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Cachupoy
View on WikipediaSalvador Garcia Tampac (July 11, 1932 – December 8, 1993), better known by his screen name Cachupoy, was a Filipino actor-comedian. He was a mainstay of the Magandang Tanghali television program.[1]
Key Information
Early life
[edit]Cachupoy was born on July 12, 1932, in Sampaloc, Manila. He was the third child of Segundina Garcia and Meliton Tampac. He graduated from Juan Luna Elementary School, Roxas High School and reached the second year of Fine Arts (major in painting) at University of Santo Tomas. He dreamt of being an actor or a painter. Before getting in show business, he worked for a construction firm. He also acted in stage shows with the moniker "Susing." Lou Salvador Sr. gave him the name Cachupoy. It was Director Jose Miranda Cruz that gave him the first break in the movies. His first movie was "Tatlong Mabilis," 1965. He also starred in "Igorota" and "Ang Pulubi," from Nepumuceno Pictures. He also showed a flair for singing and was part of the trio The Millionaires which was also made up of Manok and Miniong Villegas. They broke up after three years of performing. He was under contract with Nepomuceno Productions and with ABS-CBN for television projects. His first television performance as a comedian was "Hiwaga Sa Bahay na Bato." His shows at Channel 3 were "Cuatro Vidas", "Winner Take All" and "Eddie and Nova Plus".[2]
Career
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Cachupoy's performance in the 1988 film 7 Pasiklab sa Army was given high praise by critic Lav Diaz for being very comedic, stating that he was better than even his comedian co-stars Don Pepot and Redford White in the film.[3]
Cachupoy starred in films such as Sa Kabukiran, Sitak ni Jack, Rangers in the Wrong War (1987), A Man Called Tolonges (1981), and Pitong James Bonds (1966). He also starred in the "Andres de Saya" series (1980, 1983, and 1986) with Vic Vargas and Gloria Diaz and Mahiwagang Singsing (1986) with Lotlot de Leon.[4][unreliable source?][5][unreliable source?]
Cachupoy was also known in his performances with Serafin Gabriel (a.k.a. Apeng Daldal) and with Arturo Vergara Medina (a.k.a. Bentot).[citation needed]
Later life and death
[edit]Cachupoy was married to Marietta P. Garcia, the founder of the Mediserve Technical Career Institute in Tacloban City; it received controversy for allegedly operating without license from the Department of Education, Culture and Sports (DECS).[6] Cachupoy's last film was Ganti ng Api in 1991, then he quit and retired from the industry.[citation needed] Cachupoy succumbed to a non-communicable disease on December 8, 1993 in Manila, Philippines.[citation needed] He was 61 years old.
Filmography
[edit]| Year | Title | Role | Note(s) | Ref(s). |
|---|---|---|---|---|
| 1966 | Pitong James Bonds | |||
| 1968 | Alyas 1-2-3 | |||
| Manila, Open City | ||||
| 1977 | Checkered Flag or Crash | Also known as simply Crash | [7] | |
| 1980 | Andres de Saya | |||
| 1984 | Atsay Killer: Buti Nga Sa'yo | |||
| 1985 | Captain Yagit | [8] | ||
| 1986 | Soldyer! | Sgt. Pagaspas | ||
| 1987 | Rangers in the Wrong War | |||
| Puto | Boy George | [9] | ||
| 1988 | Bobo Cop | |||
| 7 Pasiklab sa Army | [3] | |||
| Jockey T'yan | ||||
| 1989 | Captain Yagit | [10] | ||
| Khong Khing | Bobo Films' initial offering | [11] | ||
| 1991 | Ganti ng Api |
References
[edit]- ^ Francisco, STARBYTES By Butch. "Remembering departed stars". philstar.com. Archived from the original on 2016-12-21. Retrieved 2016-12-06.
- ^ Silverio, Julio (May 28, 1969). "Itinatampok Cachupoy". Pilipino: 23.
- ^ a b Diaz, Lav (July 14, 1988). "Palpak pero may sorpresa". Manila Standard (in Filipino). Standard Publications, Inc. Archived from the original on May 17, 2021. Retrieved March 5, 2021.
- ^ Cachupoy Archived 2013-04-19 at archive.today, people.theiapolis.com
- ^ Cachupoy Archived 2013-04-19 at archive.today, people.theiapolis.com
- ^ Veridiano, Ben (June 26, 1992). "NBI raids unaccredited med school". Manila Standard. Tacloban City: Kamahalan Publishing Corp. p. 12. Archived from the original on July 17, 2023. Retrieved July 17, 2023.
