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Ari Telch
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Ari Telch (born May 7, 1962) is a Mexican actor best known for his work in telenovelas and the stage.

Key Information

Early life and career

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Ari Telch Benforado was born to a Jewish family and started acting career with the role of a Jewish boy in El violinista en el tejado (Fiddler on the Roof) with Manolo Fábregas. His next play was Yankee in 1983, produced by Sabina Berman, also of Jewish origin. In Barnum (1986), the play about one of the founders of the Barnum and Bailey circus he rode a monocycle of two meters high. In 1988, he obtained a role in Interés social, a play written by Luis Eduardo Reyes who obtained the National Theater Award for the story. A year later in Loco amor ("Fool for Love" by Sam Shepard) with Angélica Aragón.

First telenovela with Televisa

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In 1989, he participated in his first telenovela called Dos vidas ("Two lives") with Televisa. For his role he received a Best new actor award by both TVyNovelas and Eres magazines. In 1990, he made Flor y Canela on television and on stage Vamos a contar mentiras with Silvia Pinal and Querida aquí espantan of Joaquin Bissner.

The following year he joined the cast of Muchachitas, with a role that would give him fame and recognition earning a Best actor award by Eres magazine. Next year, he obtained the starring role in the stage version of La tarea in which he appeared fully nude with María Rojo the co-star of the film version. In spite of public protests the show was sold out and toured the country and obtained the award for Best actor. The same year he participated in El Contrabajo of Patrick Süskind adapted by Nathán Grinberg, who also wrote the music. For this play he obtained the award by the Asociación de Críticos Profesionales de Teatro (ACPT) and the Best actor award in the Festival Internacional de las Artes in Costa Rica. He made 2,500 presentations with this play in Mexico, the United States and Costa Rica. In 1993, he participated in the comedy Una pareja con ángel by Eduardo Palomo with 200 sold out presentations in the theater Xola in Mexico City. In the same year he also appeared in film with the production Novia que te vea.

Next year, he returned to Televisa with Imperio de cristal with María Rubio and the real-life couple Rebecca Jones and Alejandro Camacho. In 1995, he appeared in Cuatro Equis a play for which he wrote the original idea. The play made 800 presentations and gave him another Best actor award by the ACPT and El Heraldo de México. In 1996 he participated in La antorcha encendida with Televisa.

In 1997, he started his production company Telch Producciones, and its members are: Ari Telch, actor/director, Verónica Telch, executive producer, Nathan Grinberg, theatre director, José Manuel Bernal, public relations, Juan Christian Ortega, television producer, Norberto Garcia, technical manager, Luis Eduardo Reyes, consulting services, and Mauricio Pichardo, writer. Telch Producciones has, since then, produced several plays in Mexico. Telenovela producer Epigmenio Ibarra then invited him to star in TV Azteca's Mirada de Mujer (1997) with Angélica Aragón. A telenovela that would become a success in Mexico, Spain, Brazil, El Salvador, Venezuela, Puerto Rico and the United States. Because of this production, Telch and Aragón were featured on Time magazine and were awarded a recognition by the government of Puerto Rico.

In 1999, he hosted the show Chiquitos pero picosos on TV Azteca featuring, among other guests, Vicente Fox the President of Mexico. With his production company and in collaboration with Argos Comunicación he presented the sit-com Amor a las carreras. In 2001, he also presented the stand-up comedy El hermano incómodo co-starring with Leny Zundel. In 2003, his production company presented Contratiempo on stage in which he co-starred with Roxana Castellanos. He obtained for this play another Best actor award by the ACPT and Castellanos a Best new actress, and for Mauricio Pichardo Best script. Luis E. Reyes also received a nomination for Best director. The same year he returned to television with the sequel to Mirada de Mujer while touring the country with Contratiempo with more than 500 presentations. In 2005, he was part of the cast of the telenovela La otra mitad del sol and was touring with contratiempo.

Telch has a daughter with his former wife, actress Ninel Conde, whose name is Sofía (Ari and this daughter share their birthday date). In 2001, he married Brazilian model Marcia Da Cruz with whom he also has a daughter (Paulina).

He was studying to be a Dentist along with his 2 best friends David Ornelas (father of Carolina & Saul Ornelas) & Carlos Oynik, but he left it to be an actor.

Before marrying Ninel Conde, he dated Kate del Castillo.

