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Bournemouth Symphony Orchestra

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Bournemouth Symphony Orchestra

The Bournemouth Symphony Orchestra (BSO) is an English orchestra, founded in 1893 and originally based in Bournemouth. With a remit to serve the South and South West of England, the BSO is administratively based in the adjacent town of Poole, since 1979. The orchestra is resident at Lighthouse in Poole, with other major concert series given at Portsmouth Guildhall, the Great Hall of Exeter University and Bristol Beacon.

Principal conductors of the orchestra have included Sir Dan Godfrey, Rudolf Schwarz, Constantin Silvestri, Paavo Berglund, Andrew Litton, Marin Alsop, and Kirill Karabits. The principal conductor was Mark Wigglesworth as of the 2024–2025 season, and the chief executive was Dougie Scarfe.

The orchestra was founded as Bournemouth Municipal Orchestra in 1893 by Dan Godfrey as a group of 30 wind players and a drummer, though several of the instrumentalists – as is the current practice with military musicians – were proficient in both wind and string instruments. This flexible approach meant that the musicians could form a military band for open-air concerts (playing on Bournemouth Pier) or a more formal classical ensemble for indoor programmes. The group gave its first concert on Whit Monday 1893 at the Winter Gardens, with its first classical concert in October that year.

The band quickly expanded to become a full orchestra, gaining a reputation for championing British music. Edward Elgar and Gustav Holst (among others) conducted the orchestra in their own works. The orchestra gave the UK premieres of major works by Richard Strauss, Camille Saint-Saëns and Pyotr Ilyich Tchaikovsky. On 14 December 1903, the Orchestra gave its 500th symphony concert, conducted by Godfrey; a souvenir booklet listed all the works played by the orchestra since its inception, noting any first performances. The Bournemouth Municipal Choir, founded by Godfrey in 1911, sang regularly with the orchestra.

From 1922 to 1940, an Easter Festival was an important feature in the Bournemouth calendar. In 1927, the Festival was devoted to music of British women composers. In 1934, Godfrey retired as principal conductor, having conducted over 2,000 symphony concerts.

The first recording by the Bournemouth Municipal Orchestra was made in 1914 and occasional records were issued during Godfrey's tenure: Godfrey's recordings included works such as Ferdinand Hérold's overture to Zampa, Daniel Auber's overtures The Bronze Horse and The Crown Diamonds, or Samuel Coleridge-Taylor's Petite Suite de Concert, along with "novelty items" with titles such as 'Slippery Sticks' and 'Whispering Pines' by members of the orchestra and featuring them as soloists.

Godfrey remains the longest serving principal conductor of the orchestra, and his stewardship ensured that, unlike many of the seaside orchestras that functioned from the end of the 19th century up until the outbreak of World War II, the Bournemouth Municipal Orchestra established an ongoing tradition of music making. Godfrey's programmes mixed populist elements, such as variety acts and light music, with extracts from more serious pieces. Alongside these, he instituted a series of symphony concerts which introduced diverse repertoire. He cultivated connections with most of the prominent British composers of the day including Edward Elgar, Hamilton Harty, Alexander Mackenzie, Hubert Parry, Charles Villiers Stanford, Ethel Smyth, Gustav Holst and the Australian Percy Grainger.

From the very beginning, Godfrey had a difficult relationship with the Bournemouth Borough Council who saw the orchestra as a commercial concern which needed to pay its way. As part of Bournemouth's visitor attractions, any request for expansion of the orchestra or changes to their contracts were the subject of exhaustive debates in the Council chamber. However, in general, Godfrey was successful at balancing both high artistic standards and box-office success.

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