Bill Mantlo

William Timothy Mantlo (born November 9, 1951) is an American comic book writer, primarily at Marvel Comics. He is best known for his work on two licensed toy properties whose adventures occurred in the Marvel Universe: Micronauts and Rom, as well as co-creating the characters Rocket Raccoon and Cloak and Dagger. An attorney who worked as a public defender, Mantlo was the victim of a hit-and-run accident in 1992 that left him with severe brain damage and has been in institutional care ever since.

Bill Mantlo was born in Brooklyn, New York City, the oldest of three sons of William W. and Nancy Mantlo. Growing up as a comics fan, Mantlo attended Manhattan's High School of Art & Design. In college at the Cooper Union School of Art, he focused on painting and photography. Following his graduation, Mantlo held various civil service positions and worked as a portrait photographer.^{[citation needed]}

A connection with a college friend in 1974 led Mantlo to a job as an assistant to Marvel Comics production manager John Verpoorten. Mantlo's first credits were as a colorist, on several comics cover-dated from October 1974 to April 1975. Soon afterward, Mantlo wrote a fill-in script for a Sons of the Tiger story in Deadly Hands of Kung Fu, which led to a permanent writing position on that title. While scripting Deadly Hands, Mantlo and artist George Pérez created White Tiger, comics' first superhero of Hispanic descent.

Around this time, Marvel's then editor-in-chief Marv Wolfman instituted a policy to avoid the many missed deadlines plaguing the company. The policy was to have fill-in stories at the ready, should a title be in danger of missing its deadline. Mantlo quickly became the "fill-in king", creating stories under very tight deadlines, many of which did find their way into print. Wolfman explained that Mantlo "was both good and fast and at that point didn't have a lot of regular assignments." By the mid to late 1970s he had written issues of nearly every Marvel title.

Later, he became a regular writer at Marvel, notably for the licensed properties Micronauts and Rom, also known as Rom: Spaceknight. Mantlo recalled how one Christmas, he examined some action figures from Mego Corporation's Micronauts line, given to his son Adam. He said he began to envision the characters "as small, microscopic even, inhabiting an other-verse apart from, but conjunctive with ours," and specified that,

Space Glider seemed to suggest a Reed Richards nobility, an aspect of command, of dignity. Acroyear, faceless, his armor gleaming, a fantastic sword clenched in his coldly metallic hand, seemed to hearken back to a warrior Mr. Spock. For some reason Galactic Warrior seemed insect-like – I can almost hear clicks and whistles and strange scraping interjected into his speech. But Time Traveler – there was a mystery there, glimmerings of cosmic vastness, intimations of knowledge and space and time all having been broken down and reassembled to produce something entirely new, unexplainable, different.

Mantlo convinced then-editor-in-chief Jim Shooter to obtain the comics license for these toys; Shooter then hired Mantlo to script their series. Mantlo and artist Michael Golden created the Micronauts' backstory of history, mythology, personalities, and an alphabet. Micronauts, along with Moon Knight and Ka-Zar the Savage, became one of Marvel's first ongoing series to be distributed exclusively to comic book stores beginning with issue #38 (Feb. 1982).

Mantlo's first run on The Spectacular Spider-Man featured frequent appearances by the White Tiger. He used the series to wrap up unresolved plot elements from The Champions series and wrote a multiple-issue storyline that included the first work by artist Frank Miller on the Daredevil character. Mantlo concluded his first run on the series with a crossover with the Fantastic Four #218 (May 1980). Mantlo, Mark Gruenwald, and Steven Grant co-wrote Marvel Treasury Edition #25 (1980) which featured a new story starring Spider-Man vs. the Hulk set at the 1980 Winter Olympics.