As of 2010, Ari Telch is part of the cast of the telenovela Pasión Morena and he returned to the theater to play El contrabajo of Patrick Süskind directed by his brother Nathan Grinberg. Telch celebrates his 25th anniversary as an actor.

Telch suffers from bipolar disorder.

Stage

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Films

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TV shows

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Telenovelas

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References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Ari Telch

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Ari Telch Benforado (born May 7, 1962) is a Mexican actor and best known for his prolific career in telenovelas, theater, and occasional film roles. Born in to a Jewish family, he debuted on stage as a young actor in a production of El violinista en el tejado () alongside , marking the start of a distinguished theatrical journey that emphasized his versatility in dramatic and comedic performances. Telch transitioned to television in the late , gaining prominence through leading roles in landmark telenovelas produced by , including Dos vidas (1988), (1991) as Joaquín Barbosa, María Mercedes (1992), and (1994) as Julio Lombardo, the latter earning him a nomination for Best at the TVyNovelas Awards. His career highlights also encompass critically acclaimed series like (1997–1998 and 2003 revival) opposite Angélica Aragón and Fernando Luján, Pasión morena (2009), A corazón abierto (2012), (2018) as Armando Quintero, Hoy voy a cambiar (2017), and (2016–2017) as Ignacio Manjarrez, for which he received a TVyNovelas nomination in the Best Supporting Actor category. In , he appeared in titles like (2023) as Doctor Orozco. Throughout his theater career, Telch has starred in notable productions such as (1983) produced by Sabina Berman, Barnum (1986), Interés social (1988)—a play that won the National Theater Award—and Loco amor (1989) based on Sam Shepard's Fool for Love. His stage accolades include the Premio Eres for in 1991, the Estrella de Plata for for La tarea in 1992, and the Critics' Award (ACPT) for in El contrabajo in 1993, underscoring his enduring impact on Mexican . He has also become an advocate for awareness, particularly .

Early life and education

Family background and childhood

Ari Telch Benforado was born on May 7, 1962, in to a Jewish family. His birth took place at the Hospital , a facility serving the Jewish community in Mexico. Telch was raised in the affluent Colonia Polanco neighborhood, a hub for 's Jewish population, where his family's Jewish heritage played a central role in shaping his early environment. This cultural backdrop included traditions and community ties that fostered a sense of identity rooted in Jewish values and history. During his childhood, Telch grew up immersed in a atmosphere characterized by sharp humor and meticulous social observation, traits common in Jewish cultural circles of the time. These influences contributed to his formative years, exposing him to expressive storytelling and communal gatherings that subtly hinted at his later affinity for performance.

Academic background and career shift

Telch enrolled in university studies in , a path influenced by family members in the profession including his grandfather and uncle, with whom he trained during vacations, and ultimately graduated with a degree in odontología. His interest in acting emerged during his youth through informal experiences, including a high school production of El violinista en el tejado at Colegio Hebreo Tarbut at age 15, performed in Hebrew, which revealed his vocational calling. At around 16, his brother introduced him to theater director Abraham Oceransky, further inspiring his pursuit of the arts. Born into a supportive Jewish family, Telch drew encouragement from this background during his early explorations. Upon completing his dentistry degree, Telch chose to forgo a career in the field, opting instead to dedicate himself fully to , which he described as his true passion, while funding his studies through initial acting work. He transitioned without a formal acting degree, instead honing his skills through workshops with mentors like Oceransky and Julio Castillo.

Career beginnings

Theater debut

Ari Telch made his professional theater debut in 1983 in the play , written and produced by Sabina Berman and directed by Abraham Oceransky. In this production, Telch took on a supporting role while also serving as an assistant, marking his entry into the professional stage amid his concurrent studies in . The play, exploring themes of identity and from a Jewish perspective, provided Telch with an early opportunity to perform alongside established actors, though specific reviews of his performance in this debut are limited in available records. Building on this initial experience, Telch appeared in 1985 in a revival of (Fiddler on the Roof), directed by , where he portrayed the character Perchik, a young Jewish revolutionary. This role, part of a prestigious production that drew significant audiences, helped solidify his presence in Mexican theater and brought him steady income through audience applause and repeat performances. The opportunity came through Fábregas's company, highlighting Telch's growing connections in the industry despite his lack of formal acting training. Telch's early theater work was shaped by personal challenges, including family resistance to his career shift from —a field his mother encouraged due to its stability and potential for contributions like curing cancer. Without a structured education, Telch relied on raw talent and on-the-job learning, which influenced his intuitive approach but also presented hurdles in competing with formally trained performers. These introductory productions received positive initial reception for their ensemble energy, though Telch's contributions were noted more for promise than immediate stardom.

