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Billboard

A billboard (also called a hoarding in the UK and many other parts of the world[vague]) is a large outdoor advertising structure (a billing board), typically found in high-traffic areas such as alongside busy roads. Billboards present large advertisements to passing pedestrians and drivers. Typically brands use billboards to build their brands or to push for their new products.

The largest ordinary-sized billboards are located primarily on major highways, expressways, or principal arterials, and command high-density consumer exposure (mostly to vehicular traffic). These afford the greatest visibility due not only to their size, but because they allow creative "customizing" through extensions and embellishments.

Posters are another common form of billboard advertising, located mostly along primary and secondary arterial roads. Posters are in a smaller format and are viewed primarily by residents and commuter traffic, with some pedestrian exposure.

Billboard advertisements are designed to catch a person's attention and create a memorable impression very quickly, leaving the reader thinking about the advertisement after they have driven past it. They have to be readable in a very short time because they are usually read while being passed at high speeds. Thus there are usually only a few words, in large print, and a humorous or arresting image in brilliant color.

Some billboard designs spill outside the actual space given to them by the billboard, with parts of figures hanging off the billboard edges or jutting out of the billboard in three dimensions. An example in the United States around the turn of the 21st century was the Chick-fil-A billboards (a chicken sandwich fast food chain), which had three-dimensional cow figures in the act of painting the billboards with misspelled anti-beef slogans such as "friends don't let friends eat beef."

The first "scented billboard", an outdoor sign emitting the odors of black pepper and charcoal to suggest a grilled steak, was erected on NC 150 near Mooresville, North Carolina by the Bloom grocery chain. The sign depicted a giant cube of beef being pierced by a large fork that extended to the ground. The scents were emitted between 7–10 A.M. and 4–7  P.M. from 28 May 2010 through 18 June 2010.

Almost all painted billboards were created in large studios. The image was projected on the series of paper panels that made up the billboard. Line drawings were done, then traced with a pounce wheel that created perforated lines. The patterns were then "pounced" onto the board with a chalk-filled pounce bag, marking the outlines of the figures or objects. Using oil paints, artists would use large brushes to paint the image. Once the panels were installed using hydraulic cranes, artists would go up on the installed billboard and touch up the edges between panels. These large, painted billboards were especially popular in Los Angeles where historic firms such as Foster & Kleiser and Pacific Outdoor Advertising dominated the industry. Eventually, these painted billboards gave way to graphic reproduction, but hand-painted billboards are still in use in some areas where only a single board or two is required. The "Sunset Strip" in Los Angeles is one area where hand-painted billboards can still be found, usually to advertise upcoming films or albums.

A technical invention called "trivision" allowed three different images to be rotated for presentation.

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large outdoor advertising sign

