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Caroline Rose
Caroline Rose
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Key Information

Caroline Elizabeth Rose[1] (born October 19, 1989) is a Grammy-nominated[2] American singer, songwriter, musician and producer. After releasing two records of folk and country-inspired music, she released a pop-rock album Loner in 2018. Superstar was released on March 6, 2020.[3] The Art of Forgetting, was released on March 24, 2023, and her most recent album year of the slug was released on February 7, 2025.[4]

Early life

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Born in 1989 on Long Island, Rose grew up in Center Moriches, New York.[5][6] The daughter of two artists, Rose began writing songs and poems at age 13.[7] Rose attended Wellesley College in Massachusetts, where she graduated in 2011 with a bachelor's degree in architecture.[8][9]

Career

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In 2012, Rose and producer/multi-instrumentalist Jer Coons launched a Kickstarter to fund the production of Rose's first album America Religious.[10] The album, blending American folk music, country, and rockabilly styles was self-published later that year. Two years later, Rose released her first nationally distributed album, I Will Not Be Afraid on Little Hi! Records. Like the first album, it was produced with Jer Coons and featured music in a variety of Americana musical styles, including two songs previously released on America Religious.[11]

Following the release of I Will Not Be Afraid, Rose took an extended hiatus from touring and releasing new material, while she explored new musical directions that would broaden her sound. After three years, numerous personnel changes, a signing to Mom + Pop Music, and a switch to New West Records, Rose released her third album.[12] The album, Loner, was co-produced by Rose and Paul Butler of The Bees,[13] and represented a radical shift away from the musical style of her previous work, blending pop and alternative rock elements, and incorporating prominent synthesizers throughout. Notably, this album also saw a change in lyrical tone, incorporating a number of overtly humorous, sarcastic, and satirical songs.[14] Although Rose played most of the instruments on the album, she formed a new band to perform on tour.

Prior to Loner's release, Rose released "Money" and "Soul No. 5" with accompanying music videos.[15][16] Rose released a music video for "Jeannie Becomes a Mom" on October 17, 2018. The video, which was directed by Amanda Speva, features Abby Pierce as the titular character, depicting Jeannie moving into a new home, performing a dance routine with the movers, and preparing a rainbow Jell-O cake. The song was ranked the fifteenth-best single of the year by National Public Radio.[17]

On January 7, 2020, Rose announced a new album called Superstar, releasing a single and a music video for the song "Feel The Way I Want".[18] The video was shot on an iPhone over the course of an 11-day roadtrip from Hollywood, California to Hollywood, Florida, documenting the protagonist's journey after she travels to the wrong Hollywood for an audition.[19] According to Rose, the album is a "cinematic pop album that tells a story of someone who leaves behind everything they know and love in search for something bigger and more glamorous. It's a story about losing yourself but also finding the brazen self-confidence to follow a dream."[20] The album Superstar was released on March 6, 2020,[21][22] and Caroline Rose made her television debut on February 24, 2020, performing "Feel The Way I Want" on Late Night with Seth Meyers.[23]

In June 2022, Rose announced that she would release her fifth studio album in March 2023.[24] The New York Times called the first single, "Love / Lover / Friend", one of the best songs of 2023, "In a flurry of plucked and orchestral strings, Caroline Rose affirms her love by ruling out other possibilities, then basks in wordless choral ecstasy."[25] This was followed by releases of "Miami", "The Doldrums", and "Tell Me What You Want". The latter and "Miami" were accompanied by music videos on Rose's YouTube channel. These form two chapters of then unreleased short film.

Said film follows the story of Rose and her partner, portrayed by Massima Bell, and was filmed in Austin, Texas.[26] The film, "a single continuous narrative of disintegrating time loops, splintering romantic and existential relationships and intricately choreographed long takes",[27] was released in June, 2024.

The packaging for The Art of Forgetting was nominated for Best Recording Package in the 66th Annual GRAMMY Awards, which took place February 4th 2024.[28]

Caroline played in the live band for Kairos Creature Club during her Live on KEXP session,[29] released on July, 31, 2024.

