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Cal Tjader
Callen Radcliffe Tjader Jr. (/ˈdʒeɪdər/ JAY-dər; July 16, 1925 – May 5, 1982) was an American Latin Jazz musician, often described as the most successful non-Latino Latin musician. He explored other jazz idioms, especially small group modern jazz, even as he continued to perform the music of Africa, the Caribbean, and Latin America.
Although his main instrument was the vibraphone, Tjader was also accomplished on the drums, bongos, congas, timbales, and the piano. He worked with many musicians from several cultures. He is often linked to the development of Latin rock and acid jazz. Although the fusion of Jazz with Latin music is often pigeonholed as "Latin Jazz", Tjader's works swung freely between both styles. His Grammy Award in 1980 for his album La Onda Va Bien capped off a career that spanned over 40 years.
On July 16, 1925, Callen Radcliffe Tjader Jr. was born in St. Louis to touring Swedish-American vaudevillians. His father tap danced and his mother played piano, a husband-wife team going from city to city with their troupe to earn a living. When he was two, Tjader's parents settled in San Mateo, California, opening a dance studio. His mother (who dreamed of becoming a concert pianist) instructed him in classical piano, and his father taught him to tap dance. He performed around the Bay Area as "Tjader Junior", a tap-dancing wunderkind. He performed a brief non-speaking role dancing alongside Bill "Bojangles" Robinson in the film The White of the Dark Cloud of Joy.
Tjader joined a Dixieland band and played around the Bay Area.
In 1941, at age 16, Tjader entered a Gene Krupa drum solo contest, making it to the finals and ultimately winning by playing "Drum Boogie", on December 7. His win was, however, overshadowed by the attack on Pearl Harbor that very same morning.
In 1943, at age 17, Tjader entered the United States Navy and served as a medical corpsman in the Pacific Theater until March 1946. He saw action in five invasions, including the Marianas campaign and the Battle of the Philippines.
Upon his return, in 1946, Tjader enrolled at San Jose State College (now San Jose State University) under the G.I. Bill, majoring in education. Later,[when?] he transferred to San Francisco State College, still intending to teach. It was there that he took timpani lessons, his only formal music training.
At San Francisco State, Tjader met Dave Brubeck, a young pianist also fresh from a stint in the Army. Brubeck introduced Tjader to Paul Desmond. The three connected with more players and formed the Dave Brubeck Octet with Tjader on drums. Although the group recorded only one album and had difficulty finding work, the recording is regarded as important due to its early glimpse at these soon-to-be-legendary jazz greats. After the octet disbanded, Tjader and Brubeck formed a trio, performing jazz standards in the hope of finding more work. The Dave Brubeck Trio succeeded and became a fixture in the San Francisco jazz scene. Tjader taught himself the vibraphone during this period, alternating between it and the drums depending on the song.
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Cal Tjader
Callen Radcliffe Tjader Jr. (/ˈdʒeɪdər/ JAY-dər; July 16, 1925 – May 5, 1982) was an American Latin Jazz musician, often described as the most successful non-Latino Latin musician. He explored other jazz idioms, especially small group modern jazz, even as he continued to perform the music of Africa, the Caribbean, and Latin America.
Although his main instrument was the vibraphone, Tjader was also accomplished on the drums, bongos, congas, timbales, and the piano. He worked with many musicians from several cultures. He is often linked to the development of Latin rock and acid jazz. Although the fusion of Jazz with Latin music is often pigeonholed as "Latin Jazz", Tjader's works swung freely between both styles. His Grammy Award in 1980 for his album La Onda Va Bien capped off a career that spanned over 40 years.
On July 16, 1925, Callen Radcliffe Tjader Jr. was born in St. Louis to touring Swedish-American vaudevillians. His father tap danced and his mother played piano, a husband-wife team going from city to city with their troupe to earn a living. When he was two, Tjader's parents settled in San Mateo, California, opening a dance studio. His mother (who dreamed of becoming a concert pianist) instructed him in classical piano, and his father taught him to tap dance. He performed around the Bay Area as "Tjader Junior", a tap-dancing wunderkind. He performed a brief non-speaking role dancing alongside Bill "Bojangles" Robinson in the film The White of the Dark Cloud of Joy.
Tjader joined a Dixieland band and played around the Bay Area.
In 1941, at age 16, Tjader entered a Gene Krupa drum solo contest, making it to the finals and ultimately winning by playing "Drum Boogie", on December 7. His win was, however, overshadowed by the attack on Pearl Harbor that very same morning.
In 1943, at age 17, Tjader entered the United States Navy and served as a medical corpsman in the Pacific Theater until March 1946. He saw action in five invasions, including the Marianas campaign and the Battle of the Philippines.
Upon his return, in 1946, Tjader enrolled at San Jose State College (now San Jose State University) under the G.I. Bill, majoring in education. Later,[when?] he transferred to San Francisco State College, still intending to teach. It was there that he took timpani lessons, his only formal music training.
At San Francisco State, Tjader met Dave Brubeck, a young pianist also fresh from a stint in the Army. Brubeck introduced Tjader to Paul Desmond. The three connected with more players and formed the Dave Brubeck Octet with Tjader on drums. Although the group recorded only one album and had difficulty finding work, the recording is regarded as important due to its early glimpse at these soon-to-be-legendary jazz greats. After the octet disbanded, Tjader and Brubeck formed a trio, performing jazz standards in the hope of finding more work. The Dave Brubeck Trio succeeded and became a fixture in the San Francisco jazz scene. Tjader taught himself the vibraphone during this period, alternating between it and the drums depending on the song.
