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Cross-stitch
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Cross-stitch
Cross-stitch is a form of sewing and a popular form of counted-thread embroidery in which X-shaped stitches (called cross stitches) in a tiled, raster-like pattern are used to form a picture. The stitcher counts the threads on a piece of evenweave fabric (such as linen) in each direction so that the stitches are of uniform size and appearance. This form of cross-stitch is also called counted cross-stitch in order to distinguish it from other forms of cross-stitch. Sometimes cross-stitch is done on designs printed on the fabric (stamped cross-stitch); the stitcher simply stitches over the printed pattern. Cross-stitch is often executed on easily countable fabric called aida cloth, whose weave creates a plainly visible grid of squares with holes for the needle at each corner.
Fabrics used in cross-stitch include linen, aida cloth, and mixed-content fabrics called 'evenweave' such as jobelan. All cross-stitch fabrics are technically "evenweave" as the term refers to the fact that the fabric is woven to make sure that there are the same number of threads per inch in both the warp and the weft (i.e. vertically and horizontally). Fabrics are categorized by threads per inch (referred to as 'count'), which can range from 11 to 40 count.
Counted cross-stitch projects are worked from a gridded pattern called a chart and can be used on any count fabric; the count of the fabric and the number of threads per stitch determine the size of the finished stitching. For example, if a given design is stitched on a 28 count cross-stitch fabric with each cross worked over two threads, the finished stitching size is the same as it would be on a 14 count aida cloth fabric with each cross worked over one square. These methods are referred to as "2 over 2" (2 embroidery threads used to stitch over 2 fabric threads) and "1 over 1" (1 embroidery thread used to stitch over 1 fabric thread or square), respectively. There are different methods of stitching a pattern, including the cross-country method where one colour is stitched at a time, or the parking method where one block of fabric is stitched at a time and the end of the thread is "parked" at the next point the same colour occurs in the pattern.
Cross-stitch can be found all over the world since the Middle Ages. Many folk museums show examples of clothing decorated with cross-stitch, especially from continental Europe and Asia.
The cross-stitch sampler is called that because it was generally stitched by a young girl to learn how to stitch and to record alphabet and other patterns to be used in her household sewing. These samples of her stitching could be referred back to over the years. Often, motifs and initials were stitched on household items to identify their owner, or simply to decorate the otherwise-plain cloth. The earliest known cross stitch sampler made in the United States is currently housed at Pilgrim Hall in Plymouth, Massachusetts. The sampler was created by Loara Standish, daughter of Captain Myles Standish and pioneer of the Leviathan stitch, circa 1653.
Traditionally, cross-stitch was used to embellish items like household linens, tablecloths, dishcloths, and doilies (only a small portion of which would actually be embroidered, such as a border). Although there are many cross-stitchers who still employ it in this fashion, it is now increasingly popular to work the pattern on pieces of fabric and hang them on the wall for decoration. Cross-stitch is also often used to make greeting cards, pillow tops, or as inserts for box tops, coasters and trivets.
Multicoloured, shaded, painting-like patterns as we know them today are a fairly modern development, deriving from similar shaded patterns of Berlin wool work of the mid-nineteenth century. Besides designs created expressly for cross-stitch, there are software programs that convert a photograph or a fine art image into a chart suitable for stitching. One example of this is in the cross-stitched reproduction of the Sistine Chapel charted and stitched by Joanna Lopianowski-Roberts.
There are many cross-stitching "guilds" and groups across the United States and Europe which offer classes, collaborate on large projects, stitch for charity, and provide other ways for local cross-stitchers to get to know one another. Individually owned local needlework shops (LNS) often have stitching nights at their shops, or host weekend stitching retreats.
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Cross-stitch AI simulator
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Cross-stitch
Cross-stitch is a form of sewing and a popular form of counted-thread embroidery in which X-shaped stitches (called cross stitches) in a tiled, raster-like pattern are used to form a picture. The stitcher counts the threads on a piece of evenweave fabric (such as linen) in each direction so that the stitches are of uniform size and appearance. This form of cross-stitch is also called counted cross-stitch in order to distinguish it from other forms of cross-stitch. Sometimes cross-stitch is done on designs printed on the fabric (stamped cross-stitch); the stitcher simply stitches over the printed pattern. Cross-stitch is often executed on easily countable fabric called aida cloth, whose weave creates a plainly visible grid of squares with holes for the needle at each corner.
Fabrics used in cross-stitch include linen, aida cloth, and mixed-content fabrics called 'evenweave' such as jobelan. All cross-stitch fabrics are technically "evenweave" as the term refers to the fact that the fabric is woven to make sure that there are the same number of threads per inch in both the warp and the weft (i.e. vertically and horizontally). Fabrics are categorized by threads per inch (referred to as 'count'), which can range from 11 to 40 count.
Counted cross-stitch projects are worked from a gridded pattern called a chart and can be used on any count fabric; the count of the fabric and the number of threads per stitch determine the size of the finished stitching. For example, if a given design is stitched on a 28 count cross-stitch fabric with each cross worked over two threads, the finished stitching size is the same as it would be on a 14 count aida cloth fabric with each cross worked over one square. These methods are referred to as "2 over 2" (2 embroidery threads used to stitch over 2 fabric threads) and "1 over 1" (1 embroidery thread used to stitch over 1 fabric thread or square), respectively. There are different methods of stitching a pattern, including the cross-country method where one colour is stitched at a time, or the parking method where one block of fabric is stitched at a time and the end of the thread is "parked" at the next point the same colour occurs in the pattern.
Cross-stitch can be found all over the world since the Middle Ages. Many folk museums show examples of clothing decorated with cross-stitch, especially from continental Europe and Asia.
The cross-stitch sampler is called that because it was generally stitched by a young girl to learn how to stitch and to record alphabet and other patterns to be used in her household sewing. These samples of her stitching could be referred back to over the years. Often, motifs and initials were stitched on household items to identify their owner, or simply to decorate the otherwise-plain cloth. The earliest known cross stitch sampler made in the United States is currently housed at Pilgrim Hall in Plymouth, Massachusetts. The sampler was created by Loara Standish, daughter of Captain Myles Standish and pioneer of the Leviathan stitch, circa 1653.
Traditionally, cross-stitch was used to embellish items like household linens, tablecloths, dishcloths, and doilies (only a small portion of which would actually be embroidered, such as a border). Although there are many cross-stitchers who still employ it in this fashion, it is now increasingly popular to work the pattern on pieces of fabric and hang them on the wall for decoration. Cross-stitch is also often used to make greeting cards, pillow tops, or as inserts for box tops, coasters and trivets.
Multicoloured, shaded, painting-like patterns as we know them today are a fairly modern development, deriving from similar shaded patterns of Berlin wool work of the mid-nineteenth century. Besides designs created expressly for cross-stitch, there are software programs that convert a photograph or a fine art image into a chart suitable for stitching. One example of this is in the cross-stitched reproduction of the Sistine Chapel charted and stitched by Joanna Lopianowski-Roberts.
There are many cross-stitching "guilds" and groups across the United States and Europe which offer classes, collaborate on large projects, stitch for charity, and provide other ways for local cross-stitchers to get to know one another. Individually owned local needlework shops (LNS) often have stitching nights at their shops, or host weekend stitching retreats.
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