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The Katzenjammer Kids
The Katzenjammer Kids is an American comic strip created by Rudolph Dirks in 1897 and later drawn by Harold Knerr for 35 years (1914 to 1949). It debuted on December 12, 1897, in the American Humorist, the Sunday supplement of William Randolph Hearst's New York Journal. The comic strip was turned into a stage play in 1903. It inspired several animated cartoons and was one of 20 strips included in the Comic Strip Classics series of American commemorative postage stamps.
After a series of legal battles between 1912 and 1914, Dirks left the Hearst organization and began a new strip, first titled Hans and Fritz and then The Captain and the Kids. It featured the same characters seen in The Katzenjammer Kids, which was continued by Knerr. The two separate versions of the strip competed with each other until 1979, when The Captain and the Kids ended its six-decade run. The Katzenjammer Kids published its last original strip in 2006, but is still distributed in reprints by King Features Syndicate, making it the oldest comic strip still in syndication and the longest-running ever.
The Katzenjammer Kids was inspired by Max and Moritz, a children's story of the 1860s by German author Wilhelm Busch.
Katzenjammer translates literally as the wailing of cats - i.e. "caterwaul". However, it is also used to mean contrition after a failed endeavor or hangover in German (and, in the latter sense, in English too). Whereas Max & Moritz were grotesquely but comically put to death after seven destructive pranks, the Katzenjammer Kids and the other characters still thrive.
The Katzenjammer Kids was so popular that it became two competing comic strips and the subject of a lawsuit. This happened because Dirks, in 1912, wanted to take a break after drawing the strip for 15 years, but the Hearst newspaper syndicate would not allow it. Dirks left anyway, and the strip was taken over by Harold Knerr. Dirks' last strip appeared March 16, 1913. Various ghost artists then apparently did the strip for a few months. Dirks sued, and after a long legal battle, the Hearst papers were allowed to continue The Katzenjammer Kids, with Knerr as writer and artist. He took over permanently in the summer of 1914, but Dirks was allowed to create an almost identical strip of his own for the rival Pulitzer newspapers, although he had to use a different name for the strip.
Initially named Hans und Fritz after the two naughty protagonist brothers, Dirks' new feature debuted on June 7, 1914. It was called The Captain and the Kids from 1918 on. The Captain and the Kids was very similar to The Katzenjammer Kids in terms of content and characters, but Dirks had a looser and more verbal style than Knerr, who on the other hand often produced stronger, more direct gags and drawings. The Captain and the Kids soon proved equal in popularity to The Katzenjammer Kids. It was later distributed by the United Feature Syndicate, while Hearst's King Features distributed The Katzenjammer Kids.
The Captain and the Kids expanded as a daily strip during the 1930s, but it had only a short run. However, the Sunday strip remained popular for decades. From 1946, Dirks' son, John Dirks, gradually began doing more of the work on The Captain and the Kids. They introduced new characters and plots during the 1950s, including a 1958 science fiction storyline about a brilliant inventor and alien invasions. Even as John Dirks took over most of the work, Rudolph Dirks signed the strip until his death in 1968. John Dirks' drawing shifted slightly towards a more square-formed line, though it maintained the original style until The Captain and the Kids ended its run in 1979.
Knerr continued drawing The Katzenjammer Kids until his death in 1949; the strip was then written and drawn by C.H. "Doc" Winner (1949–1956), with Joe Musial taking over in 1956. Musial was replaced on The Katzenjammer Kids by Mike Senich (1976–1981), Angelo DeCesare (1981–1986), and Hy Eisman (1986–2006). Now syndicated in reprint form, the strip is distributed internationally to some 50 newspapers and magazines. Eisman reused a lot of old gags and stories in later years.
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The Katzenjammer Kids
The Katzenjammer Kids is an American comic strip created by Rudolph Dirks in 1897 and later drawn by Harold Knerr for 35 years (1914 to 1949). It debuted on December 12, 1897, in the American Humorist, the Sunday supplement of William Randolph Hearst's New York Journal. The comic strip was turned into a stage play in 1903. It inspired several animated cartoons and was one of 20 strips included in the Comic Strip Classics series of American commemorative postage stamps.
After a series of legal battles between 1912 and 1914, Dirks left the Hearst organization and began a new strip, first titled Hans and Fritz and then The Captain and the Kids. It featured the same characters seen in The Katzenjammer Kids, which was continued by Knerr. The two separate versions of the strip competed with each other until 1979, when The Captain and the Kids ended its six-decade run. The Katzenjammer Kids published its last original strip in 2006, but is still distributed in reprints by King Features Syndicate, making it the oldest comic strip still in syndication and the longest-running ever.
The Katzenjammer Kids was inspired by Max and Moritz, a children's story of the 1860s by German author Wilhelm Busch.
Katzenjammer translates literally as the wailing of cats - i.e. "caterwaul". However, it is also used to mean contrition after a failed endeavor or hangover in German (and, in the latter sense, in English too). Whereas Max & Moritz were grotesquely but comically put to death after seven destructive pranks, the Katzenjammer Kids and the other characters still thrive.
The Katzenjammer Kids was so popular that it became two competing comic strips and the subject of a lawsuit. This happened because Dirks, in 1912, wanted to take a break after drawing the strip for 15 years, but the Hearst newspaper syndicate would not allow it. Dirks left anyway, and the strip was taken over by Harold Knerr. Dirks' last strip appeared March 16, 1913. Various ghost artists then apparently did the strip for a few months. Dirks sued, and after a long legal battle, the Hearst papers were allowed to continue The Katzenjammer Kids, with Knerr as writer and artist. He took over permanently in the summer of 1914, but Dirks was allowed to create an almost identical strip of his own for the rival Pulitzer newspapers, although he had to use a different name for the strip.
Initially named Hans und Fritz after the two naughty protagonist brothers, Dirks' new feature debuted on June 7, 1914. It was called The Captain and the Kids from 1918 on. The Captain and the Kids was very similar to The Katzenjammer Kids in terms of content and characters, but Dirks had a looser and more verbal style than Knerr, who on the other hand often produced stronger, more direct gags and drawings. The Captain and the Kids soon proved equal in popularity to The Katzenjammer Kids. It was later distributed by the United Feature Syndicate, while Hearst's King Features distributed The Katzenjammer Kids.
The Captain and the Kids expanded as a daily strip during the 1930s, but it had only a short run. However, the Sunday strip remained popular for decades. From 1946, Dirks' son, John Dirks, gradually began doing more of the work on The Captain and the Kids. They introduced new characters and plots during the 1950s, including a 1958 science fiction storyline about a brilliant inventor and alien invasions. Even as John Dirks took over most of the work, Rudolph Dirks signed the strip until his death in 1968. John Dirks' drawing shifted slightly towards a more square-formed line, though it maintained the original style until The Captain and the Kids ended its run in 1979.
Knerr continued drawing The Katzenjammer Kids until his death in 1949; the strip was then written and drawn by C.H. "Doc" Winner (1949–1956), with Joe Musial taking over in 1956. Musial was replaced on The Katzenjammer Kids by Mike Senich (1976–1981), Angelo DeCesare (1981–1986), and Hy Eisman (1986–2006). Now syndicated in reprint form, the strip is distributed internationally to some 50 newspapers and magazines. Eisman reused a lot of old gags and stories in later years.