- ^ Speed, F. Maurice, ed. (1979). Film Review: 1979–80. Norwich: Fletcher & Son Ltd. p. 138. ISBN 9780491021692. Retrieved March 5, 2021.
- ^ Willis, Douglas (1997). Horror and Science Fiction Films IV. Lanham, Maryland: Scarecrow Pres. p. 72. ISBN 0-8108-3055-8. Retrieved March 5, 2021.
- ^ Soriano, Luciano E. (November 20, 1987). "Unfulfilled fantasies". Manila Standard. Standard Publications, Inc. p. 10. Retrieved May 10, 2021.
- ^ "'Captain Yagit'". Manila Standard. Kagitingan Publications, Inc. September 21, 1989. p. 27. Archived from the original on July 17, 2023. Retrieved July 17, 2023.
- ^ Libo-on, Eddie (November 10, 1989). "Rudy helps uplift industry". Manila Standard. Kagitingan Publications, Inc. p. 25. Archived from the original on July 17, 2023. Retrieved July 17, 2023.
External links
[edit]Cachupoy
View on GrokipediaEarly life
Birth and family
Salvador Garcia Tampac, professionally known as Cachupoy, was born on July 11, 1932, in Manila, Philippines.[1] He was the third child of his mother, Segundina Garcia, and father, Meliton Tampac.[5] His early childhood unfolded in a typical Filipino household amid the social and economic conditions of the pre-World War II era, marked by colonial influences under American rule and the rhythms of urban life in Manila.Initial interests and entry into entertainment
During his youth in post-war Manila, Cachupoy nurtured an interest in performance arts by attending live stage shows, where he was influenced by the popular comedy duo Pugo and Togo. These experiences fueled his passion for entertainment, leading him to participate in local amateur performances under the stage name "Susing" while working odd jobs, including at a construction firm, to support himself.[6] He began his professional career in the bodabil circuit of the 1940s, performing at venues such as the Manila Grand Opera House. This opportunity provided initial exposure before transitioning to radio sketches and early television spots in the 1950s. A distinctive aspect of Cachupoy's personal style emerged in his teenage years: the middle-parted hairstyle that he consistently sported, which later defined his on-screen persona and even inspired his stage name.[2][7]Career
Television work
Cachupoy emerged as a key figure in Philippine television during the 1960s through the 1980s, beginning with the comedy trio Trio Los Bobos in 1970 alongside Apeng Daldal and Bert 'Tawa' Marcelo. He became a mainstay comedian on the variety show Magandang Tanghali, a program that blended singing contests, games, and comedy segments under host Pancho Magalona.[8][9] Alongside fellow performers Teroy de Guzman and Babalu, he delivered humorous content in Tagalog, contributing to the show's appeal through live comedic routines that emphasized vernacular wit and broad entertainment.[9][10] In the show's sketches, Cachupoy portrayed characters that highlighted his strengths in physical comedy and timing, often involving slapstick scenarios with exaggerated movements and absurd dialogues to create relatable, chaotic humor.[11] His performances in these segments, such as bungling everyman roles amid everyday mishaps, underscored his ability to generate laughter through visual gags and precise comedic delivery, solidifying his reputation in the noontime variety format.[11] Cachupoy's on-screen persona evolved from a supporting comic to an enduring icon, marked by his distinctive middle-parted hairstyle that became a visual trademark and even influenced his stage name, enhancing his memorable presence across television appearances.[2][7] This signature look, combined with his consistent physical humor, helped bridge his television success with growing fame in film.[11]Film roles and other media
Cachupoy began appearing in Philippine cinema in the mid-1960s, making a notable early mark through comedic roles, often portraying hapless sidekicks or bumbling protagonists in action-comedy and parody films. An early highlight was his role in the 1970 spy spoof Agents Silencer at Ang Pitong Brassieres, where he contributed to the film's humorous ensemble as a comedic operative navigating absurd espionage antics. This role established his on-screen persona as a reliable source of slapstick humor, blending physical comedy with witty one-liners typical of the era's bomba and action genres.[4] Throughout the 1960s to 1980s, Cachupoy appeared in dozens of films, frequently cast in supporting parts that amplified the central plot's chaos. Notable examples include Si Amihan at si Hagibis (1977), a fantasy-comedy where he played a mischievous ally in a mythological adventure, and The Untouchable Family (1988), an action-packed family saga in which his character provided comic relief amid high-stakes confrontations. Other standout performances featured in parodies like Pitong James Bonds (1966), where he embodied a caricature of secret agents, and The Buelta Force (1986), a send-up of military thrillers with Cachupoy as one of a ragtag group of inept soldiers led by a bombastic commander.