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Benjamin Lee Whorf
Benjamin Atwood Lee Whorf (/hwɔːrf/; April 24, 1897 – July 26, 1941) was an American linguist and fire prevention engineer best known for proposing the Sapir–Whorf hypothesis. He believed that the structures of different languages shape how their speakers perceive and conceptualize the world. Whorf saw this idea, named after him and his mentor Edward Sapir, as having implications similar to those of Einstein's principle of physical relativity. However, the concept originated from 19th-century philosophy and thinkers like Wilhelm von Humboldt and Wilhelm Wundt.
Whorf initially pursued chemical engineering but developed an interest in linguistics, particularly Biblical Hebrew and indigenous Mesoamerican languages. His groundbreaking work on the Nahuatl language earned him recognition, and he received a grant to study it further in Mexico. He presented influential papers on Nahuatl upon his return. Whorf later studied linguistics with Edward Sapir at Yale University while working as a fire prevention engineer.
During his time at Yale, Whorf worked on describing the Hopi language and made notable claims about its perception of time. He also conducted research on the Uto-Aztecan languages, publishing influential papers. In 1938, he substituted for Sapir, teaching a seminar on American Indian linguistics. Whorf's contributions extended beyond linguistic relativity; he wrote a grammar sketch of Hopi, studied Nahuatl dialects, proposed a deciphering of Maya hieroglyphic writing, and contributed to Uto-Aztecan reconstruction.
After Whorf's premature death from cancer in 1941, his colleagues curated his manuscripts and promoted his ideas regarding language, culture, and cognition. However, in the 1960s, his views fell out of favor due to criticisms claiming his ideas were untestable and poorly formulated. In recent decades, interest in Whorf's work has resurged, with scholars reevaluating his ideas and engaging in a more in-depth understanding of his theories. The field of linguistic relativity remains an active area of research in psycholinguistics and linguistic anthropology, generating ongoing debates between relativism and universalism, as well as in the study of raciolinguistics. Whorf's contributions to linguistics, such as the allophone and the cryptotype, have been widely accepted.
The son of Harry Church Whorf and Sarah Edna Lee Whorf, Benjamin Atwood Lee Whorf was born on April 24, 1897, in Winthrop, Massachusetts. His father was an artist, intellectual, and designer – first working as a commercial artist and later as a dramatist. Whorf had two younger brothers, John and Richard, who both went on to become notable artists. John became an internationally renowned painter and illustrator; Richard was an actor in films such as Yankee Doodle Dandy and later an Emmy-nominated television director of such shows as The Beverly Hillbillies. Whorf was the intellectual of the three and started conducting chemical experiments with his father's photographic equipment at a young age. He was also an avid reader, interested in botany, astrology, and Middle American prehistory. He read William H. Prescott's Conquest of Mexico several times. At the age of 17, he began keeping a copious diary in which he recorded his thoughts and dreams.
In 1918, Whorf graduated from the Massachusetts Institute of Technology, where his academic performance was of average quality[citation needed], with a degree in chemical engineering. In 1920, he married Celia Inez Peckham; they had three children, Raymond Ben, Robert Peckham and Celia Lee. Around the same time he began work as a fire prevention engineer (an inspector) for the Hartford Fire Insurance Company. He was particularly good at the job and was highly commended by his employers. His job required him to travel to production facilities throughout New England to be inspected. One anecdote describes him arriving at a chemical plant and being denied access by the director, who would not allow anyone to see the production procedure, which was a trade secret. Having been told what the plant produced, Whorf wrote a chemical formula on a piece of paper, saying to the director: "I think this is what you're doing". The surprised director asked Whorf how he knew about the secret procedure, and he simply answered: "You couldn't do it in any other way."
Whorf helped to attract new customers to the Fire Insurance Company; they favored his thorough inspections and recommendations. Another famous anecdote from his job was used by Whorf to argue that language use affects habitual behavior. Whorf described a workplace in which full gasoline drums were stored in one room and empty ones in another; he said that because of flammable vapor the "empty" drums were more dangerous than those that were full, although workers handled them less carefully to the point that they smoked in the room with "empty" drums, but not in the room with full ones. Whorf argued that by habitually speaking of the vapor-filled drums as empty and by extension as inert, the workers were oblivious to the risk posed by smoking near the "empty drums".
Whorf was a spiritual man throughout his lifetime, although what religion he followed has been the subject of debate. As a young man, he produced a manuscript titled "Why I have discarded evolution", causing some scholars to describe him as a devout Methodist, who was impressed with fundamentalism, and perhaps supportive of creationism. However, throughout his life Whorf's main religious interest was Theosophy, a nonsectarian organization based on Buddhist and Hindu teachings that promotes the view of the world as an interconnected whole and the unity and brotherhood of humankind "without distinction of race, creed, sex, caste or color". Some scholars have argued that the conflict between spiritual and scientific inclinations has been a driving force in Whorf's intellectual development, particularly in the attraction by ideas of linguistic relativity. Whorf said that "of all groups of people with whom I have come in contact, Theosophical people seem the most capable of becoming excited about ideas—new ideas."
