Community hub
Recent from talks
Knowledge base stats:
Talk channels stats:
Members stats:
Carl Potts
Carl Potts (born November 12, 1952) is an American comics artist, writer, teacher, and editor best known for creating the series Alien Legion for the Marvel Comics imprint Epic Comics.
Born in Oakland, California, Carl Potts was raised in the San Francisco Bay Area and in Hawaii. As he said in an interview: "I was a Navy brat. I was born in Oak Knoll Naval hospital in the Oakland Hills, and lived in various places around the East Bay Area until I was four, I believe it was. And my dad was stationed on Oahu and Honolulu, and so we live for two and a half years in Navy housing and Honolulu." His mother was Philippine and his father Caucasian: "My father and my mother met shortly after World War II in the Bay Area. My mother and her whole family had been prisoners of the Japanese in the Philippines during the war for over three years. And even though my maternal grandmother, her mother was Japanese, born and raised, she had married an American, and considered herself an American from that point on. So they were in the Philippines when the Japanese took over and they took all of the allied civilians and put them in prison camps. The biggest one was Santa Tomas University campus, this big square city block with big walls around it that was in the heart of Manila."
Potts received an associate degree in commercial art from Chabot College in Hayward, California. He received his bachelor's degree in creative writing and editing from SUNY – Empire State College.
After contributing to such comics fanzines as the anthology Venture, Potts drew backgrounds and some secondary figures for a late fill-in issue of DC Comics' Richard Dragon: Kung Fu Fighter, being drawn by Bay Area comics artists Jim Starlin and Alan Weiss. Potts began his comics career in 1975. As he remembered:
"When I told Starlin I was going to move to New York, he asked me if I knew anybody out there. And I said, 'No, I did not.' And he said, 'Hmm, I’m going to make a call.' So he ended up calling Al Milgrom and Walt Simonson who shared an apartment in Forest Hills, Queens, and said, you know, 'If this kid comes out there, would you guys be willing to put him up while he gets his feet under him?' They said, 'Sure.' They’d never met me. They had no idea who I was. They just took Starlin’s word that I was decent folk." Living in the same building were Bernie Wrightson and Howard Chaykin, "and they’re always paling around all day long."
His first professional comics work was art for a subscription ad for Marvel's black-and-white magazine Unknown Worlds of Science Fiction. "So my second day in New York, [Jim Starlin] took me up to the Marvel offices, which were the ones on Madison Avenue at that point, and introduced me around, and I got to show my work. And sold my first piece to Archie Goodwin of all people, who was editing the black-and-white magazines at the time."
Potts freelanced briefly until joining Neal Adams' commercial art company and comic book packager Continuity Studios and was a member of the Crusty Bunkers. As he explained in a 2000 interview: "Continuity was gearing up to produce black-and-white magazines based on several TV series: The Six Million Dollar Man, Space: 1999, and Emergency!. I got involved with storyboard and comp art for major New York ad agencies. I also produced finished-illustration for magazines and books for several years before joining Marvel's editorial staff in 1983".
In-between, he worked doing storyboards on staff for an ad agency "called Marshalk, that I think got absorbed by McCann Erickson". He said, "I was able to make a lot more money drawing storyboards than doing comics. I would be paid the same amount for drawing a single frame of a storyboard as I would for penciling a full page comics. And the storyboard could be very loose, whereas the comic stuff had to be very tight." But, "I always drew comics when I should have been sleeping and on weekends." That included doing art at DC Comics' Adventure Comics: "I did some Aqualad stuff and some Nightwing and Flamebird stuff. And then I created a new character called Cobalt and plotted in two or three episodes for that before the implosion [of 1978] killed that project."
Hub AI
Carl Potts AI simulator
(@Carl Potts_simulator)
Carl Potts
Carl Potts (born November 12, 1952) is an American comics artist, writer, teacher, and editor best known for creating the series Alien Legion for the Marvel Comics imprint Epic Comics.
Born in Oakland, California, Carl Potts was raised in the San Francisco Bay Area and in Hawaii. As he said in an interview: "I was a Navy brat. I was born in Oak Knoll Naval hospital in the Oakland Hills, and lived in various places around the East Bay Area until I was four, I believe it was. And my dad was stationed on Oahu and Honolulu, and so we live for two and a half years in Navy housing and Honolulu." His mother was Philippine and his father Caucasian: "My father and my mother met shortly after World War II in the Bay Area. My mother and her whole family had been prisoners of the Japanese in the Philippines during the war for over three years. And even though my maternal grandmother, her mother was Japanese, born and raised, she had married an American, and considered herself an American from that point on. So they were in the Philippines when the Japanese took over and they took all of the allied civilians and put them in prison camps. The biggest one was Santa Tomas University campus, this big square city block with big walls around it that was in the heart of Manila."
Potts received an associate degree in commercial art from Chabot College in Hayward, California. He received his bachelor's degree in creative writing and editing from SUNY – Empire State College.
After contributing to such comics fanzines as the anthology Venture, Potts drew backgrounds and some secondary figures for a late fill-in issue of DC Comics' Richard Dragon: Kung Fu Fighter, being drawn by Bay Area comics artists Jim Starlin and Alan Weiss. Potts began his comics career in 1975. As he remembered:
"When I told Starlin I was going to move to New York, he asked me if I knew anybody out there. And I said, 'No, I did not.' And he said, 'Hmm, I’m going to make a call.' So he ended up calling Al Milgrom and Walt Simonson who shared an apartment in Forest Hills, Queens, and said, you know, 'If this kid comes out there, would you guys be willing to put him up while he gets his feet under him?' They said, 'Sure.' They’d never met me. They had no idea who I was. They just took Starlin’s word that I was decent folk." Living in the same building were Bernie Wrightson and Howard Chaykin, "and they’re always paling around all day long."
His first professional comics work was art for a subscription ad for Marvel's black-and-white magazine Unknown Worlds of Science Fiction. "So my second day in New York, [Jim Starlin] took me up to the Marvel offices, which were the ones on Madison Avenue at that point, and introduced me around, and I got to show my work. And sold my first piece to Archie Goodwin of all people, who was editing the black-and-white magazines at the time."
Potts freelanced briefly until joining Neal Adams' commercial art company and comic book packager Continuity Studios and was a member of the Crusty Bunkers. As he explained in a 2000 interview: "Continuity was gearing up to produce black-and-white magazines based on several TV series: The Six Million Dollar Man, Space: 1999, and Emergency!. I got involved with storyboard and comp art for major New York ad agencies. I also produced finished-illustration for magazines and books for several years before joining Marvel's editorial staff in 1983".
In-between, he worked doing storyboards on staff for an ad agency "called Marshalk, that I think got absorbed by McCann Erickson". He said, "I was able to make a lot more money drawing storyboards than doing comics. I would be paid the same amount for drawing a single frame of a storyboard as I would for penciling a full page comics. And the storyboard could be very loose, whereas the comic stuff had to be very tight." But, "I always drew comics when I should have been sleeping and on weekends." That included doing art at DC Comics' Adventure Comics: "I did some Aqualad stuff and some Nightwing and Flamebird stuff. And then I created a new character called Cobalt and plotted in two or three episodes for that before the implosion [of 1978] killed that project."