Personal life

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Rose uses they/them and she/her pronouns[30] and identifies as queer.[31] They live in Austin, Texas.[32]

Discography

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Studio albums

[edit]

Singles

[edit]
Title Year Peak chart positions Album
US
AAA

[33]
"Blood on Your Bootheels" 2014 I Will Not Be Afraid
"Money" 2017 Loner
"Soul No. 5" 2018
"Getting to Me"
"Feel the Way I Want" 2019 21 Superstar
"Freak Like Me"
"Do You Think We'll Last Forever?"
"Love / Lover / Friend" 2022 The Art of Forgetting
"Miami" 2023
"The Doldrums"
"Tell Me What You Want"

Other appearances

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Title Year Other artists Album
"Perfect" - Caroline Rose Remix 2023 Bayonne Perfect (Caroline Rose Remix)
"Lucifer on the Sofa"- Background Vocals 2022 Spoon Lucifer on the Sofa
"The Hardest Cut"- Background Vocals 2022 Spoon Lucifer on the Sofa
"The Fight" – Caroline Rose Remix 2020 Overcoats The Fight (Remixed)
"Get Bit" – Caroline Rose Remix 2021 All Things Blue All Things Remixed
"Breathe" featuring Caroline Rose 2021 Lawrence Rothman Good Morning, America
"You Are Enough" – Caroline Rose Remix 2021 Ron Gallo You Are Enough (Caroline Rose Remix)

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Caroline Rose (born October 19, 1989) is an American Grammy-nominated , musician, and recognized for their genre-blending style that incorporates , , folk, , and experimental elements. Born in , New York, and raised in nearby Center Moriches, Rose initially worked as an architect before leaving that career to pursue full-time, traveling the country in a van and self-releasing their debut album in 2012. The child of two artists, Rose began writing songs and poems as a teenager and initially drew from folk and traditions in their early work. Their 2012 debut, America Religious, and 2014 follow-up, I Will Not Be Afraid, established a rootsy sound, while the 2018 album marked a pivot to more eclectic, synth-driven that earned critical praise and broader attention. Subsequent releases like (2020), a exploring fame's pitfalls through glam-infused pop, (2023), an immersive delving into memory and reinvention, and year of the slug (2025), further highlight Rose's evolution as a and producer. In 2024, Rose received a Grammy nomination for Best Recording Package for , underscoring their innovative approach to visual and sonic artistry. Based in , Rose continues to tour extensively and champion , often incorporating elements like into their performances.

Early life and education

Family and childhood

Caroline Rose was born on October 19, 1989, in , New York, and grew up in the working-class town of Center Moriches. As the child of two artists—a Southern mother and a father—Rose was immersed in a creative household from an early age, where artistic friends frequently visited and inspired the family's environment. The artistic dynamics of their family played a pivotal role in fostering Rose's creativity; their father, for instance, taught classes that encouraged innovative thinking by limiting participants to everyday objects like and toothpicks to spark ideas. This resourceful approach to art influenced Rose's own creative process, while a family friend's introduction to instruments, including their first guitar and harmonica, provided hands-on exposure that encouraged experimentation. Rose recalls "noodling around" on instruments as far back as they can remember, with the household's emphasis on self-expression laying the groundwork for their artistic development. At age 13, Rose began writing songs and poetry, marking the onset of their formal artistic pursuits amid the supportive yet unstructured creative atmosphere of their home. This early spark, nurtured by their parents' artistic legacy, eventually transitioned into more structured educational explorations in .

Academic background

Caroline Rose attended in , graduating in 2011 with a in . During their undergraduate studies, Rose's architectural training emphasized spatial awareness, acoustics, and emotional resonance in design, which paralleled their longstanding interest in music as an expressive outlet. This intersection fostered a creative mindset where imagining movement through physical spaces mirrored crafting emotional journeys in songwriting. Following graduation, Rose opted against a traditional career, instead embarking on a nomadic lifestyle traveling the country in a van to develop their rockabilly-infused music. This pivot drew on the disciplined problem-solving from their academic background, later applied to practical aspects of their artistry, such as designing tour lighting and sets to enhance immersive live experiences.