Entry into television

Telch transitioned to television following his early theater training, which honed his skills and prepared him for on-screen performances. His professional debut in the medium occurred in 1988 with the Televisa Dos vidas, where he played the role of Vado. This marked his first major contract with the network, establishing him as a promising talent in Mexican soap operas. Telch's portrayal of Vado earned him critical acclaim, leading to two prestigious awards for emerging actors. He won the Best Male Revelation award at the TVyNovelas Awards, recognizing his breakout performance. Additionally, he received the Best Revelation Actor accolade from Eres magazine in 1989 for the same role. These honors significantly elevated Telch's profile, introducing him to a wider audience and solidifying his presence in the industry. The success of Dos vidas served as a pivotal launchpad, highlighting his versatility and appeal in the competitive world of telenovelas.

Stage career

Early stage roles

Following his theater debut, Ari Telch took on several roles that showcased his versatility in musicals and comedies during the 1980s. In 1983, he starred in , a production by Sabina Berman. In 1988, he appeared in Interés social, a play that won the National Theater Award. The following year, he performed in Loco amor (1989), an adaptation of Sam Shepard's Fool for Love. In 1986, he appeared in the Mexican production of the musical Barnum at Teatro San Rafael, portraying one of multiple characters in the story of circus entrepreneur and his wife Charity, alongside actors such as , , Lupita Sandoval, and ; the show, produced by the Fábregas family, highlighted Telch's physical agility through and riding a two-meter-high . Telch's early comedic work continued with the 1990 light comedy Vamos a Contar Mentiras by Alfonso Paso, directed by José Solé, where he played a not-very-intelligent thief attempting a robbery in a household; he co-starred with Sylvia Pinal and Guillermo Orea Jr., contributing to the play's humorous take on deception and mishaps. By 1992, Telch embraced more daring dramatic roles, beginning with the lead in the theatrical adaptation of La Tarea, directed by Jaime Humberto Hermosillo at Teatro El Galeón, opposite María Rojo as a in a rewritten scenario involving a deceptive sexual encounter that culminates in explicit intimacy; the 40-minute production featured Telch's full frontal nudity, sparking controversy and protests while reaching 100 performances. That same year, he launched initial performances of the monologue El Contrabajo by , adapted and directed by Nathán Grinberg, portraying a solitary grappling with the instrument's burdensome presence amid themes of , , , and ; Telch's solo delivery emphasized rhythmic pauses and emotional depth, engaging audiences directly by selecting an interlocutor from the crowd. These formative roles, building on his debut experiences, refined Telch's stage presence by blending physicality, humor, and vulnerability.

Major productions and long runs

One of Ari Telch's most enduring stage achievements is his portrayal of the protagonist in El Contrabajo, a adapted from Patrick Süskind's play, which he first performed in 1992 under the direction of Nathan Grinberg. The production became a hallmark of his career, running for 17 years until Telch's final performance in 2011, during which it garnered critical acclaim for its intimate exploration of isolation and obsession through the lens of a double bass player's inner world. In 1995, Telch co-created and starred in Cuatro Equis, a comedic exploration of relationships and human folly, written by Mauricio Pichardo and directed by Grinberg, alongside actors including , , and Amara Villafuerte. The play's sharp dialogue and ensemble dynamics contributed to its status as one of Telch's major theatrical successes, sustaining multiple seasons at venues like the Foro Shakespeare and resonating with audiences for its blend of humor and social commentary. Telch's recent one-man show D'Mente, which premiered in 2018, represents a shift toward socially conscious theater, using to address issues, stigma, and psychiatric conditions through multiple character portrayals and scientific insights. Co-written with Alfonso Cárcamo and directed by Telch himself, the production has toured extensively across , with ongoing performances in 2024 and 2025 at theaters such as the Teatro de la Ciudad Esperanza Iris and Teatro Principal de , emphasizing empathy and awareness in an engaging, humorous format.