[12] In films such as Rangers in the Wrong War (1987) and A Man Called Tolonges (1981), he often took on everyman roles that highlighted his trademark middle-parted hairstyle and exaggerated expressions to underscore themes of underdog resilience in comedic settings.[1] Beyond cinema, Cachupoy extended his comedic talents into music recordings, releasing novelty songs that captured his humorous style. He recorded Christmas tracks for Alpha Records, including the festive tune "Ang Pasko," which playfully depicted holiday gift-giving mishaps, and "Tuwing Pasko," a lighthearted reflection on family traditions.[13][14] These recordings, part of albums like Maligayang Pasko At Masaganang Bagong Taon (2000), showcased his vocal delivery infused with the same timing and charm that defined his acting.[15] His television popularity from noontime variety shows directly influenced his casting in films, where producers sought his familiar comedic energy to draw audiences.[16]Personal life
Family and relationships
Cachupoy kept his family life largely out of the public eye, with limited details available about his personal relationships. He was reportedly married to Marietta P. Garcia, who founded the Mediserve Technical Career Institute in Tacloban City; the institution later faced controversy for allegedly operating without a license from the Technical Education and Skills Development Authority (TESDA).[17] The couple's marriage provided a stable support system during his career, though specific dates and further details remain undocumented in public sources. Information on children or other family dynamics is not widely reported, suggesting they were not involved in the entertainment industry.Health challenges
In the late 1980s and early 1990s, Cachupoy developed chronic health issues primarily related to diabetes, which contributed to mild strokes and other complications. These conditions forced him to rely on a wheelchair for mobility, severely limiting his physical activities and leading to a noticeable decline in his energy levels. The impact on his professional life was profound, as he reduced his television and film appearances, culminating in his retirement from the entertainment industry following his final role in the 1991 film Ganti ng Api.[18] This shift allowed him to focus on managing his health privately, though he occasionally shared lighthearted remarks about his struggles in interviews, emphasizing resilience through humor as a coping mechanism. Family members, including his wife Marietta, offered crucial emotional and practical support during these challenging years.Death and legacy
Circumstances of death
Cachupoy, born Salvador Garcia Tampac, died on December 8, 1993, in Manila, Philippines, at the age of 61.[1] The exact cause of death was not widely reported in contemporary accounts. He was interred at the Manila Catholic Church ossuary.[19]Cultural influence and tributes
Cachupoy's comedic legacy has profoundly shaped Filipino entertainment, particularly through his mastery of physical humor and contributions to the variety show format that defined mid-20th-century Philippine television. His style, blending slapstick antics with expressive facial expressions, helped establish these elements as enduring staples in local comedy, influencing the lighthearted, accessible routines seen in later noontime programs and films. This approach resonated with audiences by emphasizing relatable, exaggerated physicality over verbal wit, a tradition rooted in the vaudeville influences of the era. In 2021, Cachupoy's trademark middle-parted hairstyle experienced a notable revival among Gen Z users on TikTok, as part of the #MiddlePartChallenge trend that contrasted it with side parts popularized by millennials. Entertainment discussions explicitly connected the viral phenomenon to Cachupoy's iconic look from the 1970s and 1980s, portraying it as a nod to his enduring symbol of retro Filipino coolness and humor.[2] Tributes to Cachupoy often appear in reflections on Philippine comedy history, where later entertainers and critics credit him with elevating ensemble physical comedy. For instance, film critic Lav Diaz lauded his standout performance in group comedic scenarios, describing it as hilariously dominant and a benchmark for the genre's vitality.[20]Works
Filmography
Cachupoy appeared in over two dozen films from 1970 onward, predominantly in the action-comedy genre blending humor with adventure elements.| Year | Title | Role |
|---|---|---|
| 1970 | Agents Silencer at Ang Pitong Brassieres | Supporting role[21] |
| 1977 | Si amihan at si hagibis | Supporting role[22] |
| 1977 | Checkered Flag or Crash | Supporting role |
| 1980 | Nognog | Supporting role |
| 1982 | Andres De Saya Mabagsik Na Daw | Atty. Ala Chamba |
| 1984 | Wrong Ranger | Supporting role |
| 1986 | Soldyer | Sgt. Pagaspas |
| 1986 | The Buelta Force | Supporting role |
| 1986 | Alamat ng Ninja-kol | Gaw-lu |
| 1986 | Anomalya Ni Andres De Saya | Supporting role |
| 1987 | Lost and Found Command: Rebels Without Because | Supporting role |
| 1988 | The Untouchable Family | Chief Antado[23] |