Career

Early musical beginnings

Caroline Rose initially pursued a career in after earning a degree from , but they soon pivoted to music, embarking on a nomadic lifestyle traveling across the in a van to perform and write songs. Their professional entry into music came with the self-funded debut album America Religious, released in 2013 after a successful Kickstarter campaign that raised over $10,000 to support production and touring. The album, co-produced by Rose and frequent collaborator Jer Coons at Parkhill Studio in Burlington, Vermont, features 12 tracks blending folk, country, and rockabilly elements, characterized by gritty Americana storytelling and poetic lyrics drawn from their road experiences. Tracks like the title song evoke lonesome wanderings and rural introspection, establishing Rose's early voice in the indie folk scene. Building on this foundation, Rose released their follow-up album I Will Not Be Afraid in through the independent label Little Hi! Records, marking their first involvement with a and expanding their reach beyond self-release. The 11-track record delves into themes of resilience amid rootless living and personal hardship, with raw acoustic arrangements that highlight their folk and roots, including songs like "Blood on Your Bootheels" that reflect tough, transient narratives. Throughout this period, Rose cultivated a audience through intimate performances in small venues and folk circuits across the , often relying on their van travels to connect with early fans in the Americana and communities before gaining broader attention.

Breakthrough and evolution

Caroline Rose's breakthrough came with the release of their third studio album, , on February 23, 2018, through . Co-produced by Rose and Paul Butler—known for their work with artists like Devendra Banhart and —the album marked a significant stylistic pivot from their earlier folk-oriented work toward a more eclectic indie pop-rock sound infused with elements of punk, electronic, and , all laced with satirical lyrics. Recorded in remote studios as well as Rose's parents' attic and former apartment, showcased their evolving production skills and willingness to experiment, blending cheeky narratives with infectious melodies that broadened their appeal beyond folk roots. The album's single "Jeannie Becomes a Mom" exemplified this shift, earning widespread acclaim and ranking as the 15th best song of on NPR Music's year-end list for its witty, genre-blending take on suburban life and personal reinvention. This recognition helped solidify Rose's place in the indie scene, highlighting their ability to merge humor and in a pop-rock framework that felt both fresh and foundational to their prior folk influences. Building on Loner's momentum, Rose released their fourth album, , on March 6, 2020, via , a self-produced that satirizes the pursuit of fame through the lens of an ambitious . Tracked sequentially in their home studio—drawing on YouTube tutorials for technical aspects—the production emphasized glossy, cinematic pop arrangements with '80s-inspired synths and danceable rhythms, reflecting Rose's growing confidence in solo engineering while capturing the highs and lows of their own rising profile. Critics praised for its sharp wit and thematic depth, with noting its strong humor despite a more structured approach, and it received a weighted average of 78/100 on based on favorable reviews. Further elevating their visibility, Rose made their national television debut on February 24, 2020, performing the album's lead single "Feel the Way I Want" on , where their energetic, retro-infused delivery captivated audiences and underscored their transition to a more performative pop-rock presence.

Recent releases and achievements

Caroline Rose released their fifth studio album, , on March 24, 2023, through , exploring themes of struggles and the dissolution of a romantic relationship through introspective indie-folk and rock arrangements. The album received critical acclaim for its emotional depth and artistic vulnerability, with noting its descent into the artist's psyche as a highlight. In recognition of its innovative design, earned a Grammy nomination for Best Recording Package at the in 2024, with Rose serving as art director. To promote the album, Rose embarked on a solo tour in 2023, performing the full record in intimate venues across North America, which emphasized the narrative storytelling embedded in the project's visuals and music. The tour showcased Rose's evolution toward more personal, unaccompanied live presentations, building on stylistic shifts from prior work. Rose's sixth album, year of the slug, arrived on February 7, 2025, via the artist's independent Bootleg Records imprint, recorded as a lo-fi collection of demos using minimal production to capture raw, unpolished songwriting. The record delves into themes of personal growth, transformation, and satirical narrative perspectives, infused with film-inspired elements that transport listeners into introspective vignettes. Initial reception praised its immediacy and twee warmth, with Paste Magazine highlighting its unquantifiable charm and Montreal Rocks commending how Rose transforms technical limitations into emotional strengths. Supporting year of the slug, Rose launched another solo tour in early 2025, extending through November with performances in venues like Kilby Court in and The Sunset Tavern in , further emphasizing intimate, narrative-driven shows that align with the album's stripped-back ethos.

