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Caryl Brahms
Doris Caroline Abrahams (8 December 1901 – 5 December 1982), commonly known by the pseudonym Caryl Brahms, was an English critic, novelist, and journalist specialising in the theatre and ballet. She also wrote film, radio and television scripts.
As a student at London's Royal Academy of Music, Brahms was dissatisfied with her own skill as a pianist, and left without graduating. She contributed light verse, and later stories for satirical cartoons, to the London paper The Evening Standard in the late 1920s. She recruited a friend, S. J. Simon, to help her with the cartoon stories, and, in the 1930s and 40s, they collaborated on a series of comic novels, some with a balletic background and others set in various periods of English history. At the same time as her collaboration with Simon, Brahms was a ballet critic, writing for papers including The Daily Telegraph. Later, her interest in ballet waned, and she concentrated on reviewing plays.
After Simon's sudden death in 1948, Brahms wrote solo for some years but, in the 1950s, she established a second long-running collaboration with the writer and broadcaster Ned Sherrin, which lasted for the rest of her life. Together they wrote plays and musicals for the stage and television, and published both fiction and non-fiction books.
Brahms was born in Croydon, Surrey. Her parents were Henry Clarence Abrahams, a jeweller, and his wife, Pearl née Levi, a member of a Sephardic Jewish family who had come to Britain from the Ottoman Empire a generation earlier. She was educated at Minerva College, Leicestershire and at the Royal Academy of Music, where she left before graduating. Her biographer Ned Sherrin wrote, "already an embryo critic, she did not care to listen to the noise she made when playing the piano."
While at the Academy, Brahms wrote light verse for the student magazine. The London newspaper, the Evening Standard began to print some of her verses. Brahms adopted her pen-name so that her parents should not learn of her activities: they envisaged "a more domestic future" for her than journalism. The name "Caryl" was also usefully ambiguous as regards gender. In 1926, the artist David Low began to draw a series of satirical cartoons for the Evening Standard, featuring a small dog named "Mussolini" (later shortened to "Musso", after protests from the Italian embassy). Brahms was engaged to write the stories for the cartoons.
In 1930, Brahms published a volume of poems for children, The Moon on My Left, illustrated by Anna Zinkeisen. The Times Literary Supplement judged the verses to be in the tradition of A. A. Milne, "but the disciple's gift is too frequently spoiled by her lack of control. She uses too many capital letters, and too many exclamation marks, too many round O's in long chains, and she is too facetious". The reviewer quoted with approval an extract from one of her poems, a child's thoughts by candlelight:
I like things round,
I like the moon,
And the smooth inside
Of a silver spoon;
I like pennies –
And Sixpence too –
I LIKE things round –
Don't you?
This was followed the next year by a second volume, Sung Before Six, published under a different pen-name, Oliver Linden. She reverted to her more familiar pseudonym for a third volume, Curiouser and Curiouser, published in 1932.
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Caryl Brahms
Doris Caroline Abrahams (8 December 1901 – 5 December 1982), commonly known by the pseudonym Caryl Brahms, was an English critic, novelist, and journalist specialising in the theatre and ballet. She also wrote film, radio and television scripts.
As a student at London's Royal Academy of Music, Brahms was dissatisfied with her own skill as a pianist, and left without graduating. She contributed light verse, and later stories for satirical cartoons, to the London paper The Evening Standard in the late 1920s. She recruited a friend, S. J. Simon, to help her with the cartoon stories, and, in the 1930s and 40s, they collaborated on a series of comic novels, some with a balletic background and others set in various periods of English history. At the same time as her collaboration with Simon, Brahms was a ballet critic, writing for papers including The Daily Telegraph. Later, her interest in ballet waned, and she concentrated on reviewing plays.
After Simon's sudden death in 1948, Brahms wrote solo for some years but, in the 1950s, she established a second long-running collaboration with the writer and broadcaster Ned Sherrin, which lasted for the rest of her life. Together they wrote plays and musicals for the stage and television, and published both fiction and non-fiction books.
Brahms was born in Croydon, Surrey. Her parents were Henry Clarence Abrahams, a jeweller, and his wife, Pearl née Levi, a member of a Sephardic Jewish family who had come to Britain from the Ottoman Empire a generation earlier. She was educated at Minerva College, Leicestershire and at the Royal Academy of Music, where she left before graduating. Her biographer Ned Sherrin wrote, "already an embryo critic, she did not care to listen to the noise she made when playing the piano."
While at the Academy, Brahms wrote light verse for the student magazine. The London newspaper, the Evening Standard began to print some of her verses. Brahms adopted her pen-name so that her parents should not learn of her activities: they envisaged "a more domestic future" for her than journalism. The name "Caryl" was also usefully ambiguous as regards gender. In 1926, the artist David Low began to draw a series of satirical cartoons for the Evening Standard, featuring a small dog named "Mussolini" (later shortened to "Musso", after protests from the Italian embassy). Brahms was engaged to write the stories for the cartoons.
In 1930, Brahms published a volume of poems for children, The Moon on My Left, illustrated by Anna Zinkeisen. The Times Literary Supplement judged the verses to be in the tradition of A. A. Milne, "but the disciple's gift is too frequently spoiled by her lack of control. She uses too many capital letters, and too many exclamation marks, too many round O's in long chains, and she is too facetious". The reviewer quoted with approval an extract from one of her poems, a child's thoughts by candlelight:
I like things round,
I like the moon,
And the smooth inside
Of a silver spoon;
I like pennies –
And Sixpence too –
I LIKE things round –
Don't you?
This was followed the next year by a second volume, Sung Before Six, published under a different pen-name, Oliver Linden. She reverted to her more familiar pseudonym for a third volume, Curiouser and Curiouser, published in 1932.