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Canadian literature
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Canadian literature
Canadian literature is often divided into French- and English-language literatures, which are rooted in the literary traditions of France and Britain, respectively. The earliest Canadian narratives were of travel and exploration. This progressed into three major themes of historical Canadian literature: nature, frontier life, and Canada's position within the world, all of which tie into the garrison mentality. The evolution of Canadian literature is intricately linked to its historical and social contexts, often mirroring the challenges and triumphs of Canadian society. As Canadian literature progressed into the 20th and 21st centuries, it began to address a broader array of subjects and themes, such as female and LGBTQ rights, immigrant experiences, environmental issues, the relationship with Indigenous peoples, and Canadian values and identity.
Financial support from governmental bodies, such as the Canada Council for the Arts and various provincial grant programs, facilitates the creation, publication, and promotion of works by Canadian authors. Numerous Canadian authors have accumulated international literary awards including the Nobel Prize in Literature, the Booker Prize, and the Pulitzer Prize for Fiction. Canadian literary prizes include the Governor General's Literary Awards, the Giller Prize, the Atwood Gibson Writers' Trust Fiction Prize, the Latner Griffin Writers' Trust Poetry Prize, the Burt Award for First Nations, Inuit and Métis Literature and several accolades for literature aimed at children.
Indigenous peoples of Canada are culturally diverse. Each group has its own literature, language and culture. The term "Indigenous literature" therefore can be misleading, as writer Jeannette Armstrong states in one interview, "I would stay away from the idea of "Native" literature, there is no such thing. There is Mohawk literature, there is Okanagan literature, but there is no generic Native in Canada".
In 1802, the Lower Canada legislative library was founded. All books it contained were subsequently moved to the Canadian parliament in Montreal when the two Canadas, Lower and Upper, were united. On April 25, 1849 the Canadian parliament was burned along with thousands of French Canadian books and a few hundred English books. A consequence of this event was the mistaken impression that from the early settlements until the 1820s, Quebec had virtually no literature.
It was the rise of Quebec patriotism and the 1837 Lower Canada Rebellion, in addition to a modern system of primary school education, which led to the rise of French-Canadian fiction. L'influence d'un livre by Philippe-Ignace-Francois Aubert de Gaspé is widely regarded as the first French-Canadian novel. The genres which first became popular were the rural novel and the historical novel. French authors were influential, especially authors like Balzac.
In 1866, Father Henri-Raymond Casgrain became one of Quebec's first literary theorists. He argued that literature's goal should be to project an image of proper Catholic morality. However, a few authors like Louis-Honoré Fréchette and Arthur Buies broke the conventions to write more interesting works.
This pattern continued until the 1930s with a new group of authors educated at the Université Laval and the Université de Montréal. Novels with psychological and sociological foundations became the norm. Gabrielle Roy and Anne Hébert even began to earn international acclaim, which had not happened to French-Canadian literature before. During this period, Quebec theatre, which had previously been melodramas and comedies, became far more involved.
French-Canadian literature began to greatly expand with the turmoil of the Second World War, the beginnings of industrialization in the 1950s, and most especially the Quiet Revolution in the 1960s. French-Canadian literature also began to attract a great deal of attention globally, with Acadian novelist Antonine Maillet winning the Prix Goncourt in 1979. An experimental branch of Québécois literature also developed; for instance the poet Nicole Brossard wrote in a formalist style. In 1979, Roch Carrier wrote the story The Hockey Sweater, which highlighted the cultural and social tensions between English and French speaking Canada.
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Canadian literature
Canadian literature is often divided into French- and English-language literatures, which are rooted in the literary traditions of France and Britain, respectively. The earliest Canadian narratives were of travel and exploration. This progressed into three major themes of historical Canadian literature: nature, frontier life, and Canada's position within the world, all of which tie into the garrison mentality. The evolution of Canadian literature is intricately linked to its historical and social contexts, often mirroring the challenges and triumphs of Canadian society. As Canadian literature progressed into the 20th and 21st centuries, it began to address a broader array of subjects and themes, such as female and LGBTQ rights, immigrant experiences, environmental issues, the relationship with Indigenous peoples, and Canadian values and identity.
Financial support from governmental bodies, such as the Canada Council for the Arts and various provincial grant programs, facilitates the creation, publication, and promotion of works by Canadian authors. Numerous Canadian authors have accumulated international literary awards including the Nobel Prize in Literature, the Booker Prize, and the Pulitzer Prize for Fiction. Canadian literary prizes include the Governor General's Literary Awards, the Giller Prize, the Atwood Gibson Writers' Trust Fiction Prize, the Latner Griffin Writers' Trust Poetry Prize, the Burt Award for First Nations, Inuit and Métis Literature and several accolades for literature aimed at children.
Indigenous peoples of Canada are culturally diverse. Each group has its own literature, language and culture. The term "Indigenous literature" therefore can be misleading, as writer Jeannette Armstrong states in one interview, "I would stay away from the idea of "Native" literature, there is no such thing. There is Mohawk literature, there is Okanagan literature, but there is no generic Native in Canada".
In 1802, the Lower Canada legislative library was founded. All books it contained were subsequently moved to the Canadian parliament in Montreal when the two Canadas, Lower and Upper, were united. On April 25, 1849 the Canadian parliament was burned along with thousands of French Canadian books and a few hundred English books. A consequence of this event was the mistaken impression that from the early settlements until the 1820s, Quebec had virtually no literature.
It was the rise of Quebec patriotism and the 1837 Lower Canada Rebellion, in addition to a modern system of primary school education, which led to the rise of French-Canadian fiction. L'influence d'un livre by Philippe-Ignace-Francois Aubert de Gaspé is widely regarded as the first French-Canadian novel. The genres which first became popular were the rural novel and the historical novel. French authors were influential, especially authors like Balzac.
In 1866, Father Henri-Raymond Casgrain became one of Quebec's first literary theorists. He argued that literature's goal should be to project an image of proper Catholic morality. However, a few authors like Louis-Honoré Fréchette and Arthur Buies broke the conventions to write more interesting works.
This pattern continued until the 1930s with a new group of authors educated at the Université Laval and the Université de Montréal. Novels with psychological and sociological foundations became the norm. Gabrielle Roy and Anne Hébert even began to earn international acclaim, which had not happened to French-Canadian literature before. During this period, Quebec theatre, which had previously been melodramas and comedies, became far more involved.
French-Canadian literature began to greatly expand with the turmoil of the Second World War, the beginnings of industrialization in the 1950s, and most especially the Quiet Revolution in the 1960s. French-Canadian literature also began to attract a great deal of attention globally, with Acadian novelist Antonine Maillet winning the Prix Goncourt in 1979. An experimental branch of Québécois literature also developed; for instance the poet Nicole Brossard wrote in a formalist style. In 1979, Roch Carrier wrote the story The Hockey Sweater, which highlighted the cultural and social tensions between English and French speaking Canada.
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