Hubbry Logo
search
logo
2193364

Daphni Monastery

logo
Community Hub0 Subscribers
Write something...
Be the first to start a discussion here.
Be the first to start a discussion here.
See all
Daphni Monastery

Daphni or Dafni (Modern Greek: Δαφνί; Katharevousa: Δαφνίον, Daphnion) is an eleventh-century Byzantine monastery eleven kilometers (6.8 miles) northwest of central Athens in the suburb of Chaidari, south of Athinon Avenue (GR-8A). It is situated near the forest of the same name, on the Sacred Way that led to Eleusis. The forest covers about 18 km2 (7 sq mi), and surrounds a laurel grove. "Daphni" is the modern Greek name that means "laurel grove", derived from Daphneion (Lauretum).

The Daphni Monastery, along with the famous monasteries of Hosios Loukas near Delphi and Nea Moni on the island of Chios, are designated UNESCO World Heritage Sites for their significant historical and architectural value. These monasteries are famed as masterpieces of middle Byzantine architecture, and are especially noted for their sumptuous interior gold-ground mosaics.

The Daphni Monastery was founded towards the end of the sixth century A.D. on the site of the Sanctuary of Apollo which had been desecrated by the Goths in 395. The Sanctuary of Apollo was built in the Ionic style using the thinnest and smallest columns. The columns stand on a base with an ornamental scroll at the top. A few of the columns of the temple have been preserved. One of the four Ionic columns of the ancient Sanctuary of Apollo remains at the site, as it was re-used in the Daphni Monastery. The other columns were removed and taken to London by Thomas Bruce, Earl of Elgin (best-known for taking the Parthenon Marbles). The columns, column bases, and column tops from the Sanctuary of Apollo are currently in the possession of the British Museum; they are currently not on display but can be seen on the museum’s website .

The first monastery on the site was constructed in the style of a castle with a basilica in the middle. It was fortified with enclosing walls and small cells that were usually just inside the walls and used by monks or nuns. The walls were attached to the church rather than standing free around the perimeter of the property and one of the columns from Apollo was built into the southern wall of the church. Some of the rectangular blocks of porous stone were also salvaged and used in the western outer wall of the church. This first monastery fell into decline when Greece was severely damaged following invasions of barbarians from the North and the sea in the ninth and tenth Centuries A.D.

During a period of renewed prosperity in the eleventh and twelfth centuries, the Daphni Monastery was restored. A new octagonal church, a refectory and a chapel for the cemetery were built. The old basilica was completely demolished, except for the enclosing walls and cells from the former church which were incorporated into the new church. Traces of old frescoes found on the walls show a person with bands, perhaps Emperor Basil II, holding a scroll. The craftsmanship used in the church construction suggests Basil II brought in workers from Constantinople.

The Daphni Monastery fell into decline after it was sacked by Frankish crusaders in 1205. The region became part of the Duchy of Athens, under Othon de la Roche. Othon gave the Daphni Monastery to the Cistercian Abbey of Bellevaux, who added their own cloister and twin pointed arches in the Gothic style to the façade of the church. The Daphni Monastery became a popular burial place for Knights. In 1458, immediately after the coming of the Turks and the visit of Sultan Mehmed II to Athens, the Cistercians abandoned the Daphni Monastery and the Duchy of Athens was abolished.

The exterior of the church has a cloisonné style, which is very common for middle Byzantine churches in Greece. The cloisonné style of masonry consists of rectangular blocks of stone separated or framed on all four sides by bricks. The windows are set off from the cloisonné work by arched frames made of brick. The contrast between the light color of the stone blocks of the cloisonné and the red bricks around the windows and the orange roof create a sophisticated and understated elegance.

The floor plan for the Church of Daphni is a simple Greek cross-octagon arranged with various levels of light and illumination. The upper church, particularly the dome, symbolizes the heavens while the lower area symbolizes the earth. A square bay in the center of the church is covered by a broad dome. Squinches, small half-domes that span the corner of a square, are connected by tall L-shaped piers to form the transition from the square to the circle of the dome. The four squinches in the square bay transform it into an octagon. The wall surfaces fan out at the top above the squinches and join together to form the circular base of the dome.

See all
User Avatar
No comments yet.