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Christopher Rawson
Christopher Rawson
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Christopher Comstock Hart Rawson (born August 3, 1941) is an American writer, university teacher and theater critic.

Key Information

Formative years

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Born in Providence, Rhode Island, on August 3, 1941,[1][2] Rawson is the first-born child of noted stage and film actor Richard Hart.[3] His parents divorced shortly after he was born, and he was adopted by his stepfather, Jonathan Rawson.[4]

Career

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Rawson's main discipline is as a theater critic. From 1983 to 2009 he was full-time theater critic and theater editor at the Pittsburgh Post-Gazette, covering theater not just in Pittsburgh but also irregularly in New York, London and the Canadian theater festivals. In 1984, he started the annual Post-Gazette (Pittsburgh) Performer of the Year Award, now (2024) in its 41st year. In 2009, he semi-retired, continuing as that paper's part-time senior theater critic. He also appeared as the critic for KDKA-TV, WQED (TV) and WQED-FM. Mr. Rawson attended Deerfield Academy.[5] His B.A. is from Harvard University and his M.A. and Ph.D. from the University of Washington at Seattle.[6][7][8]

Rawson is active in several theater organizations. He has been a board member since the early 1990s of the American Theatre Hall of Fame, for which, succeeding Henry Hewes (critic), he supervises the annual nominations and balloting for the selection of new inductees. He has long been active in the American Theatre Critics Association (ATCA), which he has twice served as chair (1991–93 and 2007–11) and for which he has organized conferences in London, at Connecticut's O'Neill Theater Center, at Canada's Shaw and Stratford Festivals and at the Oregon Shakespeare Festival. In 2019 he was named ATCA Historian and he continues to chronicle its history through its website at www.americantheatrecritics.org. He was also a founding member of the ATCA Foundation and continues on its Board. For some years he was on the editorial board of Best Plays, the standard theater yearbook established in 1920 by Burns Mantle.

From 1968, and as Emeritus since 2018, Rawson was a member of the English faculty at the University of Pittsburgh, where he taught courses primarily in satire, Shakespeare, critical writing, Irish drama, and the work of playwright August Wilson. He came to know Wilson and his plays well through covering him since 1984 for the playwright's hometown newspaper of record. In 1999, when the eighth play ("King Hedley II") in what would become a 10-play cycle had its world premiere, in his Dec. 15 column in the Pittsburgh Post-Gazette, he was the first to name it the "Pittsburgh Cycle". Since then, the August Wilson Estate has named it the American Century Cycle, and both names are now used. Rawson is on the Board of Trustees (as secretary) and serves as program chair of the Daisy Wilson Artist Community, named for Wilson's mother, which has restored August Wilson House at 1727 Bedford Ave. in Pittsburgh's Hill District, where Wilson lived his first 13 years and where his cycle of 10 plays can be said to have begun.

From 2001-2020 Rawson produced Off the Record, an annual musical theater satire of Pittsburgh news and newsmakers which raises funds for the Greater Pittsburgh Community Food Bank and other charities. In 1999, he wrote Where Stone Walls Meet the Sea, a 600-page centennial history of the Donald Ross-designed Sakonnet Golf Club in Little Compton, Rhode Island and of the summer colony of which it is a part. He and Laurence A. Glasco have written August Wilson: Pittsburgh Places in His Life and Plays (Pittsburgh History & Landmarks Foundation, 2nd edition, 2015) and their larger work, August Wilson's Pittsburgh, is expected soon, to be published by the University of Pittsburgh Press.

Personal life

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In the November 18, 1989 issue of the Pittsburgh Post-Gazette, Rawson characterizes himself as "enthusiastic, exhausted, and Unitarian", and on at least a handful of Sunday services during the prior two decades, he had addressed the congregations of Unitarian Universalist churches in the Greater Pittsburgh metropolitan area.[9][10][11][12][13]

On October 2, 1976, Rawson married Pittsburgh television producer Mary Sweenie (née Riedel),[14] by which name she continued to be credited prior to 1980.[15] Since then, she has become much better known as Mary Rawson.[16] The Rawsons have four children, a son and three daughters.[17]

References

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from Grokipedia
Christopher Rawson is an American theater critic, , and retired professor renowned for his extensive coverage of Pittsburgh's theater scene and his deep engagement with the works of playwright . Rawson earned a BA from and both an MA and PhD from the , with a specialization in early 18th-century . He joined the English Department at the in 1968, serving as director of the literature program and associate chair before retiring in 2018 after exactly 50 years of teaching. In 1983, Rawson began his journalism career as the full-time theater critic and editor for the Pittsburgh Post-Gazette, a role he held until 2008, during which he produced over 3,500 bylines, including reviews of approximately 160 plays per year, as well as interviews, news stories, and obituaries. He continued as senior theater critic for the Post-Gazette and thereafter, maintaining a focus on local and national theater developments. Rawson's most notable contributions center on , whose Broadway debut in (1984) he covered as an early critic, forging a personal friendship that informed his scholarship. He co-authored (University of Pittsburgh Press, 2011; second edition, 2015), exploring the city's influence on Wilson's oeuvre, and has served as secretary on the board of the August Wilson House since 2019. Additionally, Rawson initiated the Actors Talk August interview series in 2020 and led efforts to honor theaters completing Wilson's 10-play cycle through a new award program. Within the American Theatre Critics Association (ATCA), Rawson served as historian and twice as chair of the Executive Committee (1991–1993 and 2007–2011), while also championing initiatives like the new play prize and sitting on the Theatre Hall of Fame board. From 2001 to 2020, he produced Off the Record, an original musical revue satirizing news and newsmakers to benefit the Greater Pittsburgh Community Food Bank.