Musical style and influences

Genre shifts and production

Caroline Rose's early albums, such as I Will Not Be Afraid (2014), were rooted in and alternative country-rock, featuring acoustic arrangements that evoked Americana traditions. This foundation shifted markedly with (2018), where Rose embraced a pop-rock sound infused with and thrashy elements, marking a departure toward more eclectic and energetic production. The album was co-produced by Rose and Paul Butler at Panoramic Studio in , with Butler also engineering alongside Jeremy Harris, allowing Rose to experiment with fuller, rock-oriented instrumentation while retaining her songwriting core. Building on this evolution, Rose took full control as for (2020), self-recording much of the album to craft a synthpop-infused pop-rock aesthetic with retro electronic flourishes. She incorporated vintage synthesizers like the Ensoniq SD-1 for a "cheesy" vibe and unconventional sounds, such as crumpling cellophane for dissonance in tracks like "I Took a Ride," emphasizing space in the mix to let strong song structures shine without overproduction. Rose's multi-instrumentalism—spanning guitar, drums, and keyboards—enabled this hands-on approach, as she played most parts herself during the recording process. Subsequent works further advanced her technical palette, particularly in The Art of Forgetting (2023), where Rose self-produced using modular synthesis tools like Mutable Instruments Clouds and tape loops to create organic, spatial effects that mimicked memory fragmentation. This incorporated electronic elements such as , blending them with classical influences for a more experimental, three-dimensional , while continuing her role as mix to balance frequencies and depth. This experimental approach continued in the 2025 release year of the slug, recorded simply using on a phone to blend psychobilly, pop, , alt-country, folk, electronic, and experimental elements with raw, unpolished production.

Themes and inspirations

Caroline Rose's lyrics frequently delve into themes of isolation, identity, and personal reinvention, drawing from introspective examinations of and self-evolution. In her 2018 album Loner, emerges as a core motif, rooted in her history of creative isolation and encounters with societal issues like and , which she addresses with satirical humor to highlight emotional disconnection. This sense of apartness underscores tracks that blend vulnerability with defiance, reflecting a ethos amid broader human struggles. Her 2023 album shifts toward themes of memory, grief, and healing, inspired by a confluence of personal crises including a , the , and an ensuing identity reckoning. Forgetting is portrayed not as erasure but as a gradual release of trauma, allowing space for , as in the song "," which chronicles bottled anger evolving into lighter acceptance. The album incorporates voicemails from her grandmother, contrasting generational perspectives on loss and legacy to emphasize emotional processing over suppression. These themes are deeply informed by Rose's queer experiences, which infuse her songwriting with narratives of fluid identity and relational heartbreak, such as the queer romance and rupture depicted in "Miami"'s music video. Growing up as the daughter of two artists in , Rose began writing songs and poems in her early teens, cultivating a poetic foundation that blends literary with musical expression. Broader influences include artists like and , whose reinventions mirror her own artistic evolution. Critics interpret her public persona as an impish indie rebel, channeling playful rebellion against conventional expectations to champion independent creativity and queer authenticity.

Personal life

Identity and public persona

Caroline Rose uses they/them and she/her pronouns and identifies as non-binary and . In interviews, Rose has discussed their identity openly, noting an initial reluctance to emphasize queerness early in their career to avoid being defined solely by it, stating, "I didn’t really come out. I kind of just wanted to be a songwriter." Over time, they embraced greater authenticity, explaining, "At a certain point I was like, I need to be more of myself… now that pretty much everyone knows I’m a big old ," and expressing pride in their role as a : "I love being gay and I love being a gay artist." This openness extends to their , where queer themes occasionally surface to bridge personal and performative selves. As a non-binary artist in the , Rose contributes to representation by challenging reductive labels and advocating for recognition beyond identity markers, remarking on media tendencies: "Sometimes I just get so much media attention like that, like, oh, you’re a . Oh, you’re ," while valuing support from queer role models like . Their public persona has evolved from a more guarded, stage-separated approach in early work to a reinvention emphasizing unfiltered self-expression, allowing for deeper integration of personal identity into their artistic presence.

Residence and lifestyle

As of 2025, Caroline Rose resides in Austin, Texas, where they maintain a home studio dedicated to music production and creative projects. Following their graduation from Wellesley College in 2011 with a degree in architecture, Rose initially pursued opportunities in New York City before relocating to Vermont, where they lived for several years while developing their early music career. This series of moves, including a period of nomadic living in a van after college, shaped a flexible and independent lifestyle that emphasized self-reliance and artistic exploration over traditional career paths. Rose's eventual settlement in Austin around 2018 provided a stable base amid these transitions, allowing for a routine that integrates touring with periods of focused home-based work. In daily life, Rose balances music production with personal hobbies influenced by their upbringing in an artistic family, where both parents were visual artists who encouraged travel and creative expression from a young age. This background fosters pursuits such as hands-on activities like working on cars and motorcycles, and , which serve as tactile outlets separate from musical endeavors. Additionally, Rose draws on their architectural training and applies these skills practically in stage set design for tours. These activities reflect a commitment to choices that prioritize creative autonomy and personal fulfillment outside professional obligations.

