Bless the Broken Road
Bless the Broken Road
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Bless the Broken Road

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Bless the Broken Road

"Bless the Broken Road" is a song that has been recorded by several American country music artists. Co-written by Marcus Hummon, Bobby Boyd, and Jeff Hanna in 1994, it tells how the journey through relationship heartbreak and disappointment was an important series of lessons along the broken road to finding one’s true love. It was first recorded by the Nitty Gritty Dirt Band in 1994, followed by Hummon on his 1995 album All in Good Time.

Since then, many artists have recorded the song, with Rascal Flatts' version being the highest-charting, becoming a number 1 hit on the Billboard country music charts in 2005 and earning the songwriters a Grammy Award for Best Country Song.

Singer-songwriter Marcus Hummon co-wrote the song with Jeff Hanna (of Nitty Gritty Dirt Band) and Bobby Boyd. Nitty Gritty Dirt Band recorded it for the 1994 album Acoustic. One year later, Hummon covered the song for his debut album All in Good Time for Columbia Records. His rendition includes backing vocals from Hanna and Matraca Berg. Michael McCall of New Country magazine thought that Hummon's rendition was the best track on the album.

Sons of the Desert recorded its own version of the song, for a planned second album on Epic Records that would have been released in 1998. This album was not released, due to a dispute between the band and its label.

Since then, many artists have recorded the song including Deborah Joy Winans, Melodie Crittenden, Geoff Moore, Selah, Jamie Slocum, Carrie Underwood, Buddy Greene, Boyce Avenue, and Rascal Flatts.

Also in 1998, Melodie Crittenden recorded the song under the title "Broken Road" and included it on her self-titled debut album for Asylum Records. Released as the first of two singles from it, this version was a number 42 single on the Billboard Hot Country Singles & Tracks (now Hot Country Songs) charts.

This version was featured on an episode of Dawson's Creek.

Billboard gave Crittenden's version a positive review in the January 17, 1998, issue, calling it "sheer poetry with a moving message."

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