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Christopher Fry
Christopher Fry (18 December 1907 – 30 June 2005) was an English poet and playwright. He is best known for his verse dramas, especially The Lady's Not for Burning (1948), which made him a major force in theatre in the 1940s and 1950s.
Fry was born as Arthur Hammond Harris in Bristol, the son of Charles John Harris, a master builder who retired early to work full-time as a licensed Lay Reader in the Church of England, and his wife Emma Marguerite Fry Hammond Harris. While still young, he took his mother's maiden name because, on very tenuous grounds, he believed her to be related to the 19th-century Quaker prison reformer Elizabeth Fry. He adopted Elizabeth Fry's faith, and became a Quaker.
After attending Bedford Modern School, where he wrote amateur plays, he became a schoolteacher, working at the Bedford Froebel Kindergarten and Hazelwood School in Limpsfield, Surrey.
In the 1920s, he met the writer Robert Gittings, who became a lifelong friend.
Fry gave up his school career in 1932 to found the Tunbridge Wells Repertory Players, which he ran for three years, directing and starring in the English premiere of George Bernard Shaw's A Village Wooing in 1934. As a curtain-raiser, he put on a revised version of a show he wrote when he was a schoolboy called The Peregrines. He also wrote the music for She Shall Have Music in 1935.
His play about Thomas John Barnardo, the founder of Barnardo's children's homes, toured in a fund-raising amateur production in 1935 and 1936, including Deborah Kerr in its cast.
His professional career began to take off when he was commissioned by the vicar of Steyning, West Sussex,[dubious – discuss] to write a play celebrating the local saint, Cuthman of Steyning, which became The Boy With A Cart in 1938. It would be put on professionally in 1950 with the young Richard Burton in his first starring role.
Tewkesbury Abbey commissioned his next play, The Tower, written in 1939, which was seen by the poet T. S. Eliot, who became a friend and is often cited as an influence. In 1939 Fry also became artistic director of Oxford Playhouse.
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Christopher Fry
Christopher Fry (18 December 1907 – 30 June 2005) was an English poet and playwright. He is best known for his verse dramas, especially The Lady's Not for Burning (1948), which made him a major force in theatre in the 1940s and 1950s.
Fry was born as Arthur Hammond Harris in Bristol, the son of Charles John Harris, a master builder who retired early to work full-time as a licensed Lay Reader in the Church of England, and his wife Emma Marguerite Fry Hammond Harris. While still young, he took his mother's maiden name because, on very tenuous grounds, he believed her to be related to the 19th-century Quaker prison reformer Elizabeth Fry. He adopted Elizabeth Fry's faith, and became a Quaker.
After attending Bedford Modern School, where he wrote amateur plays, he became a schoolteacher, working at the Bedford Froebel Kindergarten and Hazelwood School in Limpsfield, Surrey.
In the 1920s, he met the writer Robert Gittings, who became a lifelong friend.
Fry gave up his school career in 1932 to found the Tunbridge Wells Repertory Players, which he ran for three years, directing and starring in the English premiere of George Bernard Shaw's A Village Wooing in 1934. As a curtain-raiser, he put on a revised version of a show he wrote when he was a schoolboy called The Peregrines. He also wrote the music for She Shall Have Music in 1935.
His play about Thomas John Barnardo, the founder of Barnardo's children's homes, toured in a fund-raising amateur production in 1935 and 1936, including Deborah Kerr in its cast.
His professional career began to take off when he was commissioned by the vicar of Steyning, West Sussex,[dubious – discuss] to write a play celebrating the local saint, Cuthman of Steyning, which became The Boy With A Cart in 1938. It would be put on professionally in 1950 with the young Richard Burton in his first starring role.
Tewkesbury Abbey commissioned his next play, The Tower, written in 1939, which was seen by the poet T. S. Eliot, who became a friend and is often cited as an influence. In 1939 Fry also became artistic director of Oxford Playhouse.