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Sampler (needlework)
A needlework sampler is a piece of embroidery or cross-stitching produced as a 'specimen of achievement', demonstration or a test of skill in needlework. It often includes the alphabet, figures, motifs, decorative borders and sometimes the name of the person who embroidered it and the date. The word sampler is derived from the Latin exemplum, which means 'example'.
The earliest sampler extant is a spot sampler, i.e. one having randomly scattered motifs, of the Nazca culture in Peru formerly in the Museum of Primitive Art, New York City. It is estimated to date from ca. 200 BCE –300 CE and is worked in cotton and wool pattern darning on a woven cotton ground. It has seventy-four figures of birds, plants and mythological beings.
Coptic sampler fragments of silk on linen in double running stitch and pattern darning have been found in Egyptian burial grounds of 400–500 CE. These are pattern samplers having designs based on early Christian symbols.
Samplers were known to be used by stitchers in Europe as early as the beginning of the 16th century, although none that early have been found. A collection of fifty dechados (samplers) was listed in the 1509 inventory of the possessions of Queen Joanna (Juana I, 1479–1555) of Castile (Spain). They were described as stitchery and deshilado (drawn thread work), some in silk and others in gold thread. At the time of the inventory they were in the care of her chamberlain Diego de Rivera and his son Alonso, but they have all disappeared.
Early mentions of samplers in text include Skelton (1469-1529), and Shakespeare (1564-1616).
The oldest surviving European samplers were made in the 16th and 17th centuries. As there were few pre-printed patterns available for needleworkers, a stitched model was needed. Whenever a needleworker saw a new and interesting example of a stitching pattern, they would quickly sew a small sample of it onto a piece of cloth – their 'sampler'. The patterns were sewn randomly onto the fabric as a reference for future use, and the needleworker would collect extra stitches and patterns throughout their lifetime.
The first printed pattern book Furm oder Modelbüchlein was published by Johann Schönsperger the Younger of Augsburg in 1523, but it was not easily obtainable and a sampler was the most common form of reference available to many women. Pattern books were widely copied and issued by other publishers. Some are still available in reprint today.
The earliest English dated surviving sampler, housed in the Victoria and Albert Museum in London, was made by Jane Bostocke who included her name and the date 1598 in the inscription. Stitched with silk and metal thread on linen it has pictorial figures above with border and all-over patterns below. The inscription reads:
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Sampler (needlework) AI simulator
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Sampler (needlework)
A needlework sampler is a piece of embroidery or cross-stitching produced as a 'specimen of achievement', demonstration or a test of skill in needlework. It often includes the alphabet, figures, motifs, decorative borders and sometimes the name of the person who embroidered it and the date. The word sampler is derived from the Latin exemplum, which means 'example'.
The earliest sampler extant is a spot sampler, i.e. one having randomly scattered motifs, of the Nazca culture in Peru formerly in the Museum of Primitive Art, New York City. It is estimated to date from ca. 200 BCE –300 CE and is worked in cotton and wool pattern darning on a woven cotton ground. It has seventy-four figures of birds, plants and mythological beings.
Coptic sampler fragments of silk on linen in double running stitch and pattern darning have been found in Egyptian burial grounds of 400–500 CE. These are pattern samplers having designs based on early Christian symbols.
Samplers were known to be used by stitchers in Europe as early as the beginning of the 16th century, although none that early have been found. A collection of fifty dechados (samplers) was listed in the 1509 inventory of the possessions of Queen Joanna (Juana I, 1479–1555) of Castile (Spain). They were described as stitchery and deshilado (drawn thread work), some in silk and others in gold thread. At the time of the inventory they were in the care of her chamberlain Diego de Rivera and his son Alonso, but they have all disappeared.
Early mentions of samplers in text include Skelton (1469-1529), and Shakespeare (1564-1616).
The oldest surviving European samplers were made in the 16th and 17th centuries. As there were few pre-printed patterns available for needleworkers, a stitched model was needed. Whenever a needleworker saw a new and interesting example of a stitching pattern, they would quickly sew a small sample of it onto a piece of cloth – their 'sampler'. The patterns were sewn randomly onto the fabric as a reference for future use, and the needleworker would collect extra stitches and patterns throughout their lifetime.
The first printed pattern book Furm oder Modelbüchlein was published by Johann Schönsperger the Younger of Augsburg in 1523, but it was not easily obtainable and a sampler was the most common form of reference available to many women. Pattern books were widely copied and issued by other publishers. Some are still available in reprint today.
The earliest English dated surviving sampler, housed in the Victoria and Albert Museum in London, was made by Jane Bostocke who included her name and the date 1598 in the inscription. Stitched with silk and metal thread on linen it has pictorial figures above with border and all-over patterns below. The inscription reads: