Bloodaxe Books is a British publishing house specializing in poetry.

Bloodaxe Books was founded in 1978 in Newcastle upon Tyne by Neil Astley, who is still editor and managing director. Bloodaxe moved its editorial office to Northumberland and its finance office to Bala, North Wales, in 1997.

In 2013 Astley deposited the Bloodaxe Books archive at Newcastle University's Robinson Library, Special Collections.

The growth of Bloodaxe and other specialist poetry publishers coincided with the emergence of a new generation of British and Irish poets, mostly born in the 50s and early 60s, many first published by these imprints. Twenty of these writers were later tagged New Generation Poets in a promotion organised by the Poetry Society in 1994, but this particular grouping was artificial and should not be taken as a critical guide, for it excluded several key figures from that generation, including Jackie Kay, Ian McMillan, Sean O'Brien, Jo Shapcott and Matthew Sweeney. The first anthology to represent this new generation was Bloodaxe's The New Poetry (1993), edited by Michael Hulse, David Kennedy and David Morley, which became a school set text. Sean O'Brien’s The Deregulated Muse: Essays on Contemporary British & Irish Poetry (Bloodaxe Books, 1998) is his account of poetry in the post-war period, from the generation of Philip Larkin and Ted Hughes to the new poets of the 80s and 90s.

One of Bloodaxe’s most significant achievements has been to transform the publishing opportunities for women poets. For many years Bloodaxe has been unusual in having a poetry list which is 50:50 male: female, not the result of positive discrimination but rather in relation to literary excellence. The first of several influential Bloodaxe anthologies of women poets, Jeni Couzyn’s Bloodaxe Book of Contemporary Women Poets (1985) was published at a time when very little poetry by women was readily available to readers. Others have included Carol Rumens’s New Women Poets (1990), Linda France’s Sixty Women Poets (1993), Maura Dooley’s Making for Planet Alice (1997), Robyn Bolam's Eliza's Babes: four centuries of women's poetry in English (2005), and Deryn Rees-Jones’s Modern Women Poets (2005), published as the companion anthology to her critical study Consorting with Angels (2005).

Many other writers and books published by Bloodaxe have hit the headlines, arousing controversy and debate outside the poetry world. Tom Paulin’s essay collection Ireland & the English Crisis (1984) was savagely attacked by Enoch Powell for its political stance. Another cause célèbre was provided by Tony Harrison’s v. (1985), his book-length poem set in a vandalised cemetery in Leeds during the UK Miners’ Strike which captured the angry, desolate mood of Britain in the mid-1980s.

Two years after its publication, Richard Eyre’s film of the poem sparked a national furore, not over Harrison’s politics but over his skinhead protagonist’s use of ‘bad language’. The poem was attacked by Mary Whitehouse ("this work of singular nastiness") and by Tory MPs wanting Channel 4's broadcast to be stopped. The second edition of v. (1989) documents the media reaction to the film.

Neil Astley was awarded an honorary DLitt by Newcastle University in 1995 for his work with Bloodaxe Books.