Welcome to the community hub built on top of the Arthur Stringer (writer) Wikipedia article.
Here, you can discuss, collect, and organize anything related to Arthur Stringer (writer). The
purpose of the hub is to connect people, foster deeper knowledge, and help improve
the root Wikipedia article.
Stringer's first book of poetry, Watchers of Twilight and Other Poems, was published in 1894.
In 1895 he worked for the Montreal Herald. At this time he was also publishing in Saturday Night and the Canadian Magazine. In 1898 he got a job with the American Press Association, moved to New York City, and began publishing in The Atlantic and Harper's.[1] His first poem in Harper's, "Remorse", appeared in February 1899.[3] His first novel, The Silver Poppy, came out in 1903.[1] In the same year he bought a farm on the shore of Lake Erie and married actress Jobyna Howland, known as the original Gibson Girl.[citation needed]
They divorced in 1914, and Stringer married his cousin, Margaret Arbuthnott.[1]
Stringer wrote crime fiction and wilderness adventures, mainly using conventional formulae.[citation needed] He wrote as well in many other genres, from social realism (his "Prairie" trilogy, 1915–1921) to psychological fiction (The Wine of Life (1921).[5] He wrote early science fiction novels, The Story Without a Name (1924) with Russell Holman, and The Woman Who Couldn't Die (1929).[6]
Much of his writing was for films. Film scripts on which he worked include The Perils Of Pauline (1914), The Hand Of Peril (1916), The House Of Intrigue (1919), Unseeing Eyes (1923), Empty Hands (1924), The Canadian (1926), The Purchase Price (1932), The Lady Fights Back (1937), Buck Benny Rides Again (1940) and The Iron Claw (1941).
Stringer remained a resident of New Jersey until his death in 1950, aged 76.[1]
Stringer's crime and adventure stories were later criticized as stereotypical and containing inaccurate representation of Canadian settings.[7] However, his prairie trilogy – Prairie Wife (1915), Prairie Mother (1920), and Prairie Child (1921) – has been called "an enduring contribution to Canadian literature."[5] The trilogy uses a diary form to tell the tale of its narrator, a New England socialite who marries a Scots-Canadian farmer.[citation needed]
The Oxford Companion to Canadian Literature described Stringer's poetry as "undistinguished verse."[5] However, author John Garvin said of his poetry "there is maintained a standard of beauty, depth of feeling, and technical power, which in Canada have had all too little recognition."[8] Garvin also similarly praised Stringer's blank verse drama Sappho in Leucadia.[8]
Stringer's chief claim to poetic fame today rests on his 1914 book, Open Water, the first book by a Canadian poet to use free verse; in its preface he proclaimed that the modernist movement of which he was part was a "natural evolution".[2]Louis Dudek and Michael Gnarowski, who reprinted the Open Water preface in their anthology The Making of Modern Poetry In Canada, remarked on it:
This book must be seen as a turning point in Canadian writing if only for the importance of the ideas advanced by Stringer in his preface. In a carefully presented, extremely well-informed account of traditional verse-making, Stringer pleaded the cause of free verse and created what must now be recognized as an early document of the struggle to free Canadian poetry from the trammels of end-rhyme, and to liberalize its methods and its substance.[9]
^D. Fetherling, "Stringer, Arthur John Arbuthnott", Canadian Encyclopedia (Edmonton: Hurtig, 1988)
^ abJohn W. Garvin, "Arthur Stringer," Canadian Poets (Toronto: McClelland, Goodchild & Stewart, 1916), p. 313, UPenn.edu, May 8, 2011.
^Ken Norris, "The Beginnings of Canadian Modernism," Canadian Poetry: Studies/Documents/Reviews, No. 11 (Fall/Winter, 1982), Canadian Poetry, UWO.ca, March 25, 2011
^Geoffrey Dayton-Smith, American Fiction, 1901-1925. (Cambridge, UK: Cambridge U P, 1997, 646-647, Google Books, Web, May 8, 2011.