Digital vs. Static: The Evolution of Chattanooga's Billboards

You know how some things just change without you really noticing until one day you look up and go "huh, when did that happen?" That's kind of how it's been with billboards around here. I was driving home the other day down I-24 and caught myself watching this big digital screen change from a car dealership ad to a restaurant ad to something about a lawyer. And right next to it was one of those old-school printed billboards for Ruby Falls that's probably been there since my dad was driving this route. It got me thinking about how different those two are, and how both are still hanging around for good reasons. The way folks use Chattanooga billboards [https://www.reaganoutdoor.com/chattanooga-billboards/] has changed a lot, but the old ways aren't dead yet. They're just different. This is just my take on the whole thing, based on watching what works and what doesn't around town. No marketing degree here, just someone who drives these roads every day and notices stuff. THE TWO KINDS YOU SEE AROUND TOWN THE OLD SCHOOL PRINTED ONES You know the ones I'm talking about. Big vinyl sheets, usually a little faded if they've been up a while, with one message that never changes. They're everywhere. Brainerd Road's got a bunch. Lee Highway too. Out by the racetrack. My buddy actually worked hanging those things one summer in college. Said it was brutal. Truck shows up, you gotta climb up there with this huge rolled-up sign, and it's heavy and awkward and the wind's always trying to kill you. He quit after two months. But he said there was something satisfying about driving past something you hung yourself. These static boards [https://www.howardcompany.com/blog/static-vs-digital-menu-boards] have been doing their thing forever because they work. You drive past the same sign every morning for a year, that name gets stuck in your head whether you want it there or not. It's like hearing the same song on the radio until you know all the words even though you never meant to learn them. THE NEW DIGITAL SCREENS These are the ones that look like giant computer monitors along the highway. Bright as anything at night. Sometimes almost too bright if you're trying to see the road. What's wild about them is how they switch up. One minute it's a church advertising services, ten seconds later it's a furniture store having a sale. I sat at that light by Hamilton Place the other day and watched the same digital board cycle through eight different ads before the light turned green. A guy I know who does advertising says digital boards are taking over because they're just easier. No printing, no climbing up in the rain, no paying crews. You just email your picture and boom, it's up there. Makes sense when you think about it. WHAT'S GOOD ABOUT THE OLD ONES Look, I'm not gonna pretend static boards are fancy, but they've got some things going for them. For one, they're hard to miss. Like really hard. When something's 14 feet tall and 48 feet wide, you see it. Period. You can't scroll past it on your phone. You can't tell your ad blocker to make it go away. It's just there. Chattanooga billboards that are static also have this way of feeling permanent. Like that big sign for the aquarium that's been there forever. You see it and you think "oh yeah, the aquarium's still there, still a thing." It's reassuring in a weird way. And honestly? They're cheaper if you're just wanting to get your name out there and leave it. No monthly fees to some digital company. No worrying about rotating ads. Just put it up and forget about it for six months. My neighbor runs a landscaping business and he's had the same static board out by Ooltewah for three years. Says people still tell him they see it every day. That's three years of advertising for basically what digital would cost for six months. WHAT'S BETTER ABOUT THE NEW ONES Okay but digital has some tricks that static just can't touch. The biggest thing is changing your mind. Say you're running a breakfast special from 6 to 10 AM. With digital, you can run that ad in the morning and switch to lunch specials by 10:30. Try doing that with a printed vinyl sign. You'd need a whole new sign and a crew and probably a week's notice. I heard about this barbecue place that used digital boards during COVID when everything was chaos. They'd update their hours literally day by day. Open, closed, open again, takeout only. Customers always knew what was happening because the board changed when they did. Static couldn't do that. Another thing is sharing. Since digital boards rotate through multiple ads, smaller businesses can afford to be on them. You're not paying for the whole board, just a slice of the rotation. So maybe a food truck that couldn't afford a full billboard can now get their face out there for a couple hundred bucks. Chattanooga billboards that are digital also just catch your eye different. Something about the changing light and movement makes you look. I find myself watching them more than the static ones, not gonna lie. THE MONEY PART Alright let's talk real talk about dollars because that's what matters at the end of the day. Static boards in Chattanooga usually run somewhere in the $1,500 to $5,000 range per month. But that's just the rental. You gotta pay for printing that giant vinyl, which is another couple hundred. And installation, another couple hundred. So that first month might sting a bit. Digital runs higher on the rental side. Usually $2,500 to $7,500 or so. But you don't pay for printing or hanging. You just send your picture. And if you want to change your ad next week, you just send a new picture. No extra cost. So it kind of depends on what you're doing. If you're gonna run one ad for a whole year, static probably saves you money. If you like to switch things up every month, digital might actually come out cheaper when you add up all those printing costs. My cousin runs a car lot and he uses both. Static boards with his lot name that stay up all year, so people know where he is. Then digital boards on weekends when he's running special events. Says it works better than picking just one. WHICH ONES ACTUALLY WORK BETTER This is the million dollar question and honestly there's no straight answer. It depends on what you're trying to do. If you want people to remember your name over time, static wins. That repetition sinks in. You see the same sign 200 times in six months, that name is in your brain forever. If you want people to come in today because you're having a sale, digital wins. You can get that message up in minutes and change it tomorrow. I asked a buddy who manages a restaurant what he thought. He said they used static for years and it built their brand. But when they added digital for daily specials, their lunch crowd got bigger. So both helped, just in different ways. Chattanooga billboards that mix both strategies seem to do best from what I can tell. The static ones build the foundation, the digital ones bring the immediate business. WHAT'S COMING NEXT You can tell digital is taking over more and more. Every time I drive a route I haven't taken in a while, there's another digital board where a static used to be. Fairway converted one downtown a while back and now it cycles through ads all day. But I don't think static is going anywhere. Some messages just work better when they stay put. Churches, long-standing businesses, tourist attractions. Stuff that doesn't change much works fine on static. Plus there's something about a big printed sign that digital can't quite match. It feels more real somehow. Like someone actually made this thing. Not just a picture on a screen. WRAPPING IT UP So here's where I land on all this. Digital billboards are great for flexibility and catching attention and changing messages on a dime. They're the future and they keep spreading. But static billboards still do what they've always done, which is plant your name in people's heads through sheer repetition. The smart money in Chattanooga seems to be using both. Let static do the long game, let digital do the quick hits. They're not really competing with each other. They're just different tools for different jobs. Next time you're driving around town, take a second to notice which ones catch your eye and why. You might be surprised what you figure out about your own brain. I know I was. And hey, maybe that's the whole point of Chattanooga billboards in the first place. Making us look, making us think, making us remember something we might otherwise forget. Whether they do it with printed vinyl or glowing screens, that job hasn't changed one bit.

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