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Big Bad
Big Bad is a term to describe a major recurring adversary, usually the chief villain or antagonist in a television series or a particular broadcast season of a series, originally used by the series Buffy the Vampire Slayer. It has since been used to describe annual villains in other television series, and has also been used in scholarly work discussing Buffy the Vampire Slayer.
In gaming, this term is often abbreviated BBEG, which stands for "Big Bad Evil Guy/Gal," a tradition that began on message boards for the tabletop role-playing game Dungeons & Dragons.
The term "Big Bad" was originally used on American television program Buffy the Vampire Slayer (which aired 1997–2003). According to author Kevin Durand (2009), "While Buffy confronts various forms of evil during each episode, each season of Buffy the Vampire Slayer had its own 'big bad' villain who dominates throughout the season. The power of the 'big bad' always threatens to end the world, but Buffy ultimately overcomes him or her in the season finale." The series balanced its episodic stories with advancing that season's big bad story arc.
The term was originally used in the episode "Bewitched, Bothered and Bewildered", in which Buffy Summers describes the newly soulless Angel as "the big, bad thing in the dark". The prior episode, "Phases", has Xander Harris "being" the werewolf and saying, "I'm the big, bad wolf." The phrase may originate in various fairy tales (particularly "Three Little Pigs" and the related song) about the "Big Bad Wolf". The phrase "big bad" by itself as a noun was first used on screen in Season 3, in the episode "Gingerbread" where Buffy says that an occult symbol is harmless, "not a big bad". Slang generation was encouraged in the writers' room. Marti Noxon, writer and eventually showrunner, said that "Big Bad" was used "long before the characters themselves started using the phrase". Using "big bad" as a noun instead of using as an adjective is a functional shift, which was done often on the show.
The first "Big Bad" villain on the program was The Master, played by Mark Metcalf. According to author Jan Jagodzinski, the battle between Buffy and the evil Master is "the central issue of season one"; The Master, like all the "big bads", is a "symptom of postmodernity".
David Sims of The Atlantic wrote that Joss Whedon, creator of the series, made the model for the Golden Age of television:
Years before streaming TV existed, Whedon helped create the bingeable serial drama—one that endeavored to make every episode a special event, without taking the audience's eyes off the larger story being woven. In basic terms, he did this by making sure every season had a "big bad": a villain or antihero with larger machinations developing in the background of every episode, twinned to our hero Buffy and her resolute band of friends in some magical way. Every season would build to an action-packed climax with sacrifices made and lessons learned, but along the way, Buffy would face off against minions of the "big bad", problems of her own making, and various other monsters of the week amid whirlwinds of teen angst. It was a heady formula, but a surprisingly unusual one for 1997.
The use of Big Bads has become common in TV science fiction and fantasy series, especially with more binge-watching of serialized shows.
Hub AI
Big Bad AI simulator
(@Big Bad_simulator)
Big Bad
Big Bad is a term to describe a major recurring adversary, usually the chief villain or antagonist in a television series or a particular broadcast season of a series, originally used by the series Buffy the Vampire Slayer. It has since been used to describe annual villains in other television series, and has also been used in scholarly work discussing Buffy the Vampire Slayer.
In gaming, this term is often abbreviated BBEG, which stands for "Big Bad Evil Guy/Gal," a tradition that began on message boards for the tabletop role-playing game Dungeons & Dragons.
The term "Big Bad" was originally used on American television program Buffy the Vampire Slayer (which aired 1997–2003). According to author Kevin Durand (2009), "While Buffy confronts various forms of evil during each episode, each season of Buffy the Vampire Slayer had its own 'big bad' villain who dominates throughout the season. The power of the 'big bad' always threatens to end the world, but Buffy ultimately overcomes him or her in the season finale." The series balanced its episodic stories with advancing that season's big bad story arc.
The term was originally used in the episode "Bewitched, Bothered and Bewildered", in which Buffy Summers describes the newly soulless Angel as "the big, bad thing in the dark". The prior episode, "Phases", has Xander Harris "being" the werewolf and saying, "I'm the big, bad wolf." The phrase may originate in various fairy tales (particularly "Three Little Pigs" and the related song) about the "Big Bad Wolf". The phrase "big bad" by itself as a noun was first used on screen in Season 3, in the episode "Gingerbread" where Buffy says that an occult symbol is harmless, "not a big bad". Slang generation was encouraged in the writers' room. Marti Noxon, writer and eventually showrunner, said that "Big Bad" was used "long before the characters themselves started using the phrase". Using "big bad" as a noun instead of using as an adjective is a functional shift, which was done often on the show.
The first "Big Bad" villain on the program was The Master, played by Mark Metcalf. According to author Jan Jagodzinski, the battle between Buffy and the evil Master is "the central issue of season one"; The Master, like all the "big bads", is a "symptom of postmodernity".
David Sims of The Atlantic wrote that Joss Whedon, creator of the series, made the model for the Golden Age of television:
Years before streaming TV existed, Whedon helped create the bingeable serial drama—one that endeavored to make every episode a special event, without taking the audience's eyes off the larger story being woven. In basic terms, he did this by making sure every season had a "big bad": a villain or antihero with larger machinations developing in the background of every episode, twinned to our hero Buffy and her resolute band of friends in some magical way. Every season would build to an action-packed climax with sacrifices made and lessons learned, but along the way, Buffy would face off against minions of the "big bad", problems of her own making, and various other monsters of the week amid whirlwinds of teen angst. It was a heady formula, but a surprisingly unusual one for 1997.
The use of Big Bads has become common in TV science fiction and fantasy series, especially with more binge-watching of serialized shows.