Discography

Studio albums

Caroline Rose's studio discography spans a diverse evolution from folk and Americana roots to experimental and lo-fi introspection. Their debut full-length emerged from grassroots funding, while subsequent releases under major indie labels showcased growing production ambition and stylistic shifts. Below is a chronological overview of their main studio , highlighting key release details, labels, core styles, and production notes.
AlbumRelease DateLabelCore StyleProduction Notes
America ReligiousJuly 2013Self-released (Not On Label)Americana, folk, roots rockFunded via campaign that raised over $10,000; produced by Caroline Rose and Jer Coons from stories and poems gathered during a cross-country .
I Will Not Be AfraidAugust 19, 2014Little Hi! RecordsFolk, country-inspiredFirst nationally distributed release; co-produced by Rose and Jer Coons, chronicling themes of wandering and disillusionment.
February 23, 2018, Recorded at Panoramic Studios in ; blends pop, folk, punk, electronic, and surf influences with satirical elements.
March 6, 2020Synth-pop, indietronicaConceived as a sequel to Loner, featuring glittery, full-contact pop production with percussive and passionate arrangements.
The March 24, 2023, Grammy-nominated created amid personal challenges; emphasizes emotional depth and self-awareness in its sonic palette.
year of the slugFebruary 7, 2025Self-released (Bandcamp exclusive)Lo-fi , acousticMinimalist, phone-recorded demos with no heavy production; limited to 3,000 vinyl copies, focusing on raw, solo acoustic performances.

Singles and collaborations

Caroline Rose has released a series of singles throughout their career, often serving as previews to upcoming albums and showcasing evolving musical styles from folk-infused tracks to and experiments. These singles frequently highlight Rose's thematic depth, blending personal introspection with broader , and have garnered attention for their production versatility. Key singles include "Money" from 2018, which critiques with upbeat energy, preceding the album . "Feel the Way I Want" in 2020 marked a shift toward glamorous pop on , emphasizing self-empowerment. From , "Love / Lover / Friend" () explores relational flux in a disco-inflected sound, while "Miami" (2023) delves into escapism with shimmering synths. More recent releases feature "The Doldrums" (2023), a reflective piece on stagnation. Rose has also ventured into remixes, such as their 2021 take on "YOU ARE ENOUGH" by , infusing it with electronic flair.
YearSingle TitleAlbum AssociationNotes
2018LonerLead single with satirical lyrics on wealth.
2018Jeannie Becomes a MomLonerNarrative-driven track about transformation.
2020Feel the Way I WantEmpowering anthem with retro pop vibes.
2020SuperstarPlayful exploration of identity.
2022Love / Lover / FriendDisco-influenced relational commentary.
2023The Art of ForgettingSynth-heavy escape narrative.
2023The DoldrumsThe Art of ForgettingIntrospective on emotional lows.
In addition to solo singles, Rose has engaged in notable collaborations, contributing vocals and creative input to tracks by other artists, often bridging indie, electronic, and alternative genres. Early on, in 2015, Rose featured on "Last," a cover of ' song by on their collaborative album Busted Jukebox Volume 1, delivering haunting harmonies that amplified the original's intensity. In 2021, Rose appeared on "Breathe" by from the album , where their ethereal vocals complemented Rothman's synth-driven exploration of trauma and resilience, released as a single on May 19. Rose also provided a for "Get Bit" by All Things Blue that year, adding a pulsating electronic layer to the track. In 2024, Rose provided vocals on "Down Where the Valleys Are Low" by Asher White featuring Eli Winter and Caroline Rose, released November 22, 2024, blending folk elements in a reflective track. More recently, in 2025, Rose collaborated on "Former You" with Hammydown, released July 29 as the title track of their album, blending folk-rock elements in a poignant reflection on past selves. Later that year, on March 14, Rose featured on "We Can Have Fun" by from , infusing the electronic track with playful, upbeat vocals. These partnerships underscore Rose's adaptability and role in fostering cross-genre dialogues within indie music circles.

References

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