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Benjamin Lee Whorf
Benjamin Atwood Lee Whorf (/hwɔːrf/; April 24, 1897 – July 26, 1941) was an American linguist and fire prevention engineer best known for proposing the Sapir–Whorf hypothesis. He believed that the structures of different languages shape how their speakers perceive and conceptualize the world. Whorf saw this idea, named after him and his mentor Edward Sapir, as having implications similar to those of Einstein's principle of physical relativity. However, the concept originated from 19th-century philosophy and thinkers like Wilhelm von Humboldt and Wilhelm Wundt.
Whorf initially pursued chemical engineering but developed an interest in linguistics, particularly Biblical Hebrew and indigenous Mesoamerican languages. His groundbreaking work on the Nahuatl language earned him recognition, and he received a grant to study it further in Mexico. He presented influential papers on Nahuatl upon his return. Whorf later studied linguistics with Edward Sapir at Yale University while working as a fire prevention engineer.
During his time at Yale, Whorf worked on describing the Hopi language and made notable claims about its perception of time. He also conducted research on the Uto-Aztecan languages, publishing influential papers. In 1938, he substituted for Sapir, teaching a seminar on American Indian linguistics. Whorf's contributions extended beyond linguistic relativity; he wrote a grammar sketch of Hopi, studied Nahuatl dialects, proposed a deciphering of Maya hieroglyphic writing, and contributed to Uto-Aztecan reconstruction.
After Whorf's premature death from cancer in 1941, his colleagues curated his manuscripts and promoted his ideas regarding language, culture, and cognition. However, in the 1960s, his views fell out of favor due to criticisms claiming his ideas were untestable and poorly formulated. In recent decades, interest in Whorf's work has resurged, with scholars reevaluating his ideas and engaging in a more in-depth understanding of his theories. The field of linguistic relativity remains an active area of research in psycholinguistics and linguistic anthropology, generating ongoing debates between relativism and universalism, as well as in the study of raciolinguistics. Whorf's contributions to linguistics, such as the allophone and the cryptotype, have been widely accepted.
The son of Harry Church Whorf and Sarah Edna Lee Whorf, Benjamin Atwood Lee Whorf was born on April 24, 1897, in Winthrop, Massachusetts. His father was an artist, intellectual, and designer – first working as a commercial artist and later as a dramatist. Whorf had two younger brothers, John and Richard, who both went on to become notable artists. John became an internationally renowned painter and illustrator; Richard was an actor in films such as Yankee Doodle Dandy and later an Emmy-nominated television director of such shows as The Beverly Hillbillies. Whorf was the intellectual of the three and started conducting chemical experiments with his father's photographic equipment at a young age. He was also an avid reader, interested in botany, astrology, and Middle American prehistory. He read William H. Prescott's Conquest of Mexico several times. At the age of 17, he began keeping a copious diary in which he recorded his thoughts and dreams.
In 1918, Whorf graduated from the Massachusetts Institute of Technology, where his academic performance was of average quality[citation needed], with a degree in chemical engineering. In 1920, he married Celia Inez Peckham; they had three children, Raymond Ben, Robert Peckham and Celia Lee. Around the same time he began work as a fire prevention engineer (an inspector) for the Hartford Fire Insurance Company. He was particularly good at the job and was highly commended by his employers. His job required him to travel to production facilities throughout New England to be inspected. One anecdote describes him arriving at a chemical plant and being denied access by the director, who would not allow anyone to see the production procedure, which was a trade secret. Having been told what the plant produced, Whorf wrote a chemical formula on a piece of paper, saying to the director: "I think this is what you're doing". The surprised director asked Whorf how he knew about the secret procedure, and he simply answered: "You couldn't do it in any other way."
Whorf helped to attract new customers to the Fire Insurance Company; they favored his thorough inspections and recommendations. Another famous anecdote from his job was used by Whorf to argue that language use affects habitual behavior. Whorf described a workplace in which full gasoline drums were stored in one room and empty ones in another; he said that because of flammable vapor the "empty" drums were more dangerous than those that were full, although workers handled them less carefully to the point that they smoked in the room with "empty" drums, but not in the room with full ones. Whorf argued that by habitually speaking of the vapor-filled drums as empty and by extension as inert, the workers were oblivious to the risk posed by smoking near the "empty drums".
Whorf was a spiritual man throughout his lifetime, although what religion he followed has been the subject of debate. As a young man, he produced a manuscript titled "Why I have discarded evolution", causing some scholars to describe him as a devout Methodist, who was impressed with fundamentalism, and perhaps supportive of creationism. However, throughout his life Whorf's main religious interest was Theosophy, a nonsectarian organization based on Buddhist and Hindu teachings that promotes the view of the world as an interconnected whole and the unity and brotherhood of humankind "without distinction of race, creed, sex, caste or color". Some scholars have argued that the conflict between spiritual and scientific inclinations has been a driving force in Whorf's intellectual development, particularly in the attraction by ideas of linguistic relativity. Whorf said that "of all groups of people with whom I have come in contact, Theosophical people seem the most capable of becoming excited about ideas—new ideas."