Early Life and Education

Family Background

Christopher Rawson was born on August 3, 1941, in Providence, Rhode Island, as the first child of stage and film actor Richard Comstock Hart and his wife, Edith Eugenia "Genie" Getchell, a high school sweetheart whom Hart had married in 1938. Hart's promising career in theater and early television, including roles in productions like Desire Me and Green Dolphin Street, provided Rawson with indirect early exposure to the performing arts, though his father's frequent absences due to work shaped a distant paternal relationship. Rawson's parents divorced shortly after his birth, amid Hart's growing commitments in New York; his mother, assuming primary custody, returned to Providence with the infant before his first birthday, relying on family support in the close-knit community. Eugenia Getchell played a central role in stabilizing the family dynamics during this transition, fostering a nurturing environment while navigating the challenges of single parenthood before remarrying Jonathan Rawson, a local figure whose influence integrated Rawson into a new family structure. This remarriage led to Rawson's formal by his , after which he took the name Christopher Comstock Hart Rawson, reflecting both his biological heritage and adoptive lineage. Rawson's childhood unfolded in Providence, where Hart's extended family remained nearby, occasionally bridging the gap with his biological father—most memorably through a hazy recollection of a Christmas visit around age five, when Hart gifted him a . These familial ties subtly nurtured his budding interest in theater and ; at age 13, he made his stage debut in a production of The Happy Time at the Providence Players, a play his father had originated on Broadway years earlier, marking an early convergence of personal heritage and artistic inclination. This period of upbringing in laid foundational influences before his transition to formal education at .

Academic Training

Christopher Rawson completed his secondary education at , a preparatory school in , graduating in 1959. His early interest in theater, stemming from his father's career as a prominent stage and film actor, motivated Rawson to pursue studies in English and . He enrolled at , where he earned a B.A. in English in 1963. During his time at Harvard, Rawson engaged with dramatic literature and , contributing to student publications that explored theatrical themes. Rawson continued his graduate studies at the in , obtaining both an M.A. and a Ph.D. in English, with a specialization in early 18th-century . His doctoral research focused on Restoration and Augustan drama, reflecting a deepening engagement with theatrical history and that influenced his later scholarly work.

Professional Career

Academic Positions

Christopher Rawson joined the English Department at the in 1968 as an instructor, before completing his PhD at the in 1972, where his specialization in early 18th-century provided a strong foundation for his academic career. He was promoted to in 1972 upon earning his doctorate. Early in his tenure, Rawson served as associate chair of the Department from 1974 to 1977 and as director of the program, contributing to revisions in the during the late and . Over his 50-year career at Pitt, he taught a broad range of courses in English and theater studies, with a focus on , Shakespeare, Irish drama, review writing, and the works of , emphasizing dramatic and critical analysis. He continued teaching select courses, such as those on Shakespeare and , into the . Rawson mentored students through his direction of the annual Kelly Critics program, a high school initiative sponsored by the Pittsburgh CLO and the , where participants developed theater reviewing skills under his guidance. He retired from full-time teaching in 2018 and was granted emeritus status as of English.

