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Chester Square
51°29′43″N 0°8′59″W / 51.49528°N 0.14972°W
Chester Square is an elongated residential garden square in London's Belgravia district. It was developed by the Grosvenor family, as were the nearby Belgrave and Eaton Square. The square is named after the city of Chester, the city nearest the Grosvenors' ancestral home of Eaton Hall.
No.32 was used as a backdrop for video accompanying Morrissey's track "Suedehead".
The whole except No.s 80a, 81, 81a, 82, 83 and 83a (so No.s 1–13 and 14–23, 24–32, 37–39, 42–45, 45a, 45b, 65–76 and 77–80, 80a, and 84–88 and the Mews Arch) is listed Grade II for architectural merit.
The (private, communal) gardens are Grade II listed on the Register of Historic Parks and Gardens.
The Anglican church of Saint Michael in Chester Square was built in 1844 along with the rest of the square, and consecrated two years later. The Ecclesiologist magazine criticised the opening, saying it was "an attempt - but happily a most unsuccessful one - to find a Protestant development of the Christian styles".[citation needed] The church is in the late Decorated Gothic style, with an exterior of Kentish Ragstone. The architect was Thomas Cundy the younger.
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Chester Square
51°29′43″N 0°8′59″W / 51.49528°N 0.14972°W
Chester Square is an elongated residential garden square in London's Belgravia district. It was developed by the Grosvenor family, as were the nearby Belgrave and Eaton Square. The square is named after the city of Chester, the city nearest the Grosvenors' ancestral home of Eaton Hall.
No.32 was used as a backdrop for video accompanying Morrissey's track "Suedehead".
The whole except No.s 80a, 81, 81a, 82, 83 and 83a (so No.s 1–13 and 14–23, 24–32, 37–39, 42–45, 45a, 45b, 65–76 and 77–80, 80a, and 84–88 and the Mews Arch) is listed Grade II for architectural merit.
The (private, communal) gardens are Grade II listed on the Register of Historic Parks and Gardens.
The Anglican church of Saint Michael in Chester Square was built in 1844 along with the rest of the square, and consecrated two years later. The Ecclesiologist magazine criticised the opening, saying it was "an attempt - but happily a most unsuccessful one - to find a Protestant development of the Christian styles".[citation needed] The church is in the late Decorated Gothic style, with an exterior of Kentish Ragstone. The architect was Thomas Cundy the younger.