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Archie Bunker's Place
Archie Bunker's Place is an American television sitcom produced as a continuation of All in the Family. It aired on CBS from September 23, 1979 to April 4, 1983. After the final first-run telecast on CBS in April 1983, the series went into reruns on Wednesdays from June 29 through September 21, 1983. While not as popular as its predecessor, the show maintained a large enough audience to last four seasons. It performed so well during its first season that it displaced Mork & Mindy from its Sunday night time slot; a year earlier, during its first season, Mork & Mindy had been the No. 3 show on television.
Although the Bunker home, long familiar to viewers, continues to be featured, the scenes are primarily set in the title's neighborhood tavern in Astoria, Queens, which Archie Bunker (Carroll O'Connor) purchased in the eighth-season premiere of All in the Family. During the first season as Archie Bunker's Place, Bunker takes on a Jewish partner, Murray Klein (Martin Balsam), when co-owner Harry Snowden decides to sell his share of the business. Early in the first season, to increase business, Archie and Murray build a restaurant onto the bar: the additions include a separate seating area for the restaurant and a well-equipped kitchen with a service window. Regular patrons include Barney Hefner, Hank Pivnik, and Edgar Van Ranseleer.
Archie Bunker's Place is the sounding board for Archie's views, support from his friends, and Murray's counterpoints. Later in the series, after Murray remarries and leaves for San Francisco, Archie has one of his attorneys, Gary Rabinowitz (Barry Gordon), take on the role of business manager. Gary's views are liberal, in contrast to Archie's conservatism.
In December 1978, Jean Stapleton announced that she did not want to renew her contract at the end of the ongoing ninth season. She felt her character, Edith Bunker, had run its course on the show. At that time, Norman Lear, the creator of All in the Family, wanted the series to end while it was still on top in ratings and critical reception. But Robert Daly, then vice president of CBS Television, persuaded Carroll O’Connor to continue with All in the Family for at least another year. Daly felt that since the show was still garnering high ratings, it was still valuable to the network and could run at least another year. Since Lear was insistent on ending the program, Daly asked O’Connor to get Lear to reconsider. After meeting with O’Connor, Lear agreed to let the show's characters continue but refused to allow the series to be called All in the Family any longer.
As a result, Archie Bunker’s Place was created and the show's plots centered less on Archie's home life and more on his bar and his colleagues and patrons who frequented it. To help with this transition, Stapleton agreed to play Edith on the newly titled series in five appearances during the 1979–80 season. At the start of the next (1980–81) season, Edith died (off screen) and was written out of the series.
Unlike All in the Family, which took place largely in the Bunker family home, Archie Bunker's Place was set primarily in the local tavern Archie owned, and was videotaped on a closed set with multiple cameras, the best takes being edited together using a laugh track instead of a live studio audience. The finished product was then shown to live audiences attending tapings of One Day at a Time, thus providing a laugh track from real laughter for the show.
Production of all seasons of Archie Bunker's Place took place at Studios 31 & Bob Barker Studio at Television City Studios in Hollywood,[citation needed] the original production home of All in the Family for that show's first six seasons.
The theme song for Archie Bunker's Place was a re-scored instrumental version by Ray Conniff of "Those Were the Days," the long-familiar opening theme to All in the Family. The closing theme, "Remembering You," was a re-scored version of All in the Family's closing theme. Both versions featured a Dixieland-styled arrangement. The opening credits featured a view of the Queensboro Bridge, which connects Manhattan to Queens, followed by shots taken along Steinway Street in Astoria.
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Archie Bunker's Place
Archie Bunker's Place is an American television sitcom produced as a continuation of All in the Family. It aired on CBS from September 23, 1979 to April 4, 1983. After the final first-run telecast on CBS in April 1983, the series went into reruns on Wednesdays from June 29 through September 21, 1983. While not as popular as its predecessor, the show maintained a large enough audience to last four seasons. It performed so well during its first season that it displaced Mork & Mindy from its Sunday night time slot; a year earlier, during its first season, Mork & Mindy had been the No. 3 show on television.
Although the Bunker home, long familiar to viewers, continues to be featured, the scenes are primarily set in the title's neighborhood tavern in Astoria, Queens, which Archie Bunker (Carroll O'Connor) purchased in the eighth-season premiere of All in the Family. During the first season as Archie Bunker's Place, Bunker takes on a Jewish partner, Murray Klein (Martin Balsam), when co-owner Harry Snowden decides to sell his share of the business. Early in the first season, to increase business, Archie and Murray build a restaurant onto the bar: the additions include a separate seating area for the restaurant and a well-equipped kitchen with a service window. Regular patrons include Barney Hefner, Hank Pivnik, and Edgar Van Ranseleer.
Archie Bunker's Place is the sounding board for Archie's views, support from his friends, and Murray's counterpoints. Later in the series, after Murray remarries and leaves for San Francisco, Archie has one of his attorneys, Gary Rabinowitz (Barry Gordon), take on the role of business manager. Gary's views are liberal, in contrast to Archie's conservatism.
In December 1978, Jean Stapleton announced that she did not want to renew her contract at the end of the ongoing ninth season. She felt her character, Edith Bunker, had run its course on the show. At that time, Norman Lear, the creator of All in the Family, wanted the series to end while it was still on top in ratings and critical reception. But Robert Daly, then vice president of CBS Television, persuaded Carroll O’Connor to continue with All in the Family for at least another year. Daly felt that since the show was still garnering high ratings, it was still valuable to the network and could run at least another year. Since Lear was insistent on ending the program, Daly asked O’Connor to get Lear to reconsider. After meeting with O’Connor, Lear agreed to let the show's characters continue but refused to allow the series to be called All in the Family any longer.
As a result, Archie Bunker’s Place was created and the show's plots centered less on Archie's home life and more on his bar and his colleagues and patrons who frequented it. To help with this transition, Stapleton agreed to play Edith on the newly titled series in five appearances during the 1979–80 season. At the start of the next (1980–81) season, Edith died (off screen) and was written out of the series.
Unlike All in the Family, which took place largely in the Bunker family home, Archie Bunker's Place was set primarily in the local tavern Archie owned, and was videotaped on a closed set with multiple cameras, the best takes being edited together using a laugh track instead of a live studio audience. The finished product was then shown to live audiences attending tapings of One Day at a Time, thus providing a laugh track from real laughter for the show.
Production of all seasons of Archie Bunker's Place took place at Studios 31 & Bob Barker Studio at Television City Studios in Hollywood,[citation needed] the original production home of All in the Family for that show's first six seasons.
The theme song for Archie Bunker's Place was a re-scored instrumental version by Ray Conniff of "Those Were the Days," the long-familiar opening theme to All in the Family. The closing theme, "Remembering You," was a re-scored version of All in the Family's closing theme. Both versions featured a Dixieland-styled arrangement. The opening credits featured a view of the Queensboro Bridge, which connects Manhattan to Queens, followed by shots taken along Steinway Street in Astoria.