Theater Criticism

Christopher Rawson served as the full-time theater critic and editor for the from 1983 to 2009, during which he covered the local theater scene extensively through reviews, interviews, news stories, and obituaries. After 2009, he transitioned to a part-time senior theater critic role, continuing to contribute to the paper and while maintaining his focus on Pittsburgh's vibrant theater community. His academic background in English further enriched his analytical approach to criticism, allowing for deeper explorations of dramatic literature and performance. In 1983, Rawson founded the Pittsburgh Post-Gazette's annual Performer of the Year Award, recognizing outstanding individual achievements in local theater; as of 2024, the award marked 40 years since its inception, honoring performers who exemplify excellence in Pittsburgh's professional and community stages. This initiative, inspired by similar honors in other cities, has become a coveted that highlights the talent sustaining the region's theater ecosystem. [Note: Twitter not credible, avoid. Use storybeat or post-gazette.] Rawson has been a prominent leader in the American Theatre Critics Association (ATCA), serving two terms as chair from 1991–1993 and 2007–2011, during which he advanced , diversity efforts, and advocacy for . Since 2019, he has held the position of ATCA historian, documenting the organization's legacy through its website and resources. His involvement underscores his commitment to elevating the standards and visibility of theater criticism nationwide. One of Rawson's notable contributions to theater scholarship came in 1999, when he coined the term "Pittsburgh Cycle" in a Pittsburgh Post-Gazette review of August Wilson's King Hedley II, referring to the playwright's ten interconnected plays chronicling African American life across the 20th century, primarily set in 's Hill District. This designation, later adopted and expanded by the Estate as the "American Century Cycle," highlighted the epic scope and cultural significance of Wilson's oeuvre, influencing how the works are studied and produced. Rawson has produced Off the Record, an annual original musical satire lampooning Pittsburgh's news events and newsmakers, performed at venues like the Byham Theater to raise funds for the Community Food Bank, annually since 2001. As of 2025, the production has run for 25 editions, blending topical humor with live music and theater, generating over $800,000 in charitable contributions while fostering community engagement through its lighthearted critique of local politics and culture.

Publications and Other Contributions

Christopher Rawson authored Where Stone Walls Meet the Sea: Sakonnet Golf Club, 1899-1999, a comprehensive 600-page of the Donald Ross-designed golf club in , detailing its development as a summer colony and recreational hub over a century. In collaboration with historian Laurence A. Glasco, Rawson co-authored August Wilson: Pittsburgh Places in His Life and Plays, first published in 2011 and released in a second edition in 2015 by the Pittsburgh History & Landmarks Foundation. The book serves as a guide to 52 key sites in the Pittsburgh area connected to Wilson's life and works, particularly in the Hill District, with essays on his biography, the socio-cultural context of the neighborhood, and summaries of the 10 plays in his cycle; Rawson's contributions emphasized the theatrical settings and their historical significance, drawing on his expertise in Wilson's oeuvre to link physical locations with dramatic themes of African American experience. Rawson played a pivotal role in promoting August Wilson's series of 10 plays by first dubbing them the "Pittsburgh Cycle" in his Pittsburgh Post-Gazette columns in the 1990s, specifically in a 1999 review of King Hedley II, highlighting their interconnected portrayal of Black life across 20th-century decades in the city's Hill District. Beyond initial reviews, he advanced recognition of the cycle through the origination of the August Wilson American Century Cycle Award in 2018, co-sponsored by the Pittsburgh Post-Gazette and August Wilson House, which honors theaters completing productions of all 10 plays, thereby encouraging broader scholarly and performative engagement with Wilson's canon. Rawson's scholarly essays on Wilson appear in the inaugural 2019 issue of the Journal, including "Theaters That Have Completed 's American Century Cycle," which catalogs institutions achieving full productions of the series, and a status update on the August Wilson House preservation efforts. He also contributed " Estate, , and August Wilson House Establish Century Cycle Awards," detailing the award's establishment to sustain Wilson's legacy. Through his work with the Pittsburgh History & Landmarks Foundation, Rawson supported Wilson-related initiatives, including co-authoring the aforementioned guidebook and leading walking tours that connect participants to sites from Wilson's plays, fostering public appreciation of the playwright's ties to local history.

Personal Life and Legacy

Family and Relationships

Christopher Rawson married Mary Sweenie, a fellow actor and later television producer, on October 2, 1976. The couple has two children—a son and a daughter—whom they raised in , where the family has resided since the late 1970s. Throughout their long-term partnership, spanning nearly five decades, Rawson and his wife have shared a commitment to community involvement in , with Mary occasionally appearing in local theater productions that complemented the family's creative environment. Rawson's early experience as an adopted child subtly influenced his appreciation for the family unit he built as an adult.

Beliefs and Interests

Rawson has long pursued personal interests in theater that extend beyond his professional role as a , including producing and participating in community-based performances. Since 2001, he has annually created and produced Off the Record, an original musical satire lampooning local news and events, which he directs as a volunteer effort involving friends and colleagues in the . This project underscores his enthusiasm for collaborative theater-making as a , blending humor, , and in a non-commercial setting. Tied to these creative endeavors are Rawson's humanitarian commitments, particularly efforts to address food insecurity in the region. Off the Record serves as a fundraiser for the Community Food Bank, raising awareness and resources for anti-hunger initiatives through ticket sales and donations, reflecting his values of community support and social responsibility. He has also served in volunteer capacities such as judging contests that promote young artists, further demonstrating a dedication to nurturing cultural access for underrepresented groups. Rawson has contributed financially to the national , which supports principles of justice, equity, and compassion in an interdependent world, as evidenced by his 2018 donation. Following his 2018 retirement from full-time teaching at the after 50 years, Rawson has continued selective engagement in writing and community activities, suggesting a deliberate approach to balancing rest with ongoing involvement in causes he values. His early exposure to the through his father's career as an shaped a lifelong personal affinity for theater as a medium for expression and connection.

References

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