Television career

Telenovelas

Ari Telch's entry into television began in the late 1980s with his debut role as Vado in the Dos vidas (1988), which laid the foundation for his prominent career in the genre, where he portrayed a range of complex characters in productions. His breakthrough role came in the 1991 , produced by , in which he played Joaquín Barbosa, a supportive figure in the story of three young women navigating life's challenges at a prestigious . This performance marked Telch's establishment as a leading actor in the genre, earning him recognition for his emotional depth. Telch followed with a supporting role as Carlos Urbina in María Mercedes (1992), another production. In 1994, Telch starred as Julio Lombardo in , another production that explored family rivalries and corporate intrigue within a wealthy dynasty. His portrayal of the ambitious and conflicted Lombardo highlighted his ability to convey internal turmoil amid dramatic power struggles. Telch returned to the spotlight in 1997 with Mirada de mujer (1997–1998), a TV Azteca telenovela that delved into themes of infidelity and self-discovery, where he embodied Alejandro Salas, the younger lover challenging societal norms. He reprised the role in the revival series Mirada de mujer: El regreso (2003–2004). The series' innovative narrative and Telch's nuanced performance contributed to its critical acclaim and cultural impact. In 2009, Telch portrayed Flavio Sirenio (Llamita) in the Pasión morena. He made a as Tejeda in A corazón abierto (2011–2012), a of a Colombian series. After a period focused on other projects, Telch took on the role of Salomón Aguilera in the 2013-2014 Prohibido amar, depicting a man entangled in a forbidden romance and familial tensions. His character added layers of moral ambiguity to the plot, emphasizing themes of passion and consequence over 90 episodes. In 2018, Telch appeared as Armando Quintero in , a co-production that followed a woman's quest for against corrupt elites, with his as a key spanning 82 episodes. This performance showcased his versatility in portraying authoritative yet vulnerable figures.

Series and other appearances

In addition to his telenovela , Telch's success in serialized television opened opportunities for appearances in episodic formats and limited series. One of his early guest spots came in the comedy series Al Derecho y al Derbez (1993–1995), where he portrayed José Gustavo Armando in a single 1994 episode. Telch later took on a supporting role in the political drama (2016–2017), playing Ignacio Manjarrez, a key figure in the story of ambition and intrigue surrounding a presidential campaign. In 2017, he appeared in the biographical miniseries Hoy voy a cambiar, embodying César Gómez, the third husband of singer , in a narrative exploring her struggles with and personal turmoil.

Film career

Debut and notable roles

Ari Telch entered the film industry with a supporting role as Rogelio in Encuentro inesperado (1993), directed by Jaime Humberto Hermosillo, a drama centered on a famous singer's return home and the ensuing family tensions. In the film, his character navigates the complex dynamics within the household, adding depth to the narrative of unexpected confrontations and revelations. The following year, Telch appeared in Novia que te vea (1994), portraying Jacobo in Guita Schyfter's acclaimed comedy-drama about two young Jewish women navigating adolescence and in 1960s . His performance as Jacobo, a figure tied to the protagonists' social circle, highlighted themes of tradition and personal growth within the Sephardic and Ashkenazi communities. Telch's next film role came in 1999 with the short comedy El método, directed by Alfonso Suárez, where he played the eccentric Rabbit-Man in a story following an auditioning for an absurd project. This minor but memorable part underscored his versatility in comedic scenarios amid limited cinematic opportunities, largely due to his established reputation in theater and television. In 2002, Telch starred as Carlos in Demasiado amor, directed by Ernesto Rimoch, a about two sisters pursuing their dreams of running a abroad, blending romance and personal ambition.

Recent film work

Telch's film appearances since 2015 have been limited, reflecting a career primarily focused on theater and television during this period. His most notable recent contribution to cinema is the supporting role of Dr. Orozco in the 2023 Mexican comedy-fantasy Infelices para siempre, directed by Noé Santillán-López. In the movie, which follows a couple trapped in a during their anniversary vacation, Telch's character provides as a quirky doctor aiding the protagonists' predicament. The , produced by and released theatrically in on January 26, 2023, received mixed reviews for its lighthearted premise but was praised for its ensemble cast, including leads and . This role marks a return to the big screen for Telch after an over two-decade hiatus from feature films since Demasiado amor (2002), underscoring his versatility in blending dramatic and humorous elements honed through his extensive stage and experience. Despite the scarcity of film projects in the intervening years, Infelices para siempre highlights Telch's enduring appeal in supporting capacities within contemporary Mexican cinema, contributing to the film's success in domestic markets.

