrectly believing that she has a heart defect – decide to homeschool her. To cope with her loneliness, Amélie develops an active imagination and a mischievous personality. When Amélie is six, her mother, Amandine, is killed when a suicidal Canadian tourist jumps from the roof of Notre-Dame de Paris and lands on her. As a result, her father, Raphaël, withdraws more and more from society. Amélie leaves home at the age of 18 and becomes a waitress at the Café des 2 Moulins in Montmartre, which is staffed and frequented by a collection of eccentrics. She is single and lets her imagination roam freely, finding contentment in simple pleasures like dipping her hand into grain sacks, cracking crème brûlée with a spoon, and skipping stones along the Canal Saint-Martin.
On 31 August 1997, startled by the news of the death of Diana, Princess of Wales, Amélie drops a plastic perfume-stopper, which dislodges a wall tile and accidentally reveals an old metal box which contains childhood memorabilia hidden by a boy who lived in her apartment decades earlier. Amélie resolves to track down the boy and return the box to him. She promises herself that if it makes him happy, she will devote her life to bringing happiness to others.
After asking the apartment's concierge and several old tenants about the boy's identity, Amélie meets her reclusive neighbour, Raymond Dufayel, an artist with brittle bone disease who replicates Pierre-Auguste Renoir's 1881 painting Luncheon of the Boating Party every year. He recalls the boy's name as "Bretodeau". Amélie finds the man, Dominique Bretodeau, and surreptitiously gives him the box. Moved to tears by the discovery and the memories it holds, Bretodeau resolves to reconcile with his estranged daughter and the grandson he has never met. Amélie happily embarks on her new mission.
Amélie secretly executes complex schemes that positively affect the lives of those around her. She escorts a blind man to the Métro station while giving him a rich description of the street scenes he passes. She persuades her father to follow his dream of touring the world by stealing his garden gnome and having a flight attendant friend mail pictures of it posing with landmarks from all over the world. She starts a romance between her hypochondriacal co-worker Georgette and Joseph, a patron of the café. She convinces Madeleine Wallace, the concierge of her block of flats, that the husband who abandoned her had sent her a final conciliatory love letter just before his accidental death years before. She plays practical jokes on Collignon, the nasty greengrocer. Mentally exhausted, Collignon no longer abuses his meek, good-natured assistant Lucien. A delighted Lucien subsequently takes charge at the grocery stand.
Dufayel, having observed Amélie, begins a conversation with her about his painting. Although he has copied the same Renoir painting 20 times, he has never quite captured the look of the girl drinking a glass of water. They discuss the meaning of this character, and over several conversations, Amélie begins projecting her loneliness onto the image. Dufayel recognizes this and uses the girl in the painting to push Amélie to examine her attraction to a quirky young man, Nino Quincampoix, who collects the discarded photographs of strangers from passport photo booths. When Amélie bumps into Nino a second time, she realizes she is falling in love with him. He accidentally drops a photo album in the street. Amélie retrieves it.
Amélie plays a cat-and-mouse game with Nino around Paris before returning his treasured album anonymously. After arranging a meeting at the 2 Moulins, Amélie panics and tries to deny her identity. Her co-worker, Gina, concerned for Amélie's well-being, screens Nino for her; Joseph's comment about this misleads Amélie to believe she has lost Nino to Gina. It takes Dufayel's insight to give her the courage to pursue Nino, resulting in a romantic night together and the beginning of a relationship. The film ends as Amélie experiences a moment of happiness she has found for herself.