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Betty Compson
Betty Compson (born Eleanor Luicime Compson; March 19, 1897 – April 18, 1974) was an American actress and film producer who got her start during Hollywood's silent era. She is best known for her performances in The Docks of New York and The Barker, the latter of which earned her an Academy Award nomination for Best Actress.
Compson was born on March 19, 1897, the daughter of Virgil and Mary (née Rauscher) Compson, in Beaver, Utah, at a mining camp. Her father was a mining engineer, a gold prospector, and a grocery store proprietor, and her mother was a maid in homes and in a hotel.
Compson graduated from Salt Lake High School. Her father died when she was young and she obtained employment as a violinist at 16 at a theater in Salt Lake City.
Playing in vaudeville sketches with touring circuits, Compson was noticed by Hollywood producers. While touring, she was discovered by comedic producer Al Christie and signed a contract with him. Her first silent film, Wanted, a Leading Lady, was in November 1915.
She made 25 films in 1916 alone, although all of them were shorts for Christie with the exception of one feature, Almost a Widow. She continued this pace of making numerous short films well into the middle of 1918 when after a long apprenticeship with Christie, she started making features exclusively. Compson's star began to rise with the release of the 1919 feature The Miracle Man (1919) for George Loane Tucker. Paramount signed Compson to a five-year contract with the help of Tucker.
Her popularity allowed her to establish her own production company, which provided her creative control over screenplays and financing. Her first movie as producer was Prisoners of Love (1921). She played the role of Blanche Davis, a girl born to wealth and cursed by her inheritance of physical beauty. Compson selected Art Rosson to direct the feature. The story was chosen from a work by actress and writer Catherine Henry.
After completing The Woman With Four Faces (1923), Paramount refused to offer her a raise (her salary was $2,500 per week), and she refused to sign without one. Instead, she signed with a motion picture company in London. There she starred in a series of four films directed by Graham Cutts, a well-known English filmmaker.
The first of these was a movie version of an English play called Woman to Woman (1923), the screenplay for which was co-written by Cutts and Alfred Hitchcock. Part of The White Shadow (in which she played a dual role), another Cutts/Hitchcock collaboration. Woman to Woman proved to be popular enough for Jesse Lasky to offer top dollar to return to Paramount.
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Betty Compson
Betty Compson (born Eleanor Luicime Compson; March 19, 1897 – April 18, 1974) was an American actress and film producer who got her start during Hollywood's silent era. She is best known for her performances in The Docks of New York and The Barker, the latter of which earned her an Academy Award nomination for Best Actress.
Compson was born on March 19, 1897, the daughter of Virgil and Mary (née Rauscher) Compson, in Beaver, Utah, at a mining camp. Her father was a mining engineer, a gold prospector, and a grocery store proprietor, and her mother was a maid in homes and in a hotel.
Compson graduated from Salt Lake High School. Her father died when she was young and she obtained employment as a violinist at 16 at a theater in Salt Lake City.
Playing in vaudeville sketches with touring circuits, Compson was noticed by Hollywood producers. While touring, she was discovered by comedic producer Al Christie and signed a contract with him. Her first silent film, Wanted, a Leading Lady, was in November 1915.
She made 25 films in 1916 alone, although all of them were shorts for Christie with the exception of one feature, Almost a Widow. She continued this pace of making numerous short films well into the middle of 1918 when after a long apprenticeship with Christie, she started making features exclusively. Compson's star began to rise with the release of the 1919 feature The Miracle Man (1919) for George Loane Tucker. Paramount signed Compson to a five-year contract with the help of Tucker.
Her popularity allowed her to establish her own production company, which provided her creative control over screenplays and financing. Her first movie as producer was Prisoners of Love (1921). She played the role of Blanche Davis, a girl born to wealth and cursed by her inheritance of physical beauty. Compson selected Art Rosson to direct the feature. The story was chosen from a work by actress and writer Catherine Henry.
After completing The Woman With Four Faces (1923), Paramount refused to offer her a raise (her salary was $2,500 per week), and she refused to sign without one. Instead, she signed with a motion picture company in London. There she starred in a series of four films directed by Graham Cutts, a well-known English filmmaker.
The first of these was a movie version of an English play called Woman to Woman (1923), the screenplay for which was co-written by Cutts and Alfred Hitchcock. Part of The White Shadow (in which she played a dual role), another Cutts/Hitchcock collaboration. Woman to Woman proved to be popular enough for Jesse Lasky to offer top dollar to return to Paramount.