Personal life

Marriages and children

Ari Telch's first marriage was to Mexican actress and singer , whom he wed on December 15, 1996, in a after meeting on the set of the La antorcha encendida. The couple, who had begun dating earlier that year, divorced in 1998 after two years together. They share one daughter, Sofía Telch Conde, born on May 7, 1997. In 2001, Telch married Brazilian model Marcia da Cruz, with whom he had met the previous year; the couple tied the knot in April and welcomed their daughter, Telch Vieira, in December of that year. Their marriage lasted several years before ending in separation. Prior to his marriages, Telch had a brief romantic relationship with actress in 1992, sparked during their collaboration on the telenovela . As public figures, Telch's relationships often drew media attention and scrutiny from fans and tabloids.

Health and advocacy

Ari Telch was diagnosed with type II in 2002, a congenital condition characterized by mood swings ranging from to severe depression. He manages the disorder through ongoing psychiatric care, medication adjustments, and close monitoring for signs of relapse, which has helped him maintain stability despite periods of intense emotional lows. Telch has openly discussed his experiences with in interviews and public forums, highlighting how the condition contributed to challenges like depression and in the early 2000s, which at times led to perceptions of unreliability in his professional life. These disclosures have allowed him to address the stigma surrounding , emphasizing that the disorder influenced his career by necessitating periods of recovery and , ultimately fostering greater resilience in his acting pursuits. In 2018, Telch created and starred in the one-man show D'Mente, a comedic that educates audiences on issues, including , by blending humor with scientific and humanistic insights to dismantle myths and prejudices. The production, which he co-wrote and directs, draws from his personal journey to promote awareness and encourage open conversations about psychiatric conditions. D'Mente has toured extensively across and beyond from 2018 to 2025, with performances in cities like , , , and , reaching diverse audiences and contributing to broader advocacy efforts.

Awards and recognition

Theater awards

Ari Telch has received several accolades for his performances, particularly from theater critics' associations, recognizing his versatility in monologues and ensemble works. His breakthrough in theater came with critically praised roles that highlighted his ability to convey complex emotional depths, earning him honors from organizations like the Agrupación de Críticos y Periodistas de Teatro (ACPT). In 1993, Telch was awarded the ACPT prize for for his solo performance in El contrabajo, a by that he performed over 2,500 times across , the , and , showcasing his endurance and interpretive skill in portraying an orchestra musician's isolation. The following year, in 1994, he received the Asociación Mexicana de Críticos de Teatro (AMCT) award for in the same production during its presentation at the Festival Internacional de las Artes in , where the play's international run further solidified his reputation as a leading stage actor. Telch's subsequent works also garnered ACPT recognition. For Cuatro equis in 1995, an original ensemble piece he co-created exploring interpersonal dynamics, he won another ACPT award, complemented by the Heraldo de México honor for the same role, noting the production's 800 performances. In 2003, he earned yet another ACPT prize for Contratiempo, a play by Mauricio Pichardo that delved into time and relationships, where his performance was lauded alongside the work's overall critical success. Earlier, in 1992, his role in the theatrical adaptation of La tarea brought him the Estrella de Plata for , marking an early highlight in his stage career. These awards underscore Telch's consistent impact on Mexican theater, with long-running productions like El contrabajo contributing to his acclaim through sustained audience engagement and critical validation.

Television and film honors

Ari Telch received his first major recognition in television with the TVyNovelas Award for Best New Actor in 1989 for his role as Osvaldo "Vado" Palas in the telenovela Dos vidas. In 1992, Telch won the Premio Eres for Best Supporting Actor in a for portraying Federico Cantú in . In 1995, Telch earned a nomination for at the TVyNovelas Awards for his performance as Julio Lombardo in . Telch earned a nomination for at the 16th TVyNovelas Awards in 1998 for his performance as Alejandro Salas in . Later in his career, he was nominated for at the 35th TVyNovelas Awards in 2017 for playing Ignacio Manjarrez in . In 2018, Telch received a nomination for in a Series at the 36th TVyNovelas Awards for his role as César Gómez in Hoy voy a cambiar. Telch has received few honors specifically for his film work, with no major nominations or wins at awards like the Ariel Awards noted